I needed a break after the last print, which was architectural and complex, so I decided on a garden one next.
I've always loved the geometry and mass of formal gardens and had been hoping to find more of them in France than I managed to. Most of the topiary I found was a disappointing knee high, but I did find a few gardens I wanted to paint.
Chateau de la Chatonniere was a few miles out of Azay le Rideau, where I spent several happy nights at the beginning of my trip. I didn't have a car, so one day I packed a lunch and my painting gear and just hiked out to see the chateau gardens. That was the day I discovered that while the French are scrupulous about crosswalks, they are less likely to give quarter to pedestrians on the side of a country road. But it was a lovely day, and I had fun painting in the gardens.
The carving on this one went much more quickly, which was a welcome break after the Opera print. I was able to pull a proof on just the second day of work and see what it was looking like.
I did a bit more refining, especially in the chateau itself, before pulling the second proof. It's almost finished now, and I'm trying to figure out which watercolor I want to work from next.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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