I've had rotating house guests lately, plus my sister has been in town, mostly for our annual dance weekend (which explains my recent silence here). I managed a hat trick of teas/chai out being festive with people and sketched all three. It's nice to have happy memories in my journal.

We took the ferry today as a day trip to San Juan island. It's a bit over an hour's ride, and it's utterly beautiful. The ferry weaves between tiny humps of islands that dance on the water. I sketched almost nonstop. Here are the full set of sketches from the outbound trip.

Here are a few quick sketches from my week. My favorite is the installation of enormous, inflatable bunnies at the Brooks Museum of Art. It's an installation about invasives and the damage they do by Australian artist Amanda Parer, but she admits it's also winsome, and the child in me is utterly delighted. I was also excited to do such an interesting nocturne piece, and I'll have to go back and do more before they depart Memphis.

There was also cake in my immediate past (Muddy's Bake Shop, my favorite), and a trip to the Metal Museum. It's been a lovely week.

The Tennessee Shakespeare Company is putting on Much Ado About Nothing this week, which is one of my favorite plays, and it is being done by a stellar cast. I got excited and went out to sketch at a couple of the rehearsals (my dad is really involved in the company as his retirement project, so they made me nicely welcome). These are largely quick sketches because actors move around a lot more than the musicians I usually draw. But I had such fun doing it. And everyone was so kind about my being there. I started in pencil and switched over quickly to fountain pen.

During the Saturday night performance I mostly sat back and just drank it in, but I did do a couple of pages of sketches, just because it's what I tend to do. I hope anyone in Memphis will go see this. They did a brilliant job of making this play fresh and all their own. I loved it.

I'm still scrambling around with my show a bit, since the opening is tomorrow night (Playhouse on the Square in Memphis, 5-6:30pm), but I did manage a bit of sketching. The weather is fixing to change, so I took yesterday afternoon to go hang out in the forest with my sketchbook and drink in the last of the gorgeous weather. It's good to have the flexibility to do that and reorder my priorities as bit as the weather calls to me. And it was fruitful. I might try an oil from this first one. We'll see.

Then tonight I went to Dixon to see Wayne Edge's new show and hear some of my favorite jazz guys play at the reception. I couldn't resist sketching them too.

My show is fully up, signs and everything, my reception is this Friday (Nov. 18th, 5-6:30 at Playhouse on the Square in Memphis), so I went dancing to celebrate. And to restore a little equilibrium after the week that was difficult for me and so many of my friends. It was marvelous to spend a weekend with sisters and other special people and to get my joy on dancing. Usually dance weekends are the only time I completely walk away from art and don't even sketch, but I did do just a couple at Noodle in Decatur, Georgia, while having lunch with our crew. The laughing Buddha above was too delightful to ignore, and I also loved the warm lamps dancing above the table tops. Plus it's nice to have those good memories woven into my art journal.

Oddly, when I sat down to sketch my teacup this morning (below), I had completely forgotten the sketch I did yesterday at Cafe Eclectic. I took Mr. Darcy over for a spontaneous brunch, and we scored an outdoor table even on a Sunday morning. I was flipping back through my sketchbook with a flock of little girls on Saturday as I sketched at a fundraiser and realized that it's been going a while (six weeks in Paris slowed down the progression, since I always use a dedicated one for trips), and there are some cumulatively hard places in this one. There has been a lot of good art and friend time since I got home from Paris but also some tough places, and I'm quite glad for the chance to turn a fresh page and start a new book. It's nice that art offers me this opportunity, and the timing of end this book is helpful.

So this morning I did a new sketch in a new book of the teacup I got at the street flea market down south in Paris. I'd been meaning to sketch it and hadn't yet. I also got the spoon, which says "Amsterdam" at the Marche d'Aligre, my favorite brocante. And the cup perfectly fits a saucer I had made by my friend Melissa, so I feel surrounded by good memories as I drink my tea. Now I'm off to the forest with my new sketchbook.

I sketched the Hanrahan bridge from the Arkansas side for the Memphis Daily News this week. The new pedestrian crossing is a great addition to Memphis (though the trains come by so close to you that I don't think I can take my usual four-legged walking buddy, since he's still nervous around even skateboards). They're working on trails on the Arkansas side so people can extend their walks and bike rides a bit as well.

Above is the watercolor I did for the paper. I took a photo of it halfway through, with just the fountain pen line work and sky. If I'd been doing it for myself, I think I would have stopped there. I tried again, quickly, in my journal once I was done, but I think I got the sky too dark for it to balance well. I've been enjoying drawing with a fountain pen again, though. I'd kind of forgotten to for a while and have fallen in love with it again this fall.

It's been a busy week. My Celestial Paris show is now on the walls at Playhouse on the Square (up through Jan.1, and the reception is Friday, November 18 from 5-6:30). Then I went dancing with my sisters to celebrate and blow off steam. So I'm behind posting a bunch of sketches I've done in the last week or so. Here's a whole collection, starting with the Old Forest, of course.

The pedestrian section of the Hanrahan Bridge over the Mississippi River just opened. It's a great thing for Memphis, and everyone in town, I think, went down to check it out. I waited till Monday, to let the opening crowds thin out, and then I took a break from show prep. It's about a mile total, over the Arkansas side and out into their flood plain just a bit.

Here are the bridges (there are three together) from Arkansas. A quick line drawing.

And a stop at a downtown coffee shop after.

Tuesday I had an artist do at the new Halloran Center at the Orpheum. I tend to sketch as I listen, whether that's music or meetings.

Wednesday I took a lunch break adventure over to Arkansas again, right near Dacus Lake.

And met an amazing tree there. I'm going to have to go back and paint it more thoroughly. I can see it in a print.

I've got a busy couple of days coming up with seminary and newspaper projects plus a little bit of social life, and then I should be back to making more art.