It was sunny today! I could not have been more delighted. I spent almost the whole day in Luxembourg Gardens making the most of it. I did three finished watercolors there (this blog post) plus three journal sketches that I'll post later.

One watercolor was of a spectacular tree that I have unaccountably walked past without pasting proper attention in years past. I enjoyed spending time with it today. And also with a kind gentleman who saw me painting it and also does watercolors. I told him about Urban Sketchers and also spread the gospel of my water brush, which is such a quick and easy sketching tool to have. He shared his strawberries with me, and I enjoyed a little friendly conversation since I'm traveling solo.

I had a gorgeous walk home in the sunshine. It's funny how ridiculously happy I feel just for being able to paint all day. I've been looking forward to this so much. I hope the weather holds for a bit.

 I sat at an outdoor cafe today during sun, rain, and, and sun again while I did this sketch. I'm trying to do at least one full watercolor a day and hopefully come home with a show. If I get enough sun, I should be able to do more than that and still have some time to enjoy Paris.

I got to go do an illustration of the Redbirds game for the Memphis News, which won't be published till next week, so I can't show it. My editor gave me the press pass, though, and said I could also go up to the press level and sketch from there. So after I did my main illustration, I decided to enjoy myself by doing a little sketchbook work from the press box. So exciting to be up there watching the announcer work. Plus they had cookies. And a great view.

I had a bit of time a couple of weeks ago where my scanner wasn't talking to my computer, so I'm still catching up on those sketches. Here are a few wildflower sketching days. I'm under the weather this weekend, so I'm going back to post these now, since my walking is curtailed at the moment.

That was my warmup on the phlox. I went back to do a fuller landscape a few days later. I'm drawing out a print for this one now.

These have been published now (see the feature on the Memphis Daily News site here), so I can post the watercolors. My monthly sketch feature for the Daily News was the Calvary Waffle Shop. I got to eat peppermint ice cream and call it work. So utterly delightful.

I spent the week at NaCoMe church conference center outside of Nashville with a group of marvelous women. It's a beloved place of my childhood. My sister and I went twice a year with our own church and once a year with our grandmother's church, to maximize our time there. One glorious year I also managed a week-long canoe camp. It continued to be special to me well into adulthood and is where I first learned to play music, though due to changes in my life (and changes in the camp, which stopped having single rooms for singles) I hadn't been back in some years.

My college roommate talked her church into getting me to lead an art journal workshop at her women's retreat. She also very kindly snagged the back bed around the corner to save for me. I've mostly stopped going with my church because now solo adults have to be in a bunk room of four or five, and that's just not an appealing option to me. I work and live alone and prefer one tiny, poky hole of my own to shut the door when I'm ready to sleep than a fancier cabin where I have to share. Sadly the camp has let their lodge with the smaller rooms fall into disrepair, so it has been a less attractive option to me lately.

Kathy's church took me in so very warmly, though, and made me very glad to be there. I had a ball making new friends and also exploring again the familiar and long loved terrain. Kathy and I walked over to the lake before dinner on Friday and did a little sketching.

of our park by the Memphis Zoo to make room for their overflow parking, it was good to see her cabin well cared for and used in a way that brings people joy.

One of my favorite places is the wildflower walk down the road a ways. There are a series of limestone cliffs with Dutchman's breeches and trillium growing on top and columbine dangling gracefully off the sides. I climbed up to check on the wildflowers and do a little sketching. The trillium were ENORMOUS.

The parts of the weekend you can't see from my sketchbook were the meals and discussions with fascinating women, sitting around and singing gospel songs on the porch in the afternoon (they actually wanted me to play banjo for them, which was great fun -- usually I just sit home and sing with it on my own), and a late night campfire out under a dome of stars.

On the art front, I enjoyed spreading the good news of the water brush, a nifty, self contained, easy to use tool that has changed my life. I can always have a tiny watercolor kit and brush ready to go in my purse, and I sketch so much more than I did before. Everyone dived in gamely and sketched with me (which can be an intimidating thing to do, since as a society we don't encourage people to draw after middle school). I think a few people may continue, which delights me. A lovely weekend.

I spent one stellar day in the MFA last week. It started with a harp demonstration in the musical instruments collection. Neat to see the ancient instruments played and the history explained. Of course I sketched. Both the demo and the audience.

Most of the rest of the day I just looked at art. The John Singer Sargent room blew me away. I'd seen small reproductions of the huge portrait of the four sisters, but walking into the room with it in person just blew me away. I stood there with tears in my eyes for a good while. If I'd had more time, I would have sketched more, but I wanted to see my main highlights (Sargent, two Constables, Inness and the Hudson River school, a couple of just lovely Pieter Claesz still lifes) thoroughly and deeply.

I did take a lunch break in the early afternoon and sketched a bit as a palette cleanser. I also wrote down several quotes that really grabbed me from the tags. The presentation in the museum was stellar. Such a pleasant, light, open place to see the art. I loved it. I could spend days there.

I did one more quick sketch at the end because, after illustration Revelation several years ago, I was intrigued by this Medieval madonna who was conflated with the pregnant madonna on the crescent moon in Revelation.

My second assignment for the Memphis News came out in the paper while I was gone (and I'm grateful to FB friends for posting it for me to see). I had seen at the last minute that the Mighty Souls Brass Band, one of my favorite local bands, was going to play at Dixon Gallery and Gardens. It was the perfect chance to enjoy some good weather and give a simultaneous shout out to two of my favorite Memphis institutions.

You can see their story posted online here.          

I also did a second sketch while I was out there. This was my warm up, with the watercolor coming afterwards.                                                                                                                                                                

I've gotten to several dances while I've been in New England. It's such a hotbed for national bands and callers. I've seen Notorious and Lisa Greenleaf at local dances. Just amazing. These are the people we fly down south once a year for a special weekend. And the people have been incredibly welcoming. I've never walked into a dance hall not knowing a single dancer before. People have asked me to dance right at the start, kept asking me, talked to me at breaks, and truly made me welcome. I've even very grateful.

I got a banjo lesson from Larry Unger and a ride down to the waltz in Connecticut he was playing yesterday. He also let me draw his unbelievable banjo wall. For my lesson I got to play a 1903 White Layde, and then he let me noodle around on his 1870's fretless with gut strings. Both were a joy to play.

The waltz was three hours, so I did sat out a few and did a little sketching. Each half page is one tine's worth of sketching, so about 4 minutes each.

I went to the Isabella Stewart Gardener Museum yesterday. It's a lovely place with a gorgeous garden atrium and a fine collection of Sargents, who is one of my favorite painters. I had never seen his watercolors in person before, so that was a treat.

I was sad that both lighting and hanging of pieces precluded you from really seeing some of the art. A beguiling line of tiny Whistlers were way across a room, behind furniture and a rope, and in dim light. You just couldn't see them at all. Some of the Sargents were also high and dimly lit. I understand staying true to the spirit of the founder, but I wish they could improve the lighting a bit.

Also the second floor was completely closed for renovations, and the paintings don't go on alternate view until the day after I leave. So I missed the Dutch collection (what's left of it) among others. But overall it was a lovely place to wander around and see art.

One neat thing was that they have an artist in residence program. There was a really lovely exhibit of the latest one. She had done tiny, text heavy drawings of the musuem, and they fit into various small boxes. Lots of them had a library stamp on them for the date. Brilliant. Nicely in the urban sketcher style. I did a very quick sketch to remind myself of the overall feel.