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I'm slow getting these scanned in (it's been a somewhat eventful summer), so here is a report on one lovely day taking the ferry out to Friday Harbor in the San Juan islands back in the middle of July. Jude's cousin Liz, an artist and photographer and all around delightful person, was visiting, so it was the three of us. I sketched on the ferry the way I did several years ago. I've been doing passenger seat sketches this summer, and the ferry is about the best version of that -- not as fast flashing past everything, but a kaleidoscope of a changing view. Such fun.
There were many more people in the way of the view in July than there had been in September, but it was still fun. I think my favorite ferry sketch was this simple one done only with green ink in a brush pen.
There were many more people in the way of the view in July than there had been in September, but it was still fun. I think my favorite ferry sketch was this simple one done only with green ink in a brush pen.
We had a lovely lunch on a deck at Blue Water. My friend Chrissie says, "Always get the pink drink." I got the orange one instead, a mango mimosa. And of course I had to sketch it to remember the treat. The crab cakes were another fantastic treat for this generally landlocked Memphian. Later I bought books (always a treat) and peppermint ice cream with hot fudge on top, but I didn't take time to sketch it. Just dove in. Sometimes you have to just savor instead of sketch.
I'm not sure if it's the mimosa or not, but my favorite sketch from that day is the vertical with the view of the bay, the mimosa clearly featured, and the teal of the ceiling paint making a lovely contrast with it.
I had also sketched the entryway of the restaurant while we waited a few minutes for our table. It was fun to have just a full on sketching kind of day.
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My last post was about Feature Show Falls, which was indeed a stunning feature (even if the name vaulted me back in time to my Rocky Horror Picture Show days). Almost as stunning, though, were the trees on the trail to get there. Especially this one, growing over a rock. After lunch at the falls, I left the others to explore a little further and came back early to sketch this one. Along the way I did a few other, much quicker sketches, of other gorgeous trees. Sometimes it's fun to just do line gestures and leave the paints in the box.
That original tree was so stunning, and my sketch of it so inadequate to convey its magnificence, that I'm adding a couple of photos from that day as well. The second one is for scale. It was just remarkable.
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We hiked the other day to a gorgeous, tall, lushly green waterfall and miraculously had it all to ourselves for the whole of a picnic lunch and sketching break. It was glorious for this Memphian and flatlander to sit and drink in the beauty. I did a couple of sketches there also just sat to enjoy it a while. The road to the trail head was appalling or I would go back every week, but I'll definitely be returning again next trip out here.
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The power station built in 1924 in Newhalem was piloted early on by a Scottish horticulturalist who put in public gardens and trails for everyone to enjoy. The standout spot is a trail built along the side of a gorgeous high waterfall that turns corners and falls again to a different spot below. I couldn't get the whole thing in a sketch, but I loved this section that peeks out from under a stone arch at the top and drops in several levels. It was a magical place to sketch.
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Eight miles in each direction there is a state park, and they are two of my favorite haunts out west. I spent a morning walking in Rockport, the more forested of the two, and did the trail sketch above and then sketched the moon hanging among the treetops.
Another recent day I went to Rasar and found that they had hayed the big meadow there. I was sorry to lose the field of daisies, but I hope the revenue is good for this fantastic park. And I had fun sketching the tractor that was still siting in the middle of the field after the fact.
Another recent day I went to Rasar and found that they had hayed the big meadow there. I was sorry to lose the field of daisies, but I hope the revenue is good for this fantastic park. And I had fun sketching the tractor that was still siting in the middle of the field after the fact.
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We've been driving around a lot to various appointments, and I've used some of that time to sketch and keep loose from the passenger seat. These sketches are a great test of memory, and they make a day of errands go faster. I'm still using the little Sennelier kit for ease and smallness and to keep testing it out.
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I've been doing more landscapes than anything else lately (which are always the primary draw for me), but I've done a handful of smaller scale, daily life sketches lately, and I really enjoy them as well. Here's a round up from the last month, since they haven't been fitting thematically into the posts I've made lately. I always enjoy opening sketchbooks back up later and remembering a favorite luncheon, a date at an ice cream parlor, or an especially yummy dessert.
Or even a medical check up...
And my very favorite -- Belgian torte from a dessert shop I had tried two years ago up in Bellingham on a day out up there. I was delighted that the place had made it through the pandemic. The torte was at least as good as I had remembered.
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I've been taking the new small set of Sennelier watercolors out to keep testing them. I miss some of my regular colors, but as I've said, I love the sap green that is a little cooler and darker than the Windsor and Newton one I generally use. The lighter green is fun, but it skews a little acid, and I try to tamp it down a bit instead of using it straight. I ended up loving those top two that I did, but the second time out for bigger pieces (instead of the tiny, quick passenger seat sketches I've been doing), I couldn't get the colors right, and everything felt overcooked. I'm pretty much at a loss to explain why I had such disappointing results the second time after feeling pretty good about the first outing, but there you are. I miss the transparency of my normal W&N set, and on the forest piece, I really missed the burnt Sienna that I depend on a good bit. I think the cobalt blue is also a little edgier than I'm used to, and that didn't come into play much until the tree trunk study. Overall, it's fun to switch things up sometimes, and I enjoy having this kit that's the right size for a purse or tiny project, but W&N still has my heart.
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One of my very favorite places out here is Rasar State Park. It's small, but it has a huge variety of landscapes, from forest to beach to stone beach to meadow. It's right along the Skagit river, and it was a natural place for me to go to try to jump start my sketching a bit. I cleaned and refilled several fountain pens, and these are both done with my favorite green ink, a bamboo color that is warmer and more natural than a lot of acid greens you find. The first is a wooded walk along the side of the river, looking down to this spreading tree that hangs over the water. The second piece was sitting out on the beach proper with a view down the Skagit and off into the distance. I've drawn and painted versions of this view (from a few different angles) over the last several years, and it continues to sing to me.
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The beauty here is real, but so is the driving. There's one pretty good small grocery in town (and one awesome pizza place and a neat small library), but for anything else you have to drive "downriver," which is at least 30 minutes, with most of the shopping and options being more like 45. I got myself a new, tiny watercolor set by Sennelier to play with as a vacation present, and I've been doing sketches from the passenger seat in these downriver trips. They're a great challenge to the memory and keep me very loose sketching. It's fun to try to capture something that catches my eye as it whizzes past.
The Sennelier sap green is lush and gorgeous, a little cooler and more opaque than the Windsor and Newton sap green that I've been used to. In fact, all of the colors are more opaque. This set feels like a step towards gouache. I've had fun playing with it, and I've enjoyed having a Paynes grey, which is a color I keep hearing about but have never used. I'm having trouble getting the dark richness that I can with my W&N set, though, and the light green in this one is more acidic than the warm green gold I have in my regular set. It's always good to try new things, and after feeling under the weather for several weeks, I wanted a new toy to jump start my sketching practice. I had real trouble getting up the energy to draw much of anything for a while there. This will be a neat set for keeping in a purse and being ready for on-the-go. I may try to get a tube of the green I like to add to my regular set, but at this point, I'm still a total fan of the professional grade Windsor and Newton watercolors.
I did finally get some depth in this last one, and I like how the colors bleed into each other. I also like that they dry faster than my W&N ones. I always thought that was more paper than paint, but these seem to dry more quickly instead of my having to carry an open book around for the next several minutes. But I'm still sticking with my main set for more formal work.
I did finally get some depth in this last one, and I like how the colors bleed into each other. I also like that they dry faster than my W&N ones. I always thought that was more paper than paint, but these seem to dry more quickly instead of my having to carry an open book around for the next several minutes. But I'm still sticking with my main set for more formal work.