After the SCBWI (kidlit group) conference in Nashville back in September, I got seriously back to work on the Mr. Darcy picture book. I've changed it a lot. It's no longer his Odyssey across the country but the story of his getting a home as a rescue dog. I also got excited about board books and created a counting book based on a walk we had this past summer where we saw one deer, two snails, etc.

The protocol for submitting a children's book is to make dummy books (handsewn with many rough sketches and a few color pieces to show what finished art would look like) and send them off in the mail. Art editors don't want a fully finished book because they'd like to collaborate a little and feel as though there is space to make changes. I took a moonshot today and submitted both dummies to Candlewick, my dream press. They were at the conference, so I was allowed to do that (as an attendee) without first finding an agent.

Above is an out take, one of the rough sketches in pencil and water soluble graphite. Below are the two dummy books about to get packed up to go. Fingers crossed. This is a whole new, highly competitive world, but nothing ventured, nothing gained.

I got to go to a great house concert over the weekend. My banjo mentor had seen a group from Johnson City called Bill and the Belles and liked them enough that he arranged for them to play in Memphis when they were passing through on the road. They were marvelous. Old time swing, lots of songs from the teens and twenties, a good dose of Jimmie Rodgers, and a bunch of new songs that sound delightfully old. As usual, I sketched as well as listening. This group is used to artwork too. They're the only band I know that has an original linocut of the group for sale along with the usual cds and stickers. It was as old timey as they are, so of course I came home with it, along with my own sketches.

I've done a new print this week. I was hiking with family out here and took this snapshot. It kept calling to me, so I dropped my other projects for the moment and just saw this one on through. I've been wanting to do more storytelling and narrative in my work (as opposed to the pure landscapes I'm also always drawn to), and this just presented itself. I so see myself at that age in the total absorption in a magic place. Bridges still feel magical to me, and I would have also (and still do sometimes) just plop down to drink it all in. This one feels special enough that I went ahead and put it up in my online store, though I won't be shipping prints until I get home in late July and print this on my press. (If there's a birthday or other celebration earlier, I can do one or two out here with my wooden spoon, but I'm definitely missing my press and my regular paper doing all this print work away from home.)

I've included a couple of process shots below, since it's always fun to see the backstage view of making art. 

Darel Snodgrass at WKNO fm was nice enough to have me on the air again this morning for his daily interview show Checking on the Arts. I was mostly there to talk about next week's Night Vision show at Playhouse on the Square (opening Friday, May 4th from 5:30 to 7:00), but I went in with a whole list of current projects, and we covered all of them. It's fun to go in and get to talk about what I do, when I spend most of my work time by myself in my house (except for my studio helper Mr. Darcy, of course).

And for a little bit of eye candy, here's a recent sketch of my new favorite drink that I haven't posted yet.

I had a marvelous Christmas after the rush up to it, including commissions and home sale. Afterwards, which is my favorite part of the end of the year, I was able to start doing the work that’s been calling my name through all the business craziness. I’m deeply grateful for all the business craziness, but I’m also grateful for the place where I can quietly get up each morning and do actual art that I’ve been dreaming of. This year that is the Mr. Darcy book. I am really ready to get this finished and see if and where the world takes it. To that end, I packed it all up (see above) and brought it out to Washington State with me. I’ve got a couple of weeks to really buckle down on it every morning and see if I can shepherd it along to a finished state. I can’t show the individual pages here, since I’m hoping to get it published (which sounds very familiar from my summer work), so I’ve been quiet here about my work lately.

Through this period I have also been missing my sketchbook, though, and here is a sketch I just did this morning. It’s the more distant view (across housetops) from my work table here in Washington, and the mist was too beguiling to pass up. I took a break and did this quick sketch. Now back to work...

Several years ago I did an Arts and Crafts inspired series of travel prints. Not the big national park places, but places that were my peculiar heart places. I've added a new place this summer, and I decided to add a new print as well. This is smaller than that first lot, t-shirt sized, since the bakery owner here might use it for just that. The idea came together quickly my last week here, and it was fun to have a small, autonomous project just for fun, after the big push of finishing the book illustrations. I printed several by hand yesterday to leave a few here (I'll be traveling back across the country starting tomorrow, so art blogging will be on hiatus for a bit), and I'll print some more when I get home to my press. I may do a second one with the iconic concrete silos that welcome visitors. It would be fun to do them of my favorite nearby parks as well. We'll see if I have the time and oomph for a whole series.

Here is the block in progress plus the first proof, so you can see how I refined it for its final form.

I've been enjoying illustrating poetry lately, and I did another one today. It's based on this poem, and I had been carrying this phrase around for a week or so, wanting to paint from it. I treated myself to a long lunch at a pebble beach. I took a picnic and Mr. Darcy and did three watercolors while enjoying the sunshine and warmth that have finally arrived.

I also did a second version of the last poem I illustrated. I wanted it in my journal too, and I had fun placing the words in a longer format instead of the more square watercolor paper I usually use. It's based on this poem. The rocks are less detailed, but I think the wording was more successful.

Here is the original version.