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I started another print while I was doing sit down work. I flipped back through my travel sketchbooks from the year. I'd halfway forgotten about this moonrise watercolor from my September stay at Country Workshops. I thought at the time it would make a good print, but then I got distracted by further travels and shows. So it was good to get a start on this one as well. It will be two blocks, with grey cloud cover underneath this main one.
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Here's the first proof of the key block (the main design block).
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Then the sky was so lovely I just wanted to mark the last day of 2014 by doing a sketch of the magnolias I love at the edge of the Greensward. It's a dear place to me, and marking it with a sketch seemed right.
By then Mr. Darcy and I were quite cold, so we walked.
I'm going to continue try to keep sketching more this year. That was the biggest change in my work in 2014, and it was a very enjoyable one. It has also carried over into my printmaking and painting, so I'd like to keep up my momentum.
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I've been so busy with Christmas commissions and shows that I haven't made it out with my tree journal lately. The weather Christmas Day was sunny and quite warm for December, so my present to myself was a couple of hours in the forest between family events. It was lovely to spend that time sitting with trees (and Mr. Darcy) and doing a little art just for myself.
And just because it's a beautiful spot, here's the morning walk photo I took earlier in the day. I'm thinking of doing a painting in this light.
I love my park. It's such a huge part of my quality of life.
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I've been running a little nuts up here painting a ton of itty, bitty Christmas lights, so I haven't been posting every day the way I try to when I'm traveling. But here are a few of the watercolors I've been doing.
Above is the porch of the Blue Pig Tavern. And below is the porch of the Virginia Hotel. They have marvelous porches here.
And here are a couple of beautifully decorated lobbies. Congress Hall first and then the Virginia. They do really lovely details everywhere here.
But, man, lots of little, bitty lights....
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I sat outside today and painted the Red Cottage, my favorite of the Victorian cottages owned by Cape Resorts. It's got a lovely tower you can't see in my close up. Over three years of painting here, I've become much faster at painting architectural gingerbread.
Here's my set up. At 39 degrees, I figured none of the guests would be fighting me for a porch chair...
All the architectural gingerbread made me crave the real thing, so I warmed up afterwards with tea and a cookie.
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I leave tomorrow for a week's worth of illustration job at Cape Resorts. I'm looking forward to painting all their Christmas decorations. Click on this link to watch a bunch of my previous paintings for them flash back. It's such fun to see my art used like that!
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One of my preparations is printing the invitations on my press. I hand set the type, which takes me a while since I don't do it that often, but it's also highly satisfying.
I casually mentioned a "California case" the other day and came up against a blank stare. Just like typewriter keyboards, printers cases are organized so you can grab the more used letters more easily, so they are not a to z in the alphabet song order. I still have to cheat and look at my diagram sometimes. (I always lose the "k.") Here's the case, pulled most of the way out of my cabinet, along with the diagram.