It’s been raining some here, keeping the weather thankfully cool and giving me a chance to do some painting indoors. I went to two big flea markets I love over the weekend, but I also came home after each one and did a small painting or two. Here are the still life ones. I’m very happy with the Mille feulle one, and pretty happy with the peach. At the bottom is the Cherokee purple tomato. My oil at home of several of those is my favorite of all the still lifes I’ve done so far, but this gouache totally bombed. I got it way overworked, and I don’t think the composition was that strong to begin with. I also struggled with the teapot one and walked away, but I may go back into that one again and see if I can spruce it up just a bit. A couple of artists I really admire on fb sent me encouraging words about that one.

I was in a total frenzy sketching Reims — both a new place to me and a scarcity factor. I’ve been really lazy in Paris, both settling in (unpacking, buying groceries, just walking around my favorite spots), but I plan to get going here soon. I had two afternoon naps, though, which has been marvelous. I’m still dealing with a little jet lag and a little it-was-crazy-getting-organized-to-be-gone-again exhaustion. I figure a few days of vacation are good. I walked to my very favorite market/flea market today, which took ages from the place I’m staying this summer, but it felt good to just let loose and walk.

So here are the last of my Reims sketches, and I’ll work on having some Paris things to show here soon. Above is just outside the building where I stayed, a few blocks from the cathedral. I also painted the Joan of Arc statue just outside the cathedral, and I sketched a bottle of champagne that was (delightfully) in my Air b&b along with a white peach, cut up in a bowl. It’s good to remember treats and savor them again later.

I couldn’t get my camera to capture the blue that glimmers through the cathedral from the Chagalls all the way to the west entrance, so I tried in watercolor instead. Still not satisfying, but better. I also love the off centeredness of the crucifixion, with that white figure showing up on the right hand side, but the deposition and ascension above and below (though less discernible from far off ) to its left. Brilliant design. I did one more sketch of the whole bank of candles that people light and pray by. It was a worshipful space, and I tend to paint the things that move me.

I wish I’d taken time to sketch the 1930’s smaller rose window at the back. Mary is central, and she is surrounded in a circle by several biblical trees (a palm, a cedar of Lebanon, and an olive tree) along with the moon, the morning star, and the sun. I love creation being so central in surrounding and celebrating her. I would have chosen an apple tree to go along with the others, given both Song of Songs and that lovely carol “Jesus Christ the Apple Tree,” along with the connection from Eve through her son Jesus to correct the original wayward bite. But that’s a quibble. It’s a gorgeous window in its own right. I loved the mid century glass they added in the restoration all the way around. There’s some subtle and beautiful grisaille windows as well. I wish I could have done these windows justice, and I wish they would hire one good photographer and get good images to sell. I was deeply disappointed in what was on offer. But it was a gorgeous cathedral to be in, and I’m so glad I went somewhere new this year.

I’ll mostly be cat sitting in Paris again this trip, but I decided to take a couple of nights and see somewhere different at the beginning of the trip. A gothic cathedral with some Chagall windows was a definite winner. In fact, they have a whole series of mid century windows that are exquisite and beautiful, both theologically and visually, even though the Chagall ones are the total standoust. The back rose window from the 30’s is dedicated to Mary, and around her are three trees, a moon and star, and the sun. I love the emphasis on creation in a lot of the newer windows.

Today I painted about half and half inside and out, partly because the weather today was half and half, half rain, half dry. I started with the outside view in my big sketchbook, knowing rain was coming later. Then I looked the other direction and did a smaller sketch of a Carnegie library in a charming Art Deco building.

Lunch was at a sidewalk cafe while the weather was still fine. In the interest of this page loading efficiently, I’ll save the cathedral interior sketches for my next post. It was a good first day to hit the ground sketching.

Memphis is agog over Hamilton this week, but I ended up at Hadestown on Broadway instead. Tennessee Shakespeare Company has an annual gala fundraiser every year, and the grand prize is a raffle for a trip to Broadway. I had one one book from the old Pinocchio’s Bookstore when I was maybe in 3rd grade, but otherwise I’ve never won a raffle. Apparently I was saving it up for something big. The prize was a trip to New York, two nights there, a fancy dinner out, and one Broadway show (not something as hard to get as Hamilton). I had recently seen Sarah Ruhl’s version of Euridyce and was transfixed by her retelling, so (without Shakespeare being really on offer during the summer tourist season), I chose Hadestown, a different retelling of the Orpheus and Euridyce myth in the form of a folk opera. It was also marvelous. Not as deeply thoughtful as Ruhl’s version, which I’m still really mulling over a year later, but a wonderful take nonetheless. It paired that couple with Hades and Persephone. The music was overall good, the dancing and choreography amazing, and I thoroughly enjoyed it and would love to see it again. My favorite was Hermes, an older gentlemen who looks like he walked straight off of Beale Street. My favorite thing about the play, and what is sticking with me, is the way it walks full tilt into tragedy, lets us mourn, and picks all of us up and says we keep singing the song, telling the story, and trying again.

I was awarded a show at Playhouse on the Square for this September. It’s in the most visible gallery there, and also a much smaller one than the enormous, cement-walled ramp I often get assigned. I’m so grateful for the better visibility, and now I’m scrambling a little bit (since I’ll be gone most of August) to make sure I have a solid show. I’ve been enjoying the still lifes lately, but I’ve also been away from my easel. I decided to try a couple in gouache, and I had a ball doing them. This is a good travel project for August as well, so I’m tentatively titling the show “Daily Pleasures” and pursuing this line of work for it. I’ve got a handful of larger oils already, and I think I can fill out around them. My very first gallery show was still lifes, 20 years ago in 1999, so it would be nice symmetry.