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From the market, I walked two blocks to the Tennessee Brewery. A group of local business guys and committed, involved Memphians have opened up this glorious old building for a month's worth of beer garden, food trucks, and live music. I wanted to go sketch, since I wrote my term paper in 11th grade on the architecture and history of this marvelous place.
I also took advantage of the chance to take some photos there.
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I started with the griffin I've always admired. There's a pair of them at the Grand Avenue gates.
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On this Saturday morning, I decided to give myself a break on work for others and go paint the phlox while they're still blooming. Mr. Darcy and I walked over with my backpack and painting gear.
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The segment about me that was filmed by the PBS show Tennessee Crossroads is out and up on You Tube. You can watch the six minute segment at:
http://m.youtube.com/watch?v=VTSrzY5QPrs&feature=youtu.be
I'm always a little stunned at how Southern I sound outside my own head, and occasionally I feel like there's a reason I'm a visual artist instead of a verbal one, but they did a really nice job of putting together an overview of my life, work, and creative philosophy.
And they showed off Mr. Darcy....
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The Memphis Urban Sketchers met at Elmood Historic cemetery on Saturday morning. I'd missed the last couple of meetings, and it was good to make this one in one of my favorite sketching spots.
It's one of the oldest cemeteries in Memphis and encompasses much of our history, through the Civil War and the yellow fever. I love the Victorian monuments and angels. So much more lovely than the fake golf course look of today's cemeteries.
It was good to be out working with a group of artists again, and I did two watercolors from the same vantage point, while I chatted with our founder and fearless leader Elizabeth Alley.
I felt I'd gotten a little bit tight and precious on the trees in the first one (and, on looking back at them, lost the shape of their canopies as well), so I loosened up in the second sketch and drew just with my brush instead of starting with the pencil.
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My day ended with Parisian-like patisseries from the Findlay Market, which brought back happy memories of my travels last year.
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The downside of printmaking for me is the added technicality. I love making images, but prints are more complicated than just brushing paint on canvas. I still struggle some with registration issues and occasional press maintenance, but sharpening my gouges is the hardest ongoing issue for me.
I'm incredibly lucky to be friends with John Kraus, a toolmaker, fiddler, and all around great guy. John teaches tool making at Country Workshops and John C. Campbell Folk School, among others. Once a year or so he's kind enough to put a fresh edge on my gouges that I then gradually fail to maintain until I need help again the next year.
This year he not only sharpened everything for me (photo above), but he tempered a couple of the blades that were too hard to sharpen well (below).
John's partner is Nancy Darrell, a fellow printmaker with a background in pottery. I got my Line-O-Scribe proof press from her a couple of years ago (which has changed my life), and we have a great time comparing work and talking shop.
This trip we also went out and sketched together, painting by the pond on the Countey Workshops campus next door. I did a couple of quick watercolors and enjoyed just sitting in the sunshine a while.
Afterwards I got to play music with John, and Nancy had been kind enough to invite Drew and Louise Langsner over from next door at CW, so we had a lovely dinner with all my friends up there at once. That pair of farms is a real haven for me, thanks to kind friends and a beautiful landscape. I feel lucky to be a regular visitor.
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I walked over to the park to do Heidi a watercolor of her river as a hostess present. (It was pretty cloudy for picture taking, so there's a bigger discrepancy than usual between the photo and the watercolor.)
I even got to hang out with my very favorite band, the Latter Day Lizards. We ate BBQ for lunch....