I’ve been doing a bunch of book work this week since getting the Apple pencil. It’s taken a bit of getting used to, but is so much better than scanning in and cleaning up huge blocks of text. I can also play with it and change sizes, wrap it around images, etc. It feels much more immediate, and while I’m working to keep my handwriting legible, I hope that energy will translate into the book. I see that the pencil somehow migrated in color a bit, but overall I’m getting the hang of things and am grateful for this new tool. This is a double page spread. Georgia and Walter were in the Oxford American essay, but no one who knows me will be surprised to see that I added Constable now that I have a bit more room. He’s my number one influence on work habits and art philosophy, but OA is about Southern culture, so I leaned into American artists for it. I’ve got a few more watercolors and a back cover to do, but I’m getting close. I forget how very much longer all this takes than I think it will, but it’s always worth it to have a book in my hands.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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