- Published on
I got on a wild hare last week and started a whole series of small prints and interchangeable backgrounds. It all started with the small black and white print of Glastonbury Abbey that I did as an illustration for my dad's poetry book I've been putting together for him. I enjoyed doing a small, achievable project. It also was lovely to revisit a place from my past while I am stuck at home this spring and summer. I miss traveling, and it feels good to mentally revisit places I've loved in the past. I've long felt that I could extend a trip by making art from it on my return, keeping it present and lively in my mind, and I'm now tapping back into that energy by revisiting places from further ago. Glastonbury made me think of both the Tor nearby and also Stonehenge. I've been drawing out and carving simple backgrounds. I'm still working on a couple more, and I'm going to try some different colors with them (see the solid moon, versus the one with the grey spots, versus the one with orange added behind it, though I'll probably tone that color down a bit for the final version). I've only got single tests of the more recent backgrounds, but I printed a new batch of backgrounds today to start the process over again.
The first abbey I carved was intended as only a black and white piece, so it had a good bit of lacework carved out of the structure. I've carved a mirror image of it, more solid with see through windows, to test out as well. These are all just snapshots, not finished sketches since none of the prints are finished either, but I have enough to share the project taking shape. It's fun to see it beginning to make its way from a few color sketches into carved prints. Eventually I may add another place or two as well. The Acropolis means a lot to me after my summer in Athens, or perhaps the temple at Sounio.
I almost always start a small, experimental project in summertime. After doing all the very large Rowan Oak pieces last year, doing something small (and prints that don't have to line up exactly perfectly) feels light and easy. Just right for summer.
The first abbey I carved was intended as only a black and white piece, so it had a good bit of lacework carved out of the structure. I've carved a mirror image of it, more solid with see through windows, to test out as well. These are all just snapshots, not finished sketches since none of the prints are finished either, but I have enough to share the project taking shape. It's fun to see it beginning to make its way from a few color sketches into carved prints. Eventually I may add another place or two as well. The Acropolis means a lot to me after my summer in Athens, or perhaps the temple at Sounio.
I almost always start a small, experimental project in summertime. After doing all the very large Rowan Oak pieces last year, doing something small (and prints that don't have to line up exactly perfectly) feels light and easy. Just right for summer.
0 Comments