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I'm getting ready for my Valentine Open Studio Sale, which will be Friday, Feb. 5th, from 5-8pm and Saturday, Feb. 6th, from 11-3. Melissa Bridgman will join me again with her gorgeous pottery.
I've been wanting to do some more note cards, and this year a valentine of Mr. Darcy seemed right. I got my press right around Valentine's several years ago, and a valentine block was the first thing I carved for it. I've tried to continue that tradition each year. I had fun doing the bigger block of him and decided to make a small one as well. Sometimes people ask if I can have a
I've been wanting to do some more note cards, and this year a valentine of Mr. Darcy seemed right. I got my press right around Valentine's several years ago, and a valentine block was the first thing I carved for it. I've tried to continue that tradition each year. I had fun doing the bigger block of him and decided to make a small one as well. Sometimes people ask if I can have a
smaller version of a given print. As you can see above, carved blocks don't zoom like a computer image, so I'm carving a small one from scratch. It's fun to think about simplifying a block I enjoyed doing large.
I'm also typesetting a postcard for the show. I had a leftover sliver of linoleum that seemed the right size to make a small border with. I continue to be grateful to Cheryl Parker, who traded me a cabinet type for paintings when I was just starting out. I would never have managed such a collection on my own, and it's delightful to have.
I'm also typesetting a postcard for the show. I had a leftover sliver of linoleum that seemed the right size to make a small border with. I continue to be grateful to Cheryl Parker, who traded me a cabinet type for paintings when I was just starting out. I would never have managed such a collection on my own, and it's delightful to have.
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I did my last gallery tour at Dixon today, and a number of friends showed up for it. As well as some people I didn't know at all but who wanted to hear about my work. Both were lovely.
I got there early to film a snippit for their YouTube channel (which I am waiting nervously to see how awful it might look), and I spent the time in between sketching the gallery with my show in it. This has been a pivotal moment in my career and my most exciting show, and I wanted to memorialize it in my sketch journal. And really just drink in and celebrate the moment. I feel so lucky to have had this chance to show with such a wonderful museum that influenced my development as an artist.
I got there early to film a snippit for their YouTube channel (which I am waiting nervously to see how awful it might look), and I spent the time in between sketching the gallery with my show in it. This has been a pivotal moment in my career and my most exciting show, and I wanted to memorialize it in my sketch journal. And really just drink in and celebrate the moment. I feel so lucky to have had this chance to show with such a wonderful museum that influenced my development as an artist.
I have likely said this before, but it's the glass cases with my sketchbooks inside that really get me about this show. So very museum-y. Gives me goosebumps.
I'm going to be sad to see it come down. It's been a thrilling ride this fall. But I am also looking forward to the quiet long blocks of time in January to get back to fully making art again after all the show and holiday busyness dies down. I've got a new print underway that I'll post here soon. It feels good.
I'm going to be sad to see it come down. It's been a thrilling ride this fall. But I am also looking forward to the quiet long blocks of time in January to get back to fully making art again after all the show and holiday busyness dies down. I've got a new print underway that I'll post here soon. It feels good.
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It was such fun to have Melissa and her beautiful pottery in my studio gallery for the weekend. She's great company, and our work looks good together. I enjoyed meeting her friends and introducing her to mine. I'm grateful for everyone who came out and who spread the info on facebook. I do think both fb and the visibility of my current Dixon show made it a great weekend for both of us. I have so enjoyed working for myself, doing smaller work, and being able to throw my own shows instead of relying on galleries. Facebook and Square (which lets independent operators accept credit cards and a doable rate) have both been power-to-the-people developments over recent years. Much like the music industry, it is now possible to cut out the middle man and still have an art career. I love doing smaller, more affordable prints instead of all large gallery paintings. And I'm grateful to everyone who comes out to shows, comments, or spreads the word on fb. You all let me do what I love for a living, and I could not be more lucky.
I decided to celebrate (and take advantage of the cleaning I did) and have a party last night as well. Sadly, my regular jam group is losing our mandolin player to Louisiana, so we gave him a send off party last night. I love having friends, music, and dancing in my house. Two of the three over the last few days is not bad at all, and I'm hoping to add in a little dancing soon as well.
Mr. Darcy had fun greeting everyone at the sale over the weekend and also hung out for the music. He's always right close to me, so this was my view down my bass last night. I'm so lucky in my companion as well. He's great company for me working on my own.
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Melissa Bridgman of Bridgman Pottery is teaming up with me again this year for my holiday sale. We'll be open this weekend, Saturday and Sunday, Dec. 12 and 13, from 12-5 both days at 1780 Autumn Ave. in Midtown Memphis. I love her work and use her bowl for breakfast and her tea things throughout the day. We'll both have small present priced work as well as our bigger things. I'll have all the prints from my current Dixon show available as well as my new dance and musician prints I've been playing with since. And we were both baking last night for the show. Banana bread, tea cakes, and cookies. Drop in and say hi!
We've got tea time covered.
We've got tea time covered.
Melissa has some Memphis map platters, and I've been playing with printing on tee shirts. Sizes and colors are limited, since I'm using shirts I find in thrift stores. It's a bit of a treasure hunt. This isn't what I want to do in bulk, but I thought I'd try a few as a special holiday show option.
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Memphis Theological Seminary is hosting a workshop this weekend on interpreting dreams. They have one major speaker but were apparently a little desperate for someone to give him a midday break, so I got the call. Dream interpretation is not something I know anything about, but making art from visionary passages definitely is. I'll be doing a bit of an art history survey of Biblical dreams and visions in art (Isaiah's call, Jacob's ladder, Ezekiel, Revelation), talking about why these places in the text are so powerful for artists, and saying just a bit how I approach making art from a text in my own work.
I'll also talk about how art helps me tap into that unconscious place within myself. I recently found myself making prints that I only belatedly realized were working through something that had happened earlier in the year. So I'll encourage the folks to doodle or sketch and use that as a way of being present in the moment and perhaps listening to the things that flow out of their pens. My college painting prof always said, "Don't think. Just paint." I have never had a great deal of luck starting out with an intellectual agenda for a project (I'm remembering a largely failed effort to do still lifes based on the five senses many years ago.) I make much better art going with the image and instinct that floats to the top and keeps haunting me. Often that's just the best image I have going at the moment, but occasionally it also tells me something about how I'm feeling about events in my life.
I'll also talk about how art helps me tap into that unconscious place within myself. I recently found myself making prints that I only belatedly realized were working through something that had happened earlier in the year. So I'll encourage the folks to doodle or sketch and use that as a way of being present in the moment and perhaps listening to the things that flow out of their pens. My college painting prof always said, "Don't think. Just paint." I have never had a great deal of luck starting out with an intellectual agenda for a project (I'm remembering a largely failed effort to do still lifes based on the five senses many years ago.) I make much better art going with the image and instinct that floats to the top and keeps haunting me. Often that's just the best image I have going at the moment, but occasionally it also tells me something about how I'm feeling about events in my life.
Madonna on the moon image from my series of illustrations of Revelation done for the Presbyterian Church U.S.A.
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Memphis has a great public radio station that does something unique in my experience (and I listen to a lot of NPR as I travel). Every single day and usually twice a day, they have a short program called Checking on the Arts. They interview artists, actors, musicians, people putting on fairs and booking concert halls, anyone doing something artistic in Memphis. Lots of stations get occasional bands into the studio, but no one I've heard has daily features that include visual artists as well. As a listener, I've gone to a number of plays I might not have, once I've heard the director or actors talking about the production, and I hear about lots of things I want to get out and do.
As an artist, it is gold. Especially since I've gone solo and don't have a gallery doing publicity for me, it is a beautiful thing to have a station willing to put me on the air and let me talk to the city.
And they do an amazing job. I got in this time, and Darel Snodgrass had a printout about my new show sitting on his desk already. He always does research ahead of time, asks great questions, keeps things moving along, covers everything that needs to be announced (challenging this time, because I have a lot on this year), and he does it all with warmth and enthusiasm. Here is this week's interview about Dixon, MTS, my holiday sale, and more....
As an artist, it is gold. Especially since I've gone solo and don't have a gallery doing publicity for me, it is a beautiful thing to have a station willing to put me on the air and let me talk to the city.
And they do an amazing job. I got in this time, and Darel Snodgrass had a printout about my new show sitting on his desk already. He always does research ahead of time, asks great questions, keeps things moving along, covers everything that needs to be announced (challenging this time, because I have a lot on this year), and he does it all with warmth and enthusiasm. Here is this week's interview about Dixon, MTS, my holiday sale, and more....
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So very many lovely people turned out for my opening at Dixon Gallery and Gardens last night. I am still buoyed by the wave of love and support that washed over me. The museum people have gone out of their way to be kind and, really, utterly marvelous. (Plus it's the sign of a good party when you get sent home with cake at the end of it.) Family, friends, dancers, art buddies, jam buddies, profs at MTS, park people, and a whole host of lovely people from unexpected places turned out for my big career night and made it special.
Very kindly, Frank Chin turned out with his camera and got some lovely shots for me to remember the evening. I was so grateful.
AND the Tom Lonardo Trio played, which was so special for me. Tom and Tim Goodwin were two of Di Anne Price's "Boyfriends," and I spent many years' worth of happy Sunday afternoons hanging out at Huey's and listening to them. Di Anne had a song for every contingency in my life. It's still so odd to be navigating the world without her soundtrack for company, and without her calling me "baby." As she did everyone she cared about. But having Tom and Tim there for my biggest career moment meant an awful lot, and I even got one beautiful celebratory dance toward the end of the evening. Such a treat.
The eats were good too.
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First off, let me announce that the opening for my Dixon show is Thursday, November 19, 6-8pm. (Tomorrow!) The museum is completely free that night, so come out and see me but also see the truly lovely landscape exhibits in the other galleries. And the Tom Lonardo Trio will be playing music that night. Two of them were "boyfriends" in Di Anne Price and her Boyfriends, my favorite all time band. It's lovely to have the guys playing for my special night.
Here is the finished version of my Busker print. I followed this guy, walking slowly, down a street in Amsterdam as I sketched him this past summer. I'm having fun doing a few more figures in print lately.
He's on 9.5x12" paper, and $60 in my online store https://squareup.com/market/martha-kelly-art
Here's the original sketch:
Here is the finished version of my Busker print. I followed this guy, walking slowly, down a street in Amsterdam as I sketched him this past summer. I'm having fun doing a few more figures in print lately.
He's on 9.5x12" paper, and $60 in my online store https://squareup.com/market/martha-kelly-art
Here's the original sketch:
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Ironically I spent most of last week thinking about Paris, being really happy, and singing along to my René Miller's albums I bought from him there. I love stretching trips out by making art from them. It feels like I'm still living in that world when I'm inhabiting it and making art from it. I even found myself dancing through the woods on my walk singing René's songs.
Then Friday happened. And I'm just heartbroken for the city and very grateful my friends are all safe.
I'm going to keep working on this print of René and Dédé singing at the Marche d'Aligre. I did a sketch of them on site, sitting at one of the cafe tables, and then I came around the front and took the photo below. This sketch is from last year, but I'm working on a series of musicians, and I think I'll try one from this summer as well, René playing with Stephen Harrison.
Then Friday happened. And I'm just heartbroken for the city and very grateful my friends are all safe.
I'm going to keep working on this print of René and Dédé singing at the Marche d'Aligre. I did a sketch of them on site, sitting at one of the cafe tables, and then I came around the front and took the photo below. This sketch is from last year, but I'm working on a series of musicians, and I think I'll try one from this summer as well, René playing with Stephen Harrison.
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Well, I thought I'd turn in the show and be a little more free, but that hasn't happened. I'm working till 10 tonight on the slide show to go with my lecture at Dixon tomorrow. It will be fun to give a talk in the auditorium just off the gallery with my show hanging.
So I'm definitely behind on posting here, and I'll try to catch up, but in the meantime, here are a few shots of how the exhibition looks. It's beautifully lit and hung, and the setting (and those amazing glass cases for my sketchbooks) just look so MUSEUM-Y. I'm thrilled.
So I'm definitely behind on posting here, and I'll try to catch up, but in the meantime, here are a few shots of how the exhibition looks. It's beautifully lit and hung, and the setting (and those amazing glass cases for my sketchbooks) just look so MUSEUM-Y. I'm thrilled.
I like how they have the paintings and prints done from the same sketch hanging together, so people can see the difference between the lush and liquid oil paint and the linear sharpness and pattern of the prints.
