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Mr. Darcy slept about 20 hours a day for much of his life with me. He'd hang out quietly and let me sketch him often. Gideon is 7 months old and in much more constant motion. He's also solid yellow, so he's a challenge on several different fronts. He finally slept a little while I was still downstairs the other night, and I did a fairly full Inktense pencil sketch of him. Previously I'd only managed the briefest of pen sketches as he moved around.
He's fantastic entertainment. He makes me laugh a ton and is adorable, so very good for facebook snaps. I'll just have to get more practiced at the sketching end of things.
He's fantastic entertainment. He makes me laugh a ton and is adorable, so very good for facebook snaps. I'll just have to get more practiced at the sketching end of things.
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My last day of the trip was Missouri and Arkansas. I stayed at a different park in Missouri than the one I love (full after the last minute delay due to smoke), so I slanted down the state through the Ozarks. The stand out highlight of the trip was a small antique store in Knob Noster, MO, (that name!) that had a commercial kitchen attached and homemade PIE. A brilliant combination. I didn't buy anything permanent, but I did get a strawberry rhubarb pie with some of the best crust I've ever had.
It was a great easing into home, since I've come back to a fantastic exhibition of Wayne Thiebaud's prints and paintings at Dixon. I've been looking forward to this show for months. I went the first week with an artist friend and had such fun comparing our ideas about the work. Yesterday I went back to spend more time with specific pieces I love and do a little sketching. I plan to go at least once a week while it's here. I'm fascinated with how he uses hatching to define spaces instead of outlining all the time (the meringue below, or the man with the paper's shorts. Exquisite.)
It was a great easing into home, since I've come back to a fantastic exhibition of Wayne Thiebaud's prints and paintings at Dixon. I've been looking forward to this show for months. I went the first week with an artist friend and had such fun comparing our ideas about the work. Yesterday I went back to spend more time with specific pieces I love and do a little sketching. I plan to go at least once a week while it's here. I'm fascinated with how he uses hatching to define spaces instead of outlining all the time (the meringue below, or the man with the paper's shorts. Exquisite.)
One thing I thought about over the summer is how to take the slow down of the last few months back into my home life. Sadly fall is going to be less busy than I'd hoped, given the resurgence of the virus, but I still want to be intentional about giving myself permission to take days off without feeling guilty. I love working in my house and having studio space available right here, but it can be hard to take time off when work is in the next room hovering over your consciousness. Potter Melissa Bridgman, who works harder than about anyone I know, gives herself a weekday sabbath, since weekends get so crazy. I love that, and I plan to implement that for myself. I'd like to use it to do more regular museum visiting, since that really feeds me. Yesterday I took my first weekday off. I went to Dixon to sketch, had a leisurely lunch on the back porch with my journal, banjo, and the Thiebaud catalog, and visited a friend in her yard in the afternoon. It was marvelous. I've got time before WAMA to get my prints in order for the show, and I'm going to enjoy the lead up instead of stressing about it.
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I got to Devils Tower, finally busted out of the smoke, and sat outside with a baseball game on the (streamed) radio to keep me company and PAINTED. The previous post was the first batch of these, and here are the rest. They're a mix of my smaller and larger sketchbooks, both of which are square and open out into a landscape format if you go across the page or give you two side by side squares. All of these went across the center crease to be landscape format. The sky was changeable and gorgeous. I also really liked the moment where the golden light raked across the side of the tower (top image).
The final Devils Tower sketch was from inside the camper the next morning in a light rain. I painted it just in time to get half the monument, and it completely disappeared except for the very bottom of the base almost immediately afterwards.
The pink moon rising is the one small sketch I did the next night at Lake Vermillion in South Dakota. It was a long driving day, so I took a walk, talked a while to a lovely solo camper who lives nearby and was giving herself a quiet weekend, and only did this small sketch of a gorgeous moon rising about the treeline behind my camper and away from the lake. It's neat to be able to sit on my sofa, turn on the small reading light, and draw the almost darkness out the window while still seeing what I'm doing on the page.
The pink moon rising is the one small sketch I did the next night at Lake Vermillion in South Dakota. It was a long driving day, so I took a walk, talked a while to a lovely solo camper who lives nearby and was giving herself a quiet weekend, and only did this small sketch of a gorgeous moon rising about the treeline behind my camper and away from the lake. It's neat to be able to sit on my sofa, turn on the small reading light, and draw the almost darkness out the window while still seeing what I'm doing on the page.
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I take generally the same route home from Washington State -- there are well spaced state parks to stay at, and it's both the shortest and easiest to drive (I-90 across Montana and South Dakota is blissfully traffic free). But it is fun to vary things a little. This year the Keyhole Lake state park in Wyoming was full when I wanted to travel, but I could venture a bit further off I-90 and stay at the Devils Tower KOA instead. It was fantastic. I got a campsite with an unobstructed view, and I sat out at my picnic table and sketched a ton in the evening and a bit more in the morning fog. In fact, I sketched so much that I'll split the sketches into two different posts so things will load more easily.
The first couple of days driving were hard. Lots of smoke and a closed interstate in Montana due to one fire. I generally like to sketch at least a little bit each day of the trip as a mental break from driving, but the air quality was awful, so I just hunkered down in my camper the first night with my air purifier running, and then in a gorgeous guest room of a friend in Bozeman. Julie kindly gave me sanctuary from the heat and terrible air, so I spent an extra day to let a cool front pass across. Then I headed to Devils Tower and had lovely weather to sketch. I was so grateful for that kindness. It made all the difference to the trip. Otherwise I would have been moving across the country at the same rate as the heat and smoke.
The first couple of days driving were hard. Lots of smoke and a closed interstate in Montana due to one fire. I generally like to sketch at least a little bit each day of the trip as a mental break from driving, but the air quality was awful, so I just hunkered down in my camper the first night with my air purifier running, and then in a gorgeous guest room of a friend in Bozeman. Julie kindly gave me sanctuary from the heat and terrible air, so I spent an extra day to let a cool front pass across. Then I headed to Devils Tower and had lovely weather to sketch. I was so grateful for that kindness. It made all the difference to the trip. Otherwise I would have been moving across the country at the same rate as the heat and smoke.
These sketches are all in my larger, watercolor specific Handbook journal (an 8" square that opens up to 16" across the fold). The next entry will have sketches from my smaller 5.5" journal. It was my go-to for some years, but I've enjoyed being able to switch back and forth from the larger to smaller size lately.
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This seems like the year to do a calendar again. Last year I did P is for Possum instead, and I love having a book. The book grew out of sketches I did to keep myself sane and happy as the world turned on a dime last spring. I needed bright colors and small daily joys to cheer me up. I had a ball with those sketches, and a calendar seems like the perfect way to share that ongoing joy in the small things with everyone else. I hope it brings joy and reminds folks of the daily good things that we can control for ourselves (unlike so much of the world outside).
You can preorder calendars in my online store. They'll print and mail out in September. Choose "local pickup" if you'd like to pick up in person in midtown Memphis, but otherwise please choose the shipping option.
You can preorder calendars in my online store. They'll print and mail out in September. Choose "local pickup" if you'd like to pick up in person in midtown Memphis, but otherwise please choose the shipping option.
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I'm slow getting these scanned in (it's been a somewhat eventful summer), so here is a report on one lovely day taking the ferry out to Friday Harbor in the San Juan islands back in the middle of July. Jude's cousin Liz, an artist and photographer and all around delightful person, was visiting, so it was the three of us. I sketched on the ferry the way I did several years ago. I've been doing passenger seat sketches this summer, and the ferry is about the best version of that -- not as fast flashing past everything, but a kaleidoscope of a changing view. Such fun.
There were many more people in the way of the view in July than there had been in September, but it was still fun. I think my favorite ferry sketch was this simple one done only with green ink in a brush pen.
There were many more people in the way of the view in July than there had been in September, but it was still fun. I think my favorite ferry sketch was this simple one done only with green ink in a brush pen.
We had a lovely lunch on a deck at Blue Water. My friend Chrissie says, "Always get the pink drink." I got the orange one instead, a mango mimosa. And of course I had to sketch it to remember the treat. The crab cakes were another fantastic treat for this generally landlocked Memphian. Later I bought books (always a treat) and peppermint ice cream with hot fudge on top, but I didn't take time to sketch it. Just dove in. Sometimes you have to just savor instead of sketch.
I'm not sure if it's the mimosa or not, but my favorite sketch from that day is the vertical with the view of the bay, the mimosa clearly featured, and the teal of the ceiling paint making a lovely contrast with it.
I had also sketched the entryway of the restaurant while we waited a few minutes for our table. It was fun to have just a full on sketching kind of day.
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My last post was about Feature Show Falls, which was indeed a stunning feature (even if the name vaulted me back in time to my Rocky Horror Picture Show days). Almost as stunning, though, were the trees on the trail to get there. Especially this one, growing over a rock. After lunch at the falls, I left the others to explore a little further and came back early to sketch this one. Along the way I did a few other, much quicker sketches, of other gorgeous trees. Sometimes it's fun to just do line gestures and leave the paints in the box.
That original tree was so stunning, and my sketch of it so inadequate to convey its magnificence, that I'm adding a couple of photos from that day as well. The second one is for scale. It was just remarkable.
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This hand painted thistle stoneware was our everyday set when I was a kid. My mom graduated from the University of Edinburgh and loved all things Scotland, especially if they had thistles. My dad has some of it out at the family farm, but I haven't had any pieces. My favorite antique store here is run by an Englishwoman who also likes tea properly presented (teapot, cup and saucer, pretty small spoon). She had this cream and sugar set in her shop, and I was delighted. We always just had mugs growing up, never tea cups. I asked if there were any teacups also, and she kindly rummaged around at home and found a couple on a shelf she wasn't using and let me have my pick. It's been so special to use these this summer and think of Mom and flash back to really happy childhood times before she got sick. Such a gift. I did a sketch page to remember. I also found this teapot in Eastern Washington as I was driving across. It perfectly takes my new tea infuser, so I've used it a lot this summer.
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We hiked the other day to a gorgeous, tall, lushly green waterfall and miraculously had it all to ourselves for the whole of a picnic lunch and sketching break. It was glorious for this Memphian and flatlander to sit and drink in the beauty. I did a couple of sketches there also just sat to enjoy it a while. The road to the trail head was appalling or I would go back every week, but I'll definitely be returning again next trip out here.
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Eight miles in each direction there is a state park, and they are two of my favorite haunts out west. I spent a morning walking in Rockport, the more forested of the two, and did the trail sketch above and then sketched the moon hanging among the treetops.
Another recent day I went to Rasar and found that they had hayed the big meadow there. I was sorry to lose the field of daisies, but I hope the revenue is good for this fantastic park. And I had fun sketching the tractor that was still siting in the middle of the field after the fact.
Another recent day I went to Rasar and found that they had hayed the big meadow there. I was sorry to lose the field of daisies, but I hope the revenue is good for this fantastic park. And I had fun sketching the tractor that was still siting in the middle of the field after the fact.