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Published on
October 5, 2026

New Metal Museum, the inside version

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The national Metal Museum has expanded in Memphis into the old Memphis College of Art building, which is right in the middle of my favorite park, four blocks away. If we had to lose MCA, this is the best possible outcome. They've done beautiful renovations. The building looks spectacular, and the new museum across several floors has space to show their collection in a way their old museum building didn't. I love that they will be so much more available to people. Their original space, still occupied by apprentices, is a gorgeous bluff right over the river, but it's out of the way and confusing to find even before TDOT took away their expressway exit. And having communal art making back in Rust Hall (ironically the name even before the Metal Museum moved in) is a great joy. They also have the best damn gift shop in the city.


Very kindly they welcomed our Memphis Urban Sketchers group an hour before they open to the public so we could keep our traditional 10-12 window. The opening, which we sketched from the outside last month, was so crowded and so hot that I didn't even make it into the building. It was so great to wander around where I've taken classes off and on throughout my life, see the care they've taken with it, and get to sketch again.


I often start with something complex and get way too tight on it. I was super drawn to the intricate lobby, but I spotted a spare hallway with a couple of head statues at the end and decided it would be a good exercise to start simple and work my way up to the lobby. It ended up working great. I used a dip pen with a new purple-ish grey ink from my recent St. Louis trip. It's Wearinguel Therese Raquin. I'm looking for a replacement for my favorite limited edition Diamine Chopin, which is a little cooler and a little darker than this one. It's not quite as nice, but I liked the way it interacted with the paint.


Then I made my way upstairs and took on the funky architecture. My lines got off almost immediately, but in my biggest sketchbook with the looseness of the dip pen, I just went with it and ended up really happy with the sketch. It's dip pen with my other new Wearingueul ink Inferno. This is my new favorite. It's not quite black and has a little variation on the page. It also does ok with paint. Full on black just makes a total puddle, but I've been happy how this one accepts watercolor.


It was a great day with friends, and then I did a little Christmas shopping in the gift shop on the way out and also found a gorgeous copper moon necklace for myself. A really happy day.


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Published on
September 26, 2026

More ink blots

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Some combination of using a dip pen with an open ink pot and sketching out in the field with wind and/or uncertain conditions means that my sketchbook usually has more blots and smudges than I had originally hoped. That's the case for both of these.


I went back to sketch my tree the next day, with the destruction work still ongoing, and I chose a spot at a different angle with the Higbee memorial in the foreground instead of the back. This is still the Inferno ink, that felt right for the moment, and a snub nosed dip pen. I definitely dropped one enormous blob of ink toward the bottom right, but otherwise I managed to control things pretty well. It felt important to sit with her through that process.


Then the heat dome finally broke (50 straight days over 90 degrees for Memphis, second only to the crazy summer of 1980), and the air pollution mercifully cleared out, and for the first time in weeks I felt I could sit out on a patio without risking all the health conditions that pollution brings on. I celebrated with a last minute stop at one of my favorite local restaurants on the way home from picking Henry up at daycare. He's a lovely plus one. And fortunately I had my sketching gear in the car, not just my tiny purse sketchbook, since I hadn't thought to bring a book for company. It felt better to sketch anyway. I didn't dive into watercolor, and since I was thinking just line I went ahead with the Diamine Ancient Copper ink that I'm always drawn to but that turns into a hot mess very quickly with paint on top. I really do love it, but I have to pick my places. It was a thoroughly enjoyable evening all the way around.

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Published on
August 2, 2026

Owl morning

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The Canadian smoke cleared (we've had terrible air for several days now), so Henry and I headed to the forest. My reward for getting out early was an up close and personal conversation with a barred owl. It had been a while since I'd seen one, between my fatigue and the bad air keeping me out of the forest. It always feels like a blessing, a visitation. She swooped in front of me to land quite close and unusually low on a nearby branch and sat there and let me sketch her until Henry got too close. Then she moved further off and higher, and I drew her again from the back.

It was a perfect start to the day. I followed up with second tea on the back porch reading the paper and then getting back into the graphic memoir, which I'd stalled out on for a few days. I'm at almost 50 pages, and I'm still so much enjoying that project. I've been doing much more of that than sketching from life lately, so it's nice to have something exciting to share here. I have some hope of getting the memoir published, so I haven't wanted to pt much
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I was glad I had taken a couple of photos before I started sketching since she got startled halfway through. Usually my owl pics with my lame, old iphone are super grainy, but she was close enough I actually got a good one. What a treat.
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Published on
June 24, 2026

Walnut ink

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I finally got my walnut ink back in my main sketch bag, and I've been enjoying it lately. I've got a big, blunt dip pen, and these forest sketches are both in my biggest sketchbook. It's been fun getting big and messy to offset the more careful illustration work I've been doing for the new book.
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Published on
April 28, 2026

More tea

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I sketched my tea again this week. This is one of four art deco Bavarian china cups, each with a different pattern. I found them at the thrift store, and they're totally my new favorites. As a bonus, they look fantastic with my crazy fancy Paris brocante teapot, found at the Marche d'Aligre. They also harmonize nicely with Muddy's sweet potato pie. It was a fun morning, and I hope to do some more of these.

I also got back to a little forest sketching on a recent evening walk. I didn't linger since the mosquitoes were finding me, but I enjoyed pulling out my tiny sketchbook that I try to always have on me and do a quick line drawing. I'm still spending most of my time on illustration these days, but sketching feels great when I get to it and keeps me a little looser.
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Published on
April 1, 2026

Sunday sketching

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I've been doing a lot of illustration work lately, but not just sketching from life for personal happiness. Sunday was a gorgeous day, and the wildflowers are at their peak. Henry and I went early and walked up a small wash where we wouldn't hurt anything but also where we'd be a little off the path since it was a weekend. I wanted to settle in and sketch before chigger season, which bit me (literally) last year. I found a few bunches of bluebells that I didn't know grew in there.

I have a certain scale that makes the most sense to me visually as an artist. I don't usually sketch close ups of the landscape or huge panoramas. My brain (and probably my heart) do best with mid-sized landscape that's perfect for a person to walk into. But I love the wildflowers so much that I try to paint at least a few almost ever year, to greatly varying results. I wanted to mark the bluebells, and after butchering some trillium last year in a deep purplish ink, I reached for the Derwent Inktense pencils, which I have fortunately supplemented with a pink for the buds. I used paint on top but laid out the bluebells with a blue pencil. It's not amazing but it was fun to do, and I was happy with the colorful riot in my sketchbook as a celebration of spring. This is always my favorite season in the forest.

That evening I had kept my paints handy for illustration work but didn't have my sketchbook in reach. Going to get it would have disturbed Henry, who was looking cute in his favorite chair, so I did a small freestanding watercolor with no lines first, just drawing with the brush and a light grey to start with. He moved partway through (of course), but it was fun to get back to evening Henry sketching, and I'm going to try to remember to do it more.
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Published on
February 19, 2026

Forest sketch

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I'm doing the less fun thing of scanning in a bunch of family tax documents this month, and I realized I hadn't scanned in this recent9ish) forest sketch. I've been more in my print shop lately than sketching, and this is a nice reminder to get back to my sketchbook as well. Inktense pencil and watercolor. In related news, I also need to clean my black fountain pen in my sketching kit which wasn't working when I reached for it, but I'm happy with the pencil on this one.
Published on
January 5, 2026

More slow walk sketching

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It's been a sunny and unusually warm start to the year, and I'm taking advantage with some sketching walks in the old forest. It feels good to get out, let Henry explore a bit, and enjoy a place I love so much. This first is Diamine Golden Brown ink with watercolor. I've done a couple of different graphic essays with those materials, but I recently refilled a pen that had dried up, and I'm planning to use it more. The ink is dark enough to show a line but light enough to meld with the paint without making a muddy mess. Really perfect.

I did a super quick one New Year's Eve. It was late in the afternoon, and I mostly just painted the sunshine itself. The sun and owls and a feel good day for me felt like a good omen for the coming year. One of those moments I wanted to memorialize for later in my sketchbook.
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Here are a couple of older ones, one complete with a few raindrops as I was finishing. That's the Diamine Ancient Copper ink again, and the last one is Inktense pencils with watercolor on top.
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Published on
December 22, 2025

Forest breaks

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I'm on a new PT program and trying not to undercut it by doing too much while I'm building slowly there, but I miss the forest. My PT folks said to go slowly and sit down at intervals and rest, so hey! Sketching! I did two yesterday. The crazy Ancient Copper Diamine ink at the top. It always scans even a little hotter than it is in person. I never find quite the right thing to do with it, but I love it anyway. I put some pencils behind it out on the trail, but when I got it home it didn't feel right, so I added watercolor washes in the background, leaving a bright contrast with the central focus of the trees.

Then it was so sunny and warm that Henry and I headed out to the Greensward to sit on a picnic table and enjoy the day. I ended up doing a second sketch in Inktense pencils with watercolor on top. It's always the trees for me.
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Published on
June 10, 2025

One more quick forest sketch

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I'm still playing with the limited group of Inktense pencils in my dedicated forest sketching kit. This sketch was started with a middle green pencil (which you can see in the date), a light sepia one (mostly in the path) and a "bark" one, the tree trunks, that is vividly warm with water added on top, almost a reddish purple, but which feels more natural than a solid black. I think I'd like to add one dark blue green pencil for forest depth quickly (which I did with paint here), but it's fun to have to make choices with a limited palette.
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Martha Kelly is an artist, printmaker, and illustrator who lives and works in Memphis, Tennessee.


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