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Published on
November 19, 2014

Radio Interview

I've had the reception for my England show (up at Playhouse on the Square through Jan. 4) and am now trying to catch up on all the business side of being an artist, which makes for bad tv on the blog end of things. So in the meantime, here's the WKNO episode of Checking on the Arts where Darel Snodgrass interviewed me about the England show and the process of turning watercolors into block prints.

I listen to a lot of NPR when I travel, and I don't know of another station that has a twice daily arts interview show. WKNO is a huge boon to everyone in our community trying to make a living in the arts, as well as to everyone wanting to hear about the cool stuff going on out there.
Published on
November 13, 2014

Mr. Darcy evening

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I had a quiet evening reading on the couch last night, but I stopped every once in a while to do a little sketching. Mr. Darcy was just looking so darned cute....
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Published on
November 12, 2014

England Exhibition

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The show is up! I got it hung last week before leaving for one of my favorite dance weekends, and now I'm back home to put on the reception this Friday night, November 14th. Come and have a glass of wine with me from 5:30 to 7:00 at Playhouse on the Square. Rebecca Chappell will be having an opening in the upstairs gallery at the same time, so you can see two shows at once. Kids, friends of friends, random people off the street, all are welcome, and the reception is free.

The show will also be up through January 4, in case you can't make the opening.

Above is the letterpress poster I made. The pointing hand and the stars came from one of the antique markets in Paris. I couldn't wait to test them out.

My show is mostly in the long west ramp. The main wall is cement, which means I can hang with poster tape and stick on velcro instead of having to suspend with chains and tiny hooks. So much easier!
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The show is the watercolors I did in England and then the series of block prints I did from those watercolors after I got home.

I played with different paper colors and inking methods for the first time with these prints, and I decided it would be fun to show multiples of the same print when the colors used are different. It was lovely to see them all hanging together and get to stand back and look at them as a group. That's the fun part of a show -- just getting to see a body of work all gathered together instead of sitting in stacks in my workroom.
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Published on
October 30, 2014

Cloudy Day

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I'd been looking through the window at the neighborhood cheese shop as I walked past, wanting to draw it. The other day was cloudy, and it didn't need a lot of sunlight to sketch, so I stood outside on the sidewalk and drew standing up. I'm still learning how to do that efficiently and well, but a jacket pocket of just the markers I needed helped.

It's a busy scene, and I'm not sure it worked great, but I had to try.

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Then I headed for one of the indoor covered Victoria passages, hoping it would be warmer than outside. It wasn't, but I still had fun sketching in there.

Then on the way home I ran into a group called Jingle Django, playing Django Reinhardt style jazz. They also danced around while they played, which made them tricky to sketch, but I had to try. I also got their cd. Really good music and a nice end to the day.

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Published on
October 29, 2014

Weekend Delights

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I got behind again posting photos because of the time change. I kept getting home after dark and not being able to take a decent snapshot of my sketches. I'm also looking forward to the scanner at home, but this is as good as it gets on the road, and it's fun to post while it's all fresh.

I had a great Saturday. Rene Miller played with Dede Macchabee at the Marche d'Aligre. It's a neat old street market. Half food and half brocante, or flea market. I scored a table just behind them at the cafe and painted while drinking mint tea, made with real mint. One of the lovely treats here in Paris.

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My cousin Jonathon Gilmer, currently at university in London and over for the weekend, came to the market to join me and listen. Afterwards we walked through the center, had falafel at one of the walk up stands in the Marais, and ended with hot chocolate from Angelina's, one of my favorite treats here.

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Sunday I went to St. Sulpice. It's the church where Faure and Widor both played and composed for the marvelous organ. They usually have a half hour organ concert open to all between masses, but there was an extra long service going that morning, so I had to content myself with sketching the lions in the fountain outside instead.

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Here's how the page looks together. I kind of like the effect, even though they're facing different directions. It's been fun to play with the sketchbook and see what works and what doesn't.

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I did a sketch walking home in my neighborhood. This is Stabilo pens with water wash, markers on top, and watercolor in the sky. Probably my most mixed media attempt. I'm going to have to try more of these.

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Published on
October 28, 2014

Sidewalk life and art exhibitions

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Two things I love about Paris are the art and the sense of full life and carnival right out on the sidewalk. In America, I'm a lonely pedestrian when I walk. Most of us are invariably sealed individually in our separate cars. In Europe, everyone walks, and life happens out in the street. Just this weekend, I've walked through markets, street markets, an art fair, multiple musical concerts, and past one steam punk performance art tricycle with whirligigs and dragons.

There was also a circus tent set up in Abbesses for a puppet show. The ticket was crazy expensive, or I'd have seen the show too, out of curiosity from my teenage puppeteer past, but I settled for painting the tent as a perfect metaphor for the street fair carnival.

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I walked on up and over the hill of Montmartre with Sacred Coeur, and back home for an eclair.

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Art being the other thing I really love here (I also should add food as a third in that triumvirate, after that eclair sketch), I was delighted that the timing worked for me to be here in time for the Hokusai retrospective at the Grand Palais. Having hit Matisse just right in London over the summer, I'm feeling remarkably lucky lately.

I fell in love with an exhibition of Japanese mid 20th Century prints at the Art Institue a couple of years ago. These prints are called Shin Hanga, and they are still my favorites, though they are much less well known than the 18th Century floating world era of Hiroshige and Hokusai. But the Hokusai show was breath taking. Lots of it was pen and ink as well as his well known prints of Mount Fuji. I loved seeing his work in hand drawn books, since I'm having such fun with a sketchbook this trip. It was nice to see books as a major art category.

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I sketched in line outside waiting to get in, and then I did small sketches and took notes in the exhibition itself. The rooms were quite dark, to protect the delicate works on paper, and there was a huge crowd, so it was challenging to work. The notes are less legible than would be ideal, but these pages give you an idea of what I typically do in museums. I can't reproduce paintings, but looking at something long enough to draw it helps me remember it better and also deconstruct the composition or other elements I'm drawn to. It's a great learning tool.

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Published on
October 28, 2014

Luxembourg and the Louvre

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Sunday was a glorious day here. Between the weather and just having too much fun with my sketchbook, I've only done a handful of finished watercolors this trip. I decided to do one of the Louvre to start the morning off, before the plaza got too crazy.

In other news, I discovered that a bakery halfway along my walk downtown (an hour or a little more, depending on where I'm heading) had the brilliant idea of joining pain au chocolat with an almond croissant, so now I don't have to choose. I ate that with a little tea as I sat on the edge of a fountain and considered my composition options.

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Then I walked across the Seine to the Luxembourg gardens. I had really enjoyed painting some of the statues here last year, and I decided to revisit some of them with my sketchbook in a different style.

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It was packed on a Sunday afternoon, and once again I enjoyed seeing everyone out, gathered together, and enjoying life.

I did an overview of the scene just for fun.

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I finished by painting Sainte Genevieve, the patron of Paris. There's a lovely set of statues of strong women in history, most of them from the first millennia AD. I may need to go sketch more of them.

But the sun was out, I was tired, and so I decided to be utterly Parisian and just soak it up through my shoulders (and three layers) a bit before walking home. I had a beautiful time just sitting there and letting myself be happy.

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Published on
October 23, 2014

Food sketches and more

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The weather was a little better today, and I managed to do a second full watercolor. I'm having a great time sketching, but I'm also trying to do a few more exhibition pieces for a spring show while I'm here.

But it was freezing! I got chilled painting and actually waked back for lunch, which I almost never do, to get warm and have tea. I sketched my lunch while I warmed up.

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Then I went back out and sketched Vincent and Theo's Paris home. It's rift across from the store where I buy my muesli, and it never fails to make me feel like I'm on hallowed ground.

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I'd been wanting to go sketch in the cemetiere du Montmartre as well, but it's often closed by the time I hike back out to this neighborhood. Since I was staying closer today, I decided to take that opportunity.

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The cemetery goes right underneath a road bridge and out the other side, which I think is incredibly cool. I walk over that bridge and look down part of the time on my walks home.

I quickly sketched a couple of tombs and inscriptions as they were getting ready to close.

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Finally, since I'd had such fun doing lunch, I sketched my dinner as well.

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Published on
October 23, 2014

Notre Dame

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I walked to Notre Dame this morning because I hadn't really been there yet, and it's a place I really like. Specifically, I like the garden along the side and behind it, but there was absolutely no line to get in (it being an October midweek morning), so I seized the moment.

I'm always drawn to stained glass and then unhappy with how I capture it, but I had fun sketching the lady chapel anyway. And I've been challenging myself to draw in pen and marker this trip without using pencil first. It's making me think harder. And sometimes draw worse. But the perspective here worked out not too badly.

I did a couple of more quick ones inside. I'm not theologically a fan of Marian worship, but she did look lovely against the blue banner.

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Then I headed outside and saw this sky...

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I tried sketching Notre Dame from my favorite spot, along the side, but here's where not laying it out (at least basic placement) with pencil first came back to bite me. I lost a central element to the center of the page split. Live and learn....

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Finally I had my tea and almond croissant in the garden at the back and sketched the fountain that I always seem to draw or paint when I'm here. It's a lovely spot, quiet and under the trees. It also had marvelous amenities for the traveller --- wifi and (most importantly) a bathroom.

Memphis has got me spoiled in that department. Every public business is required to have a public bathroom. Here in Paris, most of the businesses I go to (bakeries and shops) do not. The cafes do, but tea is twice as expensive as coffee (generally upwards of 4 euros), and I don't want to have to pay that to justify using their bathroom. So periodically an embarrassing amount of my day is planned by figuring out where I can go to pee and is there somewhere near there that I might want to paint. Not ideal, but there it is.

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Published on
October 22, 2014

Sunday Gardens, part two

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The day was glorious, so I decided to keep going to one of my very favorite spots in Paris, the Rodin Museum. I'm saving the museum itself for a rainy day visit, but I decided, in a fit of optimism, to buy an annual pass for the gardens. Oddly they don't have one for the museum itself. I hope to be back to house sit more, and if not, it was a very modest amount (15 euros) to support a museum I love.

On the way, though, I stopped and painted on one of the bridges over the Seine.

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While doing that second sketch, I met a lovely woman who was sharing my bench. She lives just by the museum and talked about how magnificent it is to wake up to the dome of Les Invalides. We chatted a good while. She was patient with my French and enjoyed looking at my sketches.

I loved meeting someone who wanted to talk for a bit and make me feel welcome. It's still hard here to just chat with people. In fact, she asked if I had had trouble making friends, and I had to say yes, very much so. I've been lucky to make a couple, neither one of them French. So it was nice to have a chance to practice my conversational skills, and I greatly enjoyed talking to her. Talking to people around me is one reason I enjoy traveling solo. I get to hear more about everyday life in the places I go.

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I did a few more sketches in the garden and walked home happily, calling it a day. The loveliness of my day was capped off when my favorite bakery was still open on a Sunday evening, and I could get my favorite chocolate and pear fondant. A perfect ending.

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Martha Kelly is an artist, printmaker, and illustrator who lives and works in Memphis, Tennessee.


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