I'm still really enjoying doing some colorful, quick sketches as I adjust to the new world normal. I also turned off the news today and caught up on my favorite writers podcast #AmWriting. It's three friends talking about the self directed creative life (including lots of nuts and bolts advice that transfers over to lots of creatives, not just writers), and it's warm, funny, and super informative. I've learned a ton over the last few years. Last week's episode was on websites, and it made me consider how mine looks on a mobile phone. Fortunately my Weebly platform converts itself to mobile. I love having a site I can control, update, and expand without knowing coding. But I hadn't considered the question of which information rises to the top as my two columns on the main site merge into one. Now I've got that fixed for better information sooner.

In the process, I scanned in my recent sketches. I've been mostly just snapping iphone photos and throwing them up lately, but boy howdy, are they nicer when I take the time to scan them in. So here are the next installments of the Quarantine Journal, and I decided to give it its own page as well. They'll pop up here first, but there will be an in order narrative on the QJ page.

I enjoyed yesterday’s dawn sketch so much that painted my new-to-me Frankoma teapot over breakfast today. I’d been collecting the teacups and other bits at antique malls. They feel so good cupped in your hands. But I hadn’t found a teapot (these pieces were made mid century at a factory in Oklahoma), so I treated myself and ordered a small one, just right for one person, online. It’s fun to sketch new tea things, and I love the colors and lines of these.

This was extra important today because I’m in day two of painting my bedroom, so very long overdue, and it’s a big project solo. I knew I’d be working on that with all the rest of the daylight and wanted to make a little art first. The #AmWriting podcast and Facebook community is big on “morning pages” for writers — something that’s purely yours, to loosen up for the day. I don’t mind having the energy to dive straight into good work, the way I did right after breakfast on that print yesterday (before starting the painting marathon), but I do really enjoy the looseness of an early sketch. I love that podcast for how they think about living a creative life but also handling all the business and marketing necessities that go with that. I’ve learned a lot from them and enjoyed their company in the process.

Ok, back to work. Here’s where I slept last night. The gray is primer. Color today and trim tomorrow is the plan. I hope to be done for the weekend and back to painting I enjoy more, but it’s also satisfying to be making my space somewhere I’ll really enjoy being. And doing it myself.

It's been a little crazy around here. I'm working on a series of prints, helping my sister plan her wedding, and trying to get some long needed things done around my house. (I'd ALWAYS rather make art than do house repairs/chores.) So I'm behind on scanning in sketches and getting them up here. Here are three from over the holiday season, done while running around with friends and family, plus, of course, sitting with Mr. Darcy in the evening. I'll try to get some more sketches ready to go soon. I've done some that I really enjoyed recently, but I'm not going to let the perfect be the enemy of the good today. Here's what I can manage, and I won't save them until later for more...

I pretty much spent the day on Broad Avenue on Saturday. It’s one of Memphis’s newer art districts, and they were having an art walk/festival. The Memphis Urban Sketchers met up at 10 at City and State, the coffee shop at the far end, and beautifully, my visiting sister went with me. One of her college friends is one of my sketching friends, and we had a ball. It was coldish to start, so we hung out at City and State a good bit. Above is a sketch I had done there a couple of weeks ago but not posted. Below are the people studies I did while we were all hanging out talking.

I was working in gray fountain pen and watercolor. I enthusiastically put down a bunch of wet paint in my regular art journal (5x5”), so I switched over to the 8” square one after and did a larger more connected spread. Elizabeth was wearing stripes, which are always such fun to draw. Vicki and Nancy were sitting with her, and I caught Nancy with a brush in her mouth as she worked.

All of this was accompanied by chai. Very civilized sketching. Afterwards a group of us walked all up and down the street, checking out the shops and art shows. The last three bought fantastic bowls of paella and sat out in the sunshine eating and visiting. It was an excellent day.

I'm slowly scanning in at least my favorites from my sketchbook, so I thought I'd write about my last day. I had finished the work I needed to do there (still lifes for my September show and sketches for a graphic essay I'm planning), so I treated myself with another beautifully quiet morning at the Orsay and lunch at one of my favorite bakeries. It was amazing (and emotional) to stand with this self portrait by Vincent for 45 minutes, practically on my own. Two couples came through, saw it, and left. Otherwise it was just Vincent and me. Usually this piece is five people deep with everyone trying to take selfies. I felt so privileged to spend this quiet time with it. I've been thinking about self portraits a lot, had been doing some of my own (an annual Paris occupation for me) and had already done my study of Berthe Morisot's stunning one. I couldn't catch Vincent's likeness, and the background got a bit too dark, but it was wonderful to look at it deeply as I did the copy.

My friend Beth Rowlett so kindly made me a watercolor kit especially for this kind of sketching. It's attached to a wristband with heavy velcro, so I don't have to juggle the paint box as well as the book and water brush when I'm standing up in a museum. I like to sketch from a bench when I can, but there aren't benches everywhere I want to draw. You can see that I use the left side of the page to test colors or blot my brush as needed.

I also did a copy of a Bonnard painting. One of many things I love about the Orsay is that it has an absolute host of paintings of women and dogs. This one is completely charming, with their heads so intimately together. It speaks of the love in that relationship, and I was missing Mr. Darcy. I'd meant to copy it two or three years ago but hadn't gotten around to it that first summer of spending time here. Then it disappeared. The Orsay rotates paintings regularly. So when it reappeared this summer, I knew I had to take the opportunity.

I had such a good time being back at the Rodin Museum the other day that I returned today. It’s my last couple of days here, and I’m spending them in my favorite museums. I started off at the Orsay and then went over to the Rodin for tea in the garden with my lunch and more sketching. This place always fires me up. I did the top one in my big watercolor sketchbook. I felt like getting out a real brush and really playing. The rest are in my small 5.5” book with the water brush. I sketched my tea because I liked the cute little teapot.

Last was the gray pencil again with watercolor. It’s a fun place to try a bunch of new things, and I really love drawing Rodin’s statues.

The weekend was rainy, and I had a lovely time anyway. I went to the market to buy my favorite tomatoes, and then I had tea in my favorite cafe right next to it, which has a totally fun Art Deco mural inside. Just as I was finishing up, the heavens really opened, so I settled back in and did a second, quicker drawing.

It’s been raining some here, keeping the weather thankfully cool and giving me a chance to do some painting indoors. I went to two big flea markets I love over the weekend, but I also came home after each one and did a small painting or two. Here are the still life ones. I’m very happy with the Mille feulle one, and pretty happy with the peach. At the bottom is the Cherokee purple tomato. My oil at home of several of those is my favorite of all the still lifes I’ve done so far, but this gouache totally bombed. I got it way overworked, and I don’t think the composition was that strong to begin with. I also struggled with the teapot one and walked away, but I may go back into that one again and see if I can spruce it up just a bit. A couple of artists I really admire on fb sent me encouraging words about that one.

I’ll mostly be cat sitting in Paris again this trip, but I decided to take a couple of nights and see somewhere different at the beginning of the trip. A gothic cathedral with some Chagall windows was a definite winner. In fact, they have a whole series of mid century windows that are exquisite and beautiful, both theologically and visually, even though the Chagall ones are the total standoust. The back rose window from the 30’s is dedicated to Mary, and around her are three trees, a moon and star, and the sun. I love the emphasis on creation in a lot of the newer windows.

Today I painted about half and half inside and out, partly because the weather today was half and half, half rain, half dry. I started with the outside view in my big sketchbook, knowing rain was coming later. Then I looked the other direction and did a smaller sketch of a Carnegie library in a charming Art Deco building.

Lunch was at a sidewalk cafe while the weather was still fine. In the interest of this page loading efficiently, I’ll save the cathedral interior sketches for my next post. It was a good first day to hit the ground sketching.

Alongside the gouache studies, I’ve been doing some more standard (for me) journal sketches along the way. Here are some from the last several days. Two of them were bicycle trips to the bakery to have a treat. I’m a late bloomer on a number of fronts, and I got my first bike out here. I never learned to cycle as a kid, and Concrete is a perfect place to catch up. There is almost no traffic in town along with quite wide streets, and best of all, there’s a green line that runs through the center of town (to within a couple of blocks of anywhere I want to go) and also goes out of town and as far as I could care to go. I can pack up art gear and take off on my new bike, a second hand cruiser. The next image has my bike in the background and bakery tea in the foreground. I wanted to record this moment in my journal.

Here is the view a few miles out the trail from town. It’s been my regular walk here, but I can go a bit further on the bike and paint new places.

Plus another blueberry pancake sketch from Perks diner here. A totally awesome place. Flower at the grill collects heart shaped rocks like I do and has begun to make me heart shaped pancakes when I come in. <3