I came to Paris with the intention of doing a series of gouache still lifes for my September show at Playhouse on the Square. (The opening is lucky Friday the 13th for anyone planning ahead.) I like the depth I can get with gouache, but I’m still learning how it works, and often I find myself thinking it was better two layers ago. I’m going to have to pay attention and try to keep from over fussing. Somewhere along the way, I did a couple of watercolor studies in my sketchbook as studies before doing the gouache, and I really liked the lightness and airy-ness of them. So I’ve ended up doing four watercolors for the show as well.

It’s easy to default into the familiar and comfortable, though, and there was a time when watercolor was incredibly hard going for me. It still is sometimes, but I’m glad I pushed through and got it into my regular tool kit. I gave up on gouache two summers ago and don’t want to do that again, but I am still struggling. I want to do some forest studies with it when I get home, and hopefully that will keep me excited about using it. You can see the two side by side here and decide foe yourself. I think the gouache needs a little more blue in the purple shadows. I’ve got a couple I’ll do a small bit of balancing/retouching on next time I get the paints out. Right now I’ve shifted gears a bit and am painting more out in the city again.

I’ve been doing gouache still lifes for my fall show while I’m here, and then I did a couple of watercolor studies for them in my sketchbook and really liked the looseness and light of the watercolors. I decided to do some free standing ones I can put in the show, so here are several from the last couple of days. I really liked the vanilla eclair above, both in sketch and in taste, even though the bakery lady had to correct how I asked for it in French. It turns out “vanille” is not that intuitive to pronounce, even though I had several years of French (well more that several years ago, however).

The macarons were what kicked this off, so I did a couple of them. They’re fun to play with in those bright colors. I need to look at all these, gouache plus watercolor, and figure out which ones I want to order frames for. I’ll put in an order this week so they’ll be built and ready for me to work on when I get home. Math work is looming too, to figure out the sizes. That may be this evening’s project so I can walk out and sketch more tomorrow.

The weekend was rainy, and I had a lovely time anyway. I went to the market to buy my favorite tomatoes, and then I had tea in my favorite cafe right next to it, which has a totally fun Art Deco mural inside. Just as I was finishing up, the heavens really opened, so I settled back in and did a second, quicker drawing.

I had a lovely, unhurried day yesterday. I painted all morning at the house, working on the still life show again (colored macarons are totally fun to paint!), and then I just walked out into the city and followed my nose for the afternoon and evening. I went into St. Eustache, which I’d walked past for years, and enjoyed doing two loose sketches in my bigger sketchbook there. I kept the palette super simple and just used French ultramarine blue and burnt umber, mixing all the grays from warm to cool between those colors.

Then I walked on to Ile de la Cite and found an adorable bicycle crepe stand, complete with stove going, at its tip. I got a crepe and sat on the bridge to eat it. By the time I’d finished, I wanted to sketch the view I’d been looking at.

I ended up having dinner at my very favorite place here, with the most delicious yellow curry you can imagine. I got a sidewalk table, drew as I ate, watched the world go by, and had three different people tell me “bon apetit!” as they walked past. Just lovely. I brought the rest home for my dinner tonight, catching the metro home after I’d finished. It was a lovely day.

It’s been raining some here, keeping the weather thankfully cool and giving me a chance to do some painting indoors. I went to two big flea markets I love over the weekend, but I also came home after each one and did a small painting or two. Here are the still life ones. I’m very happy with the Mille feulle one, and pretty happy with the peach. At the bottom is the Cherokee purple tomato. My oil at home of several of those is my favorite of all the still lifes I’ve done so far, but this gouache totally bombed. I got it way overworked, and I don’t think the composition was that strong to begin with. I also struggled with the teapot one and walked away, but I may go back into that one again and see if I can spruce it up just a bit. A couple of artists I really admire on fb sent me encouraging words about that one.

I was in a total frenzy sketching Reims — both a new place to me and a scarcity factor. I’ve been really lazy in Paris, both settling in (unpacking, buying groceries, just walking around my favorite spots), but I plan to get going here soon. I had two afternoon naps, though, which has been marvelous. I’m still dealing with a little jet lag and a little it-was-crazy-getting-organized-to-be-gone-again exhaustion. I figure a few days of vacation are good. I walked to my very favorite market/flea market today, which took ages from the place I’m staying this summer, but it felt good to just let loose and walk.

So here are the last of my Reims sketches, and I’ll work on having some Paris things to show here soon. Above is just outside the building where I stayed, a few blocks from the cathedral. I also painted the Joan of Arc statue just outside the cathedral, and I sketched a bottle of champagne that was (delightfully) in my Air b&b along with a white peach, cut up in a bowl. It’s good to remember treats and savor them again later.

I’ll mostly be cat sitting in Paris again this trip, but I decided to take a couple of nights and see somewhere different at the beginning of the trip. A gothic cathedral with some Chagall windows was a definite winner. In fact, they have a whole series of mid century windows that are exquisite and beautiful, both theologically and visually, even though the Chagall ones are the total standoust. The back rose window from the 30’s is dedicated to Mary, and around her are three trees, a moon and star, and the sun. I love the emphasis on creation in a lot of the newer windows.

Today I painted about half and half inside and out, partly because the weather today was half and half, half rain, half dry. I started with the outside view in my big sketchbook, knowing rain was coming later. Then I looked the other direction and did a smaller sketch of a Carnegie library in a charming Art Deco building.

Lunch was at a sidewalk cafe while the weather was still fine. In the interest of this page loading efficiently, I’ll save the cathedral interior sketches for my next post. It was a good first day to hit the ground sketching.

I got home this week, having recently done those two small gouache still lifes, and I was ready to dive back into oils. Here was the first one, just 8x8”. But it suits the tiny cherries. I don’t tend to blow things up too much. I’ve found there’s a scale I feel comfortable painting in, both for landscapes and still lifes, and it’s not successful when I try to exceed it by too much. Process shots below. I started with a gray chalk for the drawing.