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The Memphis Symphony did an unusual concert last night. Our new conductor Robert Moody noticed striking parallels in the devil at the crossroads stories of Stravinsky and Robert Johnson and decided to do a mashup. He used a chamber group and brought in bluesman Vashti Jackson to both be narrator and to play Johnson's blues interspersed with the Stravinsky pieces. There was also dancing and and an actor and film bits shown as well. It sounded a bit bizarre, but it really worked. My companion noted that both musical forms have a strong percussiveness.
I had hoped to mix some ink that would be a lighter flesh tone in a brush pen (those are hard to mix in the dark of a theater), and I tested it at the top right before going. It was a sad failure and ended up both grainy and with the turkey basting quality of old TCM colorized films. I ended up just doing a series of line drawings in various pens, though I did add in the red suede shoes and matching tie of Mr. Jackson. It was a fun night.
I had hoped to mix some ink that would be a lighter flesh tone in a brush pen (those are hard to mix in the dark of a theater), and I tested it at the top right before going. It was a sad failure and ended up both grainy and with the turkey basting quality of old TCM colorized films. I ended up just doing a series of line drawings in various pens, though I did add in the red suede shoes and matching tie of Mr. Jackson. It was a fun night.
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