Saturday was our regular meeting for the Memphis Urban Sketchers. Elizabeth had decided to convene us downtown near the Memphis in May festivities, which is also near my regular Saturday morning destination of the farmers market. I'm an early bird and like to get to the market pretty early to get my pick of things. I was also concerned about parking once downtown got hopping, so I put a cooler in the car, hit the market about 8:30, and then headed for our meeting spot at Beale near the Orpheum. I've got a commission on my list for the Orpheum theater, Memphis's old Vaudeville theater that now houses Broadway shows and the opera and whatnot, so I set up to paint it while waiting for the 11:00 meeting time to roll around. It's a pretty complicated building with lots of architectural grace notes, so it took about the full two hours, a bit longer than my usual watercolor time. I'm pretty pleased with the outcome, though, and I was also pleased to find some shade to paint in (not always possible when I need a certain view). It was quite hot on Saturday. A couple of our group had had the foresight to scout out a good location ahead of time. Four of us ended up at a table with an umbrella on the upstairs deck of Alfred's, overlooking the main strip of Beale Street. It was lovely to sit in a comfortable chair with wait service and good spinach dip (since the 11-1:00 time frame is right through my lunch hour) and paint in comfort and companionship. I enjoy getting out with other artists, seeing what they are drawn to in the same scene, and swapping ideas. It's a lovely break from working alone at home so much of the time. We had several new and talented folks join us for the first time, and I love how the group continues to grow and attract new people. I'm often out of town for the meetings, but I love to be there when I'm home. I was pretty worn out both my architectural concentration and almost five hours out in the heat by the time we were done. Elmore had finally turned on our a/c at home, and I happily did some sitting down printmaking indoors for the rest of the afternoon. Add Comment I've been mostly carving a new print block the last couple of days, but I did take time to do a commission this morning. I'm enjoying doing house portraits for folks, and this is a special one -- the people moving away commissioned it, but when I got there, it turned out that it's the same house my former English teacher and current friend and theater buddy is buying in my neighborhood. I'm so excited she's moving closer, and I can't wait to go sit on that porch. It's a great house. But it felt a little funny to paint it for someone else. Otherwise, I've been working on a new print block of the Missouri Botanical Garden. Below is a snapshot of the block (12x17") at the end of work today. That's about 10 hours worth of carving so far, and I'm more than halfway through, but that total doesn't include the time doing the basic drawing and transferring the drawing to the block. Printmaking is MUCH more involved, which is why it's fun to go out and just do a watercolor sometimes. There will be a second and possibly third block for this print as well, depending on how many colors I want, but this first one is the most involved one to carve, since it has all the surface pattern of the drawing. The others will be much simpler blocks of color. I'll keep you posted as it progresses. Highlands School in Birmingham, whose Head of School Kathryn Barr is a friend of mine, asked me to do a sketch map of their campus for their admissions brochure. They're an elementary and middle school, so they wanted something welcoming and artistic instead of just a grid map. I'd never done something quite like that before, and I chose a place in their quad where I could see all of their buildings and approached it like a street scape. I had to move around a bit to get enough of a view of each building's front (a touch of magical realism, I called it to myself), but I was pretty true to my viewpoint, and I was very pleased with the outcome. I added letters to the drawing to be used as a key for the names and functions of the buildings. Their campus is nestled in a wooded hill, so the final overview drawing felt lush and green to me, and a little whimsical -- just right for an elementary school. It was a fun trip, and they also asked me to do a couple of close-up watercolors for note cards, so the total project made the trip worthwhile. I also got in a great visit with an old friend who lives down there. I'll post the results after their brochure comes out. They wanted to debut it themselves, so watch this space in May or June for the final project. One of the neat things about the commissions I've had lately is getting to help interpret and preserve people's memories of certain places. This watercolor is for a woman who has moved away from Memphis and wanted a painting of her childhood home. I've also done a "house portrait" for someone who recently moved from her longtime home into a retirement community. I've painted places people were married. I love getting to take part in a small way in other people's important celebrations or milestones. It's one of the privileges of being an artist. The weather continues to be glorious, and I've enjoyed going daily to the park with my dog and sketching things. I did two different views of our local art museum, which I love having within walking distance. I waited till after Christmas to post this one. It would have shown up a whole lot better if I'd thought to take the photo before wrapping it, but my brain is pretty fried these days. It was tricky to wrap, and its owner was coming to fetch it any time, so I didn't want to undo it just for a photo. This was a commission piece -- the view from someone's childhood home. It's 9 x 30", and I had tremendous fun doing the panorama format. I'm going to try some more of these after Christmas. It took two sessions because of the size and the intricacy of the church. The only down-side was that it's on very bumpy watercolor paper (something I already had from doing larger pastels), and I want something smoother next time. The bumpiness was hard on my pens and didn't give me quite the quality of line I wanted. I did just fine a Strathmore watercolor pad that's 6x18", so I'm going to try some more panoramas quite soon. I was commissioned this Christmas to do a pair of paintings of Greece, and it's always fun to relive my time there. The clients chose two small pastel studies I'd done when I was there, sitting right on the sidewalk, so I had the color and light information I needed to do the oils. The left-hand one is in Athens, a walking street in Plaka, and the right-hand one is on the island of Hydra. I didn't have time to get them photographed by my regular guy, so the colors are a little wierdly warm with the sky not quite blue enough, but you get the idea. I enjoyed the Christmas decorations and the funky tree in the foreground of this house. If the weather holds after Christmas, I'd love to get out and draw some Christmas decorations around the area. I'm still regretting the house I missed with its old-fashioned bunting up over the 4th of July. Maybe this coming year they'll hang it again. I've been having a great time doing Christmas commissions in Central Gardens. Two of my recent favorites are both from there (including this one). I'm going to have to continue to break out of my Evergreen rut and get myself south of Union as I keep painting in the new year. It's rainy again today and tomorrow, but I have three more commissions to do, so I'm hoping for a few more sunny days over the weekend and early next week. Today I spend packaging up all this art work and getting it in the mail. Thank goodness for the new automated package machine at the post office -- I'd still be there if I'd had to stand in that line earlier. It was sunny all during our open house (when I couldn't go paint) and then got cloudy again, but I managed to catch a break in the clouds and do a little painting today. I've got some commissions for Christmas that I've been scrambling to get done, so I was grateful for the good weather. It's been fun to have some houses to paint that are outside my normal daily walks -- jolts me out of my rut. Here's a house some dear friends of my family lived in for years, so it was fun to relive memories of times there as I painted. |


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