I've got the full Water's Edge show (up through January in Memphis at Eclectic Eye) up with sizes and prices in case you're not local to go see it in person. It feels so good to have several years' worth of oils that I've been working on in a series out in public and hanging up for folks to see. It's been a long period of making art at home with no one to see, though I'm so grateful to everyone who follows along here or on social media. There's just something about having your art "all dressed up" and out on the town that is deeply satisfying. I've got a good range of sizes, including some pretty small, holiday-present sized ones, and they can come down before Christmas if needed. I've been working a lot and have more I can plug in.

If you scroll down from the show, there are some other small, recent oils that are also available. I'm in the midst of a series of deadlines at the moment, but I'm looking forward to doing more small, immediate gratification oils soon. I've got both sketchbook pages and some images from recent morning walks that are calling my name.

I've been working flat out on several corporate commissions this week, so I haven't had time to make any art for public consumption here (though that's a lovely problem to have). Here instead are a couple of small oils from the show at Eclectic Eye that's up in Memphis through January. These two are both 9x12" and $275. I have several small, Christmas present (for someone you really like) sized pieces in the show as well as some of the largest oils I've done in years. It felt good to stretch out to that size again (36x48"), but I've also deeply enjoyed doing the tiny, fast ones either from my sketchbook pages or from my recent morning walks while the memory is fresh. These two are from my summer out west.

My show at Eclectic Eye in midtown Memphis is up. I’ve been working on this series of water centric oil paintings for several years now, and the pandemic interrupted my search for a place to put them out in public. I’m grateful to Eclectic Eye for their beautiful space and the generosity with which they treat their artists. It’s a real treat to see these on the walls, and as a bonus, the green color scheme of the building is absolutely perfect for this body of work. The work will hang through January, so there’s lots of time to pop in and see it if you’re local. They’re used to folks coming through just to see the art, since they’ve become a really lovely art center for the community. A couple have sold in the first day, but most are still available. I also have a few pieces I can swap out (and some smaller canvases in the for-people-you-really-like Christmas present range) if you need one off the walls in time for the holidays.

I am working to get two shows ready to hang, one this week but also some key information to WAMA about after Christmas. So it’s a business kind of week instead of a creative one and will only get more busy from here. I’d been carrying this painting around in my head for several days after seeing this image on a morning walk (and taking a photo to lock some of it in). My treat to myself this morning was to take time away from the necessary stuff to paint just for myself a little. It felt great. This piece is 8x10”, so a very achievable size in a crazy week. I’m really enjoying this small series of morning walk images. Gideon and I go out early, before I bring in the paper, and go around a few blocks. The world is magical at that time of day (well, really always) and I’m enjoying his getting me out to remember and enjoy it instead of me just sitting at the counter in a daze reading the paper. That comes later.

Beautifully, I snapped a couple of photos and posted it on fb to celebrate, and before I could get my brushes washed, I had heard from a friend. This one grabbed him, and it was sold on the spot. It’s always such a great feeling when people want to take my art home and live with it, and I’ve enjoyed making this impulse purchase size of paintings. The brushstrokes can’t get too picky, it’s harder for me to over do them (though not impossible), and it just feels nice to finish something with a bunch of larger projects waiting for me.

I don't do a lot of this. I have been known to sketch an occasional wedding, but I haven't wanted to get more fully into that business because it's mentally exhausting, and you generally have to book a year out, which my traveling life style simply doesn't allow for. However, when my church's new pastor said that the gift he wanted from the committee was for me to live sketch his ordination (they knew he liked my work and offered him several options within that framework), I was delighted. I've been hesitant about large live events, and we're still streaming church as well as having it in person, so for the first time ever, I could work at my art desk with a huge table next to me with the space to let sketch after sketch dry instead of trying to fit myself and my work into a pew somewhere. I was tied to the video and couldn't see the "offstage" stuff, but the offset was a LOT more freedom and range of movement to sketch and discard quickly instead of awkwardly balancing in my lap and having no drying areas. I'm still limbered up for dip pen and ink from Inktober, so a lot of the really rapid ones are ink. I feel like I did a better job of being nimble within the service than I ever have before. I wanted to be able to include all of David's special people who were invited to participate in the service. I haven't even counted, but I had a table full of sketches when I was done, and I think they might make a nice scrapbook for him.

I'm still scanning in work, but here's  a preview of what I did.

My last Inktober sketch ended up on a double page mash up from a couple of different sessions. It started as a sketch of Gideon, but I didn't even get his head finished before he left the couch. I miss Mr. Darcy curled up for two hours letting me sketch him as much as I wanted, but all dogs are going to be different. Gideon is a little less cut out for muse work, at least at this young age. So I moved on to the room, and then I added my morning tea service. I decided my crazy-fancy, brass teapot from a street market in Paris would be just right in walnut ink, as well as having a nicely celebratory feel for the end of this run. I got out my great grandmother's violets and daisies china for the same reason. Also because it's nice to just use and enjoy the "good stuff" once in a while if we're going to house it at all. I love my pottery best, but it's fun to mix things up, and this china is truly lovely. k

It's a good weekend for catching up with friends. There was cake and sketching yesterday on the back porch, one of the best kinds of parties. Muddy's had grasshopper cake for the first time in ages, and it's my favorite. Today will be pizza and more friends. I'm so grateful for my village.

I am continuing to enjoy sketching my tea things and Gideon. These were done outside with much more moving around and stick chasing. He's excellent entertainment if a somewhat wiggly muse. I'm still doing as much on the back porch as I can while the weather is good. I spent one whole day out there mailing out calendars, and on the days when I have indoor work, meals on the porch give Gideon time to poke around and have a good time at intervals.

Today was gorgeous, and I noticed while walking Gideon that there were pumpkins decorating the Higbee memorial at the park. I took a longer walk for myself (he can only go so far at a time, or at least, is only allowed to with his heart condition), and I took my sketching things over with me. In keeping with Inktober, I used walnut ink and Inktense pencils with only a bit of watercolor on top. At dinner I sketched a tiny flower in one of my smallest cream pitchers, found at a street market in Paris years ago. That kept me outside a little longer for Gideon to play. Now, however, I've painted and mailed calendars and sketched and done some business and scanned these in, so I'm going to collapse into the sofa with my book for the rest of the evening.

I did another tiny painting today, 8x8” and oil on canvas. I’m having so much fun painting from my sketchbook or my morning walks. I saw this owl not today but the last two before, and the image has kept calling me, so today I put it down on canvas. I love having the barred owls hanging out in the neighborhood. I tend to walk Gideon very first thing, pick up the paper on the way back in the house, and then make breakfast. He can’t go too far, so we do several short walks a day instead of one longer one. Getting out that early has been beautiful. We followed the moon this morning, and we’re often out for the sunrise colors. The owls like early morning as well, so I’m seeing different things than when I settle in for breakfast first and walk after. As it gets cold, I may revisit this plan, but for now its been lovely.

I actually remembered to take a couple of progress shots while I was painting today. Usually I’m too absorbed in what I’m doing, but here were a couple of stages along the way.

I have a time honored tradition of finishing up a deadline/show/business stuff push and wanting to treat myself by doing the creative work I can’t do while I’m doing the business-y stuff. So this week I’m doing small, immediate gratification paintings after doing all the rote printing/scanning/deadline stuff (one round, anyway) for my WAMA show. It feels great to do small pieces with fat paint and just play. I’ve been mining my sketchbooks for images I’d like to play with in a different medium. I love the bright washiness of the watercolors, but it’s been fun to translate them onto small canvases. I’ve had trouble with this in the past trying to make them too big. I often lose the energy of a piece trying to size it up too hard, but these are 8x8” or 9x12”, and I’ve been challenging myself to use brushes a little too big except for the details, and I’m having a really good time.

They’ll be a good fit for my November show of waterscapes at Eclectic Eye. I have a bunch of large paintings for that, and it’s always good to have some smaller sizes too, but mostly I’m doing these because it feels like joy. Which is why I do what I do in the first place. And I’m so grateful for all of that.

I’ll probably do a bit more work on both of these as the base layers dry, which allows me to glaze on top or scumble light colors without them getting dirty in the darker paint. But today I’m easing out early and looking forward to reconnecting with old friends for the first time since I was gone all summer. All of that feels good after the push of last week.