I always am drawn back to Elmwood to sketch. My public art celebration there will be Sunday, November 19 from 3-5 --- band, snacks, fun! I can't show the columbaria carvings yet online, but as I start thinking about a new Memphis alphabet book, you'd better believe that E is for Elmwood, and I was out on a recent, beautiful day doing some sketches. I replaced the Ancient Copper ink in my new pen with a waterproof black ink by DeAtrementis, thinking ahead to the new book. My last two have been done primarily in Diamine Golden Brown. I think the new book will have a wider array of sketching materials, and black may pull all of them together best. Plus I do really love working with line and tone. The grey is a brush pen with warm black ink, and it feels good to get back to this kind of sketching.

I've got a new, fun fountain pen. It's a Majohn bent nib, so the line variation goes from thin to thick. Because of the thick lines, bent nib pens can run out of ink quickly, but this one has a huge well for ink, and it's clear plastic, so I can see when I'm running low. It's short and fat and super fun to use. Christina was given one by our friend Beth, and I got to try it at lunch with Christina soon after. She has Diamine Aurora Borealis in hers, so those first green/blue sketches are with her pen. I put Diamine Ancient Copper in mine, which is the new fun color I've been having a great time with. The first one I got kept sticking, but knowing that two others were flowing great, I did a return, and my new one is beautiful. I may have to get a second one to have a couple of different colors. Nicely they're just under $20, so a quite reasonable impulse purchase for something that feeds my work.

I've been lucky enough to meet up with my friend Christina for a series of sketching meals over the last month. I love getting out with a friend or two, enjoying some food, comparing sketching materials, and drawing together. You're not ignoring your dinner companion if she is also sketching. It's companionable and full of joy for me. We met up at Cafe Eclectic on 901 day (September 1st mirrors the Memphis area code, for those of you out of town, and we have a bit of a civic celebration that goes on.) I had fun with the red umbrellas and then sketched Christina in graphite with my newish graphite Kaweko mechanical pencil I got out west that has a huge, juicy, fat column of graphite in it.

I sketched at the Slider Inn with a dip pen and the Ancient Copper ink by Diamine I've been really enjoying lately. I didn't have the mental energy for watercolor that night, but it was fun to record the evening and play with line.

Finally was lunch at Boscos after the Memphis Urban Sketchers meetup. The same dip pen with a warm purple ink, but we lingered longer and I enjoyed adding the watercolor.

Depending on your point of view, I either got a new toy or invested in my work last week. I love making art on paper with paint or carving, but the text part of making a book is painstaking if I write by hand and scan in, cleaning up lines of text and trying to keep them in the correct area around the images and in a ballpark of the same size. So this week I got an iPad Pro and Apple pencil. Being able to write directly on the book page without the smudges and dirt a scanner can add in is a huge pleasure. I’m still getting used to the iPad version of photoshop and the feel of the pencil itself, but I’m feeling encouraged. I’ve got a couple of different book projects in mind, and I think this will be a huge help.

I’ll lose that variation of ink that a real pen gives you, but I’ll regain the energy and creativity of wrapping text around the images and playing directly with the spaces instead of trying to replicate that on a separate page. I’m still working to figure out sizes and keep my writing neater with the pencil, but I’m very happy with the early progress.

I’ve done a little bit of evening sketching lately. I had so much fun drawing in this outdoor diner. You place your order at a window and eat out under the trees. I’m in love with their chicken pesto sandwich, which is generous with the basil and comes with a side salad. So good. They also had blackberry hard cider. I sketched with my new Diamine Ancient Copper ink. I’m really enjoying it. It’s highly saturated, and could easily be too much, but it really worked for this one. I love the rich warm lines peeking through the watercolor.

Then last night I sketched the new tea set I found. Small with violets, made my Spode. I’ve gotten rid of my own former wedding china and found a very happy recipient for my grandmother’s enormous set, but I kept the very incomplete set of my great grandmother’s that has violets and daisies and matching violet silver. But no teapot. This small one is just right for me to use for breakfast when I want to enjoy all the lovely things instead of just having them in my cabinet. I’m really happy. And then since I was having such fun with stripes, I kept on sketching during the (wildly unfortunate) baseball game. It’s been a tough year to be a Cardinals fan, but sketching makes it better. This ink is also Diamine, and it’s two different shades of purple. The darker shade, Eclipse, is my new favorite writing ink as well.

I’ve been out in Washington State visiting my partner for a while, and I’m taking some vacation time, doing some book work, and doing a bit of sketching. We’ve had smoke off and on, but the Memphis air has been so steadily bad from different Canadian fires that I don’t feel like I’m missing much good air at home. Here it’s worse on bad days, but we also get break. It looks like the South has been pretty steadily blanketed with smoke pollution for the last month. For the first time in my life, which is deeply discouraging.

But I’m taking it one day at a time here, getting out to hike and sketch when I can, and doing a bunch of book work indoors when I can’t. Here’s a round up of some sketches around the Skagit valley.

I got tired of the bad air in Memphis, and I had a couple of really good weekend sales (thank you, friends!), so I decided to take a spur of the moment trip back out west. I’m still making up time a bit from being sick so long over the last year. I spent the first two nights of the trip, one day, in St. Louis and flew from there, bypassing all the connection dangers I’ve seen friends struggle with this summer. I love StL, so it wasn’t a hardship. I sketched in my B&B in the morning, went to the art museum in the afternoon, and saw a few friends. Such a lovely time.

The museum had a mid century Native American art exhibition that really grabbed me. A lot of art from teachers and students at the IAIA school out west. The exquisite small woodcut is by Edna Massey, and the three abstract landscapes are views of New Mexico by Fritz Scholder.

I had SUCH a good day out on Tuesday. I had errands to do, so I put Henry in daycare, but the air felt good and there's always a breeze by the river, so we went down and walked the Greenbelt park at Mud Island before I dropped him off. One of the big cruise boats was docked down there, so I tucked Henry's leash around my shoe and did a quick sketch. He's learning to settle in nicely while I work, which is such a blessing.

I'm trying to get back to more quick sketching in my daily life again, and I'm back to the bent nib fountain pen, a Sailor fude, that's satisfying with a lot of line variation. I've got some waterproof De Atramentis fog grey ink in it, which has a blueish cast. I hit an antique mall and the Goodwill as well as doing my more necessary grocery shopping, and I lucked into an awesome polka dot dress that I sketched that evening from the sofa. That one is in an "urban grey" ink with a dip pen. But first I picked up some fish tacos from Soulfish, sketching from the curbside pickup parking spot, and I caught a quick one of Henry on the couch with me as well. On the days I'm really in a groove doing work in the studio I'm not worried about getting something in the sketchbook too, but I am going to try to get back in a better habit of sketching out and about. All of this was fun yesterday.

One of my big projects this year was the Oxford American graphic essay Memoir of a House. It's still on the new stands in the Summer issue, but once the Fall issue comes out, I'll be free to publish it as well. I'm expanding it just a little and making it into a book, which I plan to have out before Christmas. I'm adding in maybe a dozen more watercolors to go with the 30 that were in OA, with a few more tidbits about the history. One bit I'm adding is more of how I use my front room. It's always a gallery, but it has been known to double as a dance hall or a space for house concerts. The inimitable Joe Newberry played his songs and told his stories with Mr. Darcy lying at his feet, and I wanted a sketch of that moment for the book. I've also been known to have swing parties with a live band, as part of the local contra dance weekend we used to put on in town. It's been fun to revisit and expand this project a bit.

I wrote in my last post that I like the shape and impact of my bigger summer sketchbook, but I also find it deters me from picking it up sometimes, just because it feels like a big commitment to cover that larger real estate. So I started a new smaller 5.5" sketchbook too. It's by Handbook, and I really like the size, the landscape shape when it's opened out, and the pocket at the back for tickets and other ephemera.

A facebook memory came up of one of my tiny oils on this plate by Melissa Bridgman. It had a dark background and a different feel, but it made me think about cherries and her pottery and what a satisfying combination that is. So a good first sketch for a new sketchbook. Below is the oil that made me want to revisit the subject. Beautifully it now hangs in Melissa's kitchen.