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I'm on a new PT program and trying not to undercut it by doing too much while I'm building slowly there, but I miss the forest. My PT folks said to go slowly and sit down at intervals and rest, so hey! Sketching! I did two yesterday. The crazy Ancient Copper Diamine ink at the top. It always scans even a little hotter than it is in person. I never find quite the right thing to do with it, but I love it anyway. I put some pencils behind it out on the trail, but when I got it home it didn't feel right, so I added watercolor washes in the background, leaving a bright contrast with the central focus of the trees.
Then it was so sunny and warm that Henry and I headed out to the Greensward to sit on a picnic table and enjoy the day. I ended up doing a second sketch in Inktense pencils with watercolor on top. It's always the trees for me.
Then it was so sunny and warm that Henry and I headed out to the Greensward to sit on a picnic table and enjoy the day. I ended up doing a second sketch in Inktense pencils with watercolor on top. It's always the trees for me.
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After writing my last post with the yellow roses sketch, I realized I had never posted this one of peonies. I tend to treat myself occasionally when I see flowers on sale, and I'm a total sucker for peonies. I sketched them while watching tv last night. I did the line work in Inktense pencils and put watercolor on top. It's one of my favorite recent sketches.
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I had an energy crash at the end of the week, but fortunately I found roses on sale a few days ago at Fresh Market, so I have them to brighten my sofa retreat. Newland Archer in The Age of Innocence always gave his young fiancee May lilies of the valley, but he sent "glowing yellow roses" to the intelligent, divorced, bohemian Ellen Olenska. Ellen showed me an alternate path to the stifling social milieu of high school, and I periodically buy myself yellow roses to celebrate my life choices. I got a one month pass on HBO Max to watch the Gilded Age, which I've been wanting to see, so they feel doubly appropriate.
I made it to church for the first time in a while last week. Advent is my very favorite liturgical season, even though my church seems to have largely abandoned the plainsong Advent carols I love best. It was good to be back, and I sketched the church with its wreaths. (Presbyterians are a little unreliable on the liturgical seasons, and we've always decked the church the weekend after Thanksgiving even though it's weeks early. It does still look nice though.)
I made it to church for the first time in a while last week. Advent is my very favorite liturgical season, even though my church seems to have largely abandoned the plainsong Advent carols I love best. It was good to be back, and I sketched the church with its wreaths. (Presbyterians are a little unreliable on the liturgical seasons, and we've always decked the church the weekend after Thanksgiving even though it's weeks early. It does still look nice though.)
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I did this sketch back in January and have been wanting to make a print of it, so this is my current project. It's the grave of Rev. Washington just north of Earle, Arkansas, which is Carroll Cloar country for those of you who like Southern art. Rev. Washington was one of the first Black landowners who owned extensive cotton fields in that part of the world. His church is just up the road with its own lovely cemetery, but he constructed his own funeral mound out in the middle of one of his cotton fields, and the sight has stayed with me in my mind.
It's nice to have an intricate block to dive into -- once it's drawn to size and transferred to the block with carbon paper I can just dip in and out of it as time and energy serve. It's been a crazy year on a number of fronts, so time and energy are both in short supply just now, but I love having a project I can pick up and put down as needed. And something meaningful that I look forward to doing.
It's nice to have an intricate block to dive into -- once it's drawn to size and transferred to the block with carbon paper I can just dip in and out of it as time and energy serve. It's been a crazy year on a number of fronts, so time and energy are both in short supply just now, but I love having a project I can pick up and put down as needed. And something meaningful that I look forward to doing.
Here's the first proof, just in black to see how the carving is going.
After a bit more work I did the first color proof. I'm rolling several colors onto the block at once and blending with the rollers. This technique cuts down the number of blocks and number of printings that each finished piece requires. It works well if the colors are harmonious when blended instead of fighting with each other. I'll do some more combinations and gradations and see what I like best for the finished print, though each one will be a little different from the last due to the inexact nature of rolling multiple colors at once. I can generally keep them in the same ballpark though.
