I ran some new business cards today, using my small cut of the Ceres statue at Dixon Gallery and Gardens, since I'll have a piece in their group show there from now till April. Jude Dippold is visiting and took some video of me running my lovely old Chandler and Price Old Style. You can see the treadle action in the video (and, very authentically, hear the baseball podcast I'm listening to as I work -- I thought he was taking still instead of a video). He nicely waited out a batch of swearing to get a clean one. I was having trouble with lighter than usual paper sticking to the ink and gumming up inside my rollers. My paper supply place went out of business last year, and I haven't found a good replacement yet. So I still look a bit tentative in this clip. I finally got a rhythm going later, but it took me longer than usual to settle in for this run.

Jude also got a couple of photos of me working the day before, typesetting the card and laying out the paper placement in the press. You can see more of his photos (usually landscapes, and quite stunning ones at that) on his tumblr blog. He's got some fun Memphis shots up at the moment from his time here.

I dropped my phlox print off yesterday for an exhibition at Dixon Gallery and Gardens. They're having a retrospective show for artists who have exhibited in the Mallory/Wurtzburger gallery there. I am delighted to have work hanging in that museum again. The opening is this Thursday, January 19, from 6-8pm with music and food. The show will be up through April 9 to complement a show of current American art by the Crystal Bridges museum.

I have news! The Presbyterian Church, U.S.A., is redoing its Book of Common Worship, which they do every 25 or 30 years, and they have asked me to illustrate it. I am beyond delighted. I've done some illustration work for a couple of different publications for them in the past, but it was always journals or a year long study guide (for the Book of Revelation -- my first ever illustration job, and I dived into the deep end). Nothing that would be in print for a long time. I've been hoping recently to get to do more illustrations, and I am so excited to be offered this opportunity to work with Westminster John Knox Press. I'll be creating about 15 two color block prints, a cover plus a frontpiece for each main section of the book. The work will be due in June, so along with my March show I'll be having a busy spring, but I love having meaningful work to do, so that will be just marvelous.

(The print at the top is an older one of a church in Athens, but it seemed appropriate for this post.)

This weekend! You're invited! Bring friends if you like.

I've been busy with shows and making very little art this week, but I still have a lot of new stuff from this fall for the show, as does Melissa, who is always trying new things. I love her new "Onward" plates, to go with my small letterpress banners.

Little Maggie, the original badass woman of blue grass, is one of my longtime favorite songs. It's about a strong woman with a banjo who picks herself up and marches forward as often as she needs to, and every woman  needs a few songs like that in her back pocket. I made a little bit of art from it several years ago (below). Delightfully, I was called a badass wild banjo woman, and there are moments in life that you just have to make art to commemorate. This was one of those, and of course Little Maggie had to be in the print as well. But she hadn't had her own print, and it was more than time this week. I pulled out a carved block of my Unger banjo that I had first done for a series of Easter psalm prints. I layered that first and then set type that night, finishing the printing the next morning. I used several different fonts along with the nifty pointing hands that I found in a market in Paris last summer. It's not a great photo -- I haven't gotten this one scanned in yet. I only did an edition of 8. It was more for personal satisfaction. But I have a few bluegrass loving friends who might also appreciate it. And a few resilient women friends as well.

Sycamore Elementary is studying Tennessee, and each year they pick a Tennessee artist to do a project about. This year they picked me for their first living, breathing, current kind of artist, and I'm delighted and honored. Christy Lott says she wanted to show the kids that real people are making a living and making art right now, here in our town. So they asked me to film a short video and demo for the kids, answering several questions as I go along.

I was just wondering how on earth I'd manage a demo while juggling an iphone as I taped myself, when my excellent sister Erin called to bring me some cupcakes. She nicely bore with me as I collected my thoughts and stopped giggling nervously and finally got going. I don't think I could have done it without her. So if you're bored and want to see a quick printing demo and hear me talk about what I do, here it is. (And my, isn't that a lovely still the video froze itself on?)

It's Pink Palace Crafts Fair time again, which means I'm working till bedtime every night this week, but it also means I'll hang out with cool people and see a bunch of friends this weekend. Today was my set up day, and I also made some signs for my booth with my vintage wood type. It is such fun to be able to make your own signs saying anything you want them to. I dislike the word "empowering," but this is one instance where I feel a strong connection back to generations of people who found that having a printing press leveled the playing field and allowed them agency. There's something powerful about the ability to print professional, legitimate text, even if you're just making signs about postcards.

I've also been doing a bunch of printing ahead of this show, reprinting ones I'm out of stock on and also working to get new prints ready to have. It's lovely to see all my recent work coming together and to take stock of what I've accomplished as I get everything packaged and priced and headed for the show. Come see me if you're in Memphis! 10-6 Friday and Saturday and 10-5 on Sunday. I'll be on the back side of the demo tent area, facing the food tent and near Baucum pottery (for longtime fair goers).

I've got a new print going. Truthfully, I've been carving on it for a couple of weeks, and I've been kind of dreading dealing with the figures and not quite sure how it would go, so I've been doing a bunch of oils as well. I had proofed the underneath aqua block a couple of days ago, and yesterday I finally took a deep breath and carved the women fully and proofed the whole thing. There are definitely some things to fix, and I'm pondering a few white highlights on the statues (very thin) and a bit of light coming into the hedge (cutting down to the aqua block below in bits, especially up high). Since once you cut, you can't go back, I think I'll paint both options first on top of a proof and see if I really want that. But I'm feeling very relieved and happy about the way this one is going, and I'm so grateful about that.

Here's the original watercolor, done on site, sitting in gravel on site, and the underneath aqua block with it. I had to try to keep careful track of where the water spray bits were going so they would line up between the two blocks and show through to the white of the paper. There's a bit of room for movement in that kind of thing, but most of it worked nicely, which made me happy.

And here's a close up of the darker block as I was carving it last night. I've got a little way to go on this, but it's nice to be close.

At the top is my batch of color proofs from today. I always hang them up on the door of my print shop to stare at and get some distance from. The middle photo is the first proof I pulled yesterday, and at bottom you can  see the bottom layer plus the second block and the journal sketch I was working from.

Below is some of Melissa's lovely pottery. I have a tea tray with her moths (like those small plates) that I use daily. I was delighted when my parents bought both teapots in this photo, because I had been admiring them myself. We are a heavily tea drinking family.

Mr. Darcy was the perfect greeter all weekend. He's really relaxed in the three years since I got him from the shelter. He wore himself out, though. Here he is stretched out at the end of the show, which truly is pretty much how Melissa and I felt as well, though we didn't join him. I am so grateful to have friends and neighbors both show up for these shows and also send their friends, which happened a good bit this weekend. I love being able to do what I love for a living and also have this level of autonomy over my career. Thanks to all of you who read this blog, share my work on facebook, come out for a show sometimes, and wish me well in this. I'm truly grateful. It takes a village, and I feel very lucky.