I also kept playing with my new green ink and the watercolor as well.
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There's an Urban Sketchers challenge to draw 100 people in one week this week. In a stroke of good luck, it is also my week to sit for extended periods in waiting rooms twice this week. I'm delighted to have a challenge to make the time pass and feel productive. I've been wanting to practice people more for my illustration work anyway, so I went for it this morning. I managed to make it to 54 in one day. I asked Elizabeth Alley if that was cheating, and she said, no, it's winning! So yay. I did all of these with my latest favorite pen for sketching (except for my lovely Pelican I'm using for the Mr. Darcy book, which lives on my desk now) -- a Lamy safari pen with smokey gray ink inside. The darker, wider bits are a brush pen with some diluted Sumi ink inside.
I got to go sit in with Darel Snodgrass for a little bit of Memphis's npr pledge drive yesterday. I got to talk about why WKNO supports local artists in a way I've never heard anywhere else, and I also got to talk a little bit about the Skyward show hanging next week. I hung out for three different breaks during classical music, so of course I took the chance to do an #inktober sketch as well.
I was having such a lovely and non stop social life that I forgot to post sketches from Saturday morning. My visiting friends came with me to hear Rene and Stephen play outside a cafe at the Marche d'Aligre. It's my favorite market in Paris, and I love getting to hear the guys play there. I can sit and have tea and listen and sketch. It's perfect. Of course, I only get the back view of the guys, but I still love it. Last year I did a self portrait in the shiny teapot. Here is this year's version. Later that day I did one quick sketch at dinner with Chrissie and Ella. We had a beautiful celebratory dinner, fancier than I ever do on my own, and I so enjoyed the sense of occasion with them. Sharing this time in Paris. Just marvelous to have them here to experience it with me. Ella's trip at 16 is reminding me so much of the trip I had at 17 with my grandmother. It's a beautiful way to teach young people to step out into the world and fully live, and I was so delighted to be able to see it from the other side, especially with such exceptional company.
I'm starting a new adventure with this new year, and I'm really excited about it. There are several urban sketchers around the country who have regular sketch features in their local papers. They go out and draw interesting things happening in their communities, and it's like a column or other regular feature in the paper. I pitched this to Eric Barnes, who owns the weekly business paper The Daily News here in Memphis, and he was kindly receptive. With the holidays over, I met with the editorial team yesterday.
They already have a weekly spot for community happenings that is usually anchored by a photograph. They're going to use my work in that space once a month and also commission me to do occasional covers for the paper, which I am utterly thrilled about. I have loved my landscape illustration work for Cape May (and occasionally Memphis Magazine) and have been wondering how to expand that piece of my career, so I am delighted to be starting the new year with a new opportunity. I did a little scouting of locations downtown after the meeting and treated myself to sweet potato pancakes at Memphis's iconic diner The Arcade as a celebration. I sketched, of course. I've been doing tons of the business side of being an artist lately and very little sketching. I've missed it, so I eased back in recently with a couple of quick sketches of Mr. Darcy. Of course.
I don't want to add to the glorification of busyness because I am a moderation kind of girl, and I do build in good life breaks like sister lunches, girlfriend teas, and daily long forest walks with Mr. Darcy. But I had not taken a whole Day Off since the first weekend of October (which in itself was nice enough to carry me through the month by itself), and I did greatly enjoy myself yesterday. Truly, I'm not great at taking a whole day off unless I'm off dancing somewhere. I tend to draw a lot even on vacation, but that's the fun part of being an artist. I've been doing a lot more of the nuts and bolts work lately, though, and a day off sounded good. So yesterday I treated myself to a massage to celebrate the end of the show. I got myself a Muddy's cupcake for lunch to celebrate National Chocolate Day. I took a long walk and a snuggly nap with Mr. Darcy. And then I had a two hour design committee meeting for Overton Park. Sigh. So I sketched. Because what else are you going to do in a two hour design committee meeting? (Even though it was good, and I was glad to be there to have some input.)
My week has mostly been prep for my Dixon exhibition. Work is due a week from tomorrow, so I've been working on getting final prints and framing. But I took a break to join the Memphis Urban Sketchers at the historic Elmwood Cemetery, one of my favorite places to go sketch. Because we were outside, Mr. Darcy could join me, which is always a treat, and it was fun to catch up with my friends after my recent travels. After sketching a remnant of us went to lunch. The group kindly agreed to eat outside on the patio so Mr. Darcy and I could join them. We ate at Tart, and they immediately brought out a bowl of water for Mr. D, which won me over. And the beet/goat cheese salad was lovely.
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online store Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee. Get occasional studio email updates. Categories
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