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I’m continuing work on the Old Forest alphabet book this week and having such fun doing it. It starts with sketches in the forest on my daily walk, though I’m having to use photos for most of the birds. I’ve sketched some, but many won’t hold still for me that long. I’ve got years’ worth of sketchbooks with forest sketches spread out on my back porch table at the moment. Since the weather is lovely, I’m taking advantage of it and working outside. This is a nicely small, portable project that lends itself beautifully to the back porch. The waterproof ink is taking ages to dry, so I wait overnight to erase any pencil and scan in the black and white (I’m pondering a coloring book to go with it) before getting out the paints. I’ve only got one double spread painted so far, but the majority is drawn out and inked now, which feels good. I haven’t felt this much like my old workaholic self since March, so I’m enjoying the project immersion, whether or not this really goes anywhere.
It’s a right feeling side note to my Walter Anderson Museum work too. I’ve been dipping into Anderson’s Horn Island Logs, and I’ve realized that Overton Park is my (blessedly easier to get to) Horn Island. The place I continue to visit and paint that continually inspires me. Anderson did at least one children’s book as well. All of this feels like an appropriate journey to be on ahead of my show at his museum. And I, very gratefully, have time for a bit of a tangent. I’m also hoping that this energy helps me refocus on the prints as well once I get the ideas here out on paper before I lose them.
The birding has really played into this project as well and given it a richness. Two years ago I played around with ideas for an alphabet book of trees, but broadening it out to include my daily forest encounters is much better. I’ve also more narrowly focused it on the forest I walk in daily instead of it being North America writ large. Much better and more personal, and much more in line with Anderson too. Sometimes ideas have to kick around a while to fully ripen. Staying home and deeply paying attention to my surroundings this spring have really let this idea grow into its own.
It’s a right feeling side note to my Walter Anderson Museum work too. I’ve been dipping into Anderson’s Horn Island Logs, and I’ve realized that Overton Park is my (blessedly easier to get to) Horn Island. The place I continue to visit and paint that continually inspires me. Anderson did at least one children’s book as well. All of this feels like an appropriate journey to be on ahead of my show at his museum. And I, very gratefully, have time for a bit of a tangent. I’m also hoping that this energy helps me refocus on the prints as well once I get the ideas here out on paper before I lose them.
The birding has really played into this project as well and given it a richness. Two years ago I played around with ideas for an alphabet book of trees, but broadening it out to include my daily forest encounters is much better. I’ve also more narrowly focused it on the forest I walk in daily instead of it being North America writ large. Much better and more personal, and much more in line with Anderson too. Sometimes ideas have to kick around a while to fully ripen. Staying home and deeply paying attention to my surroundings this spring have really let this idea grow into its own.
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