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A sketcher I follow on IG, Mark Alan Anderson, inspired me to pull out my water soluble graphite crayon after seeing some of his vacation sketches where he got simple shapes and deep, rich darks. I had my biggest sketchbook within reach and one of these crayons in the drawer of my coffee table (and almost always a couple of small jars of watercolor water and some brushes on the table next to me), so I did a fast one of Henry as he kept moving (of course) in his favorite chair. It's always a happy thing to sketch a little. I turned in a Memphis Magazine illustrated page this week, and I'm slowing working on the memoir, but illustration often turns more careful and tight for me. I like the style, but it's also good for me to go fast and big sometimes to make sure I don't get too precious. This was fun. I need to keep my sketchbooks next to me and do more of these.
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I've been in a walking in the afternoon rhythm lately, and then this week the sunset jumped backwards so it turns out that golden hour is now about 3:40pm. I am at least getting some good slanted light sketches. I've been mixing up materials, with a dip pen and watercolor, Inktense pencils and watercolor, my new Lamy fountain pen with brown ink, water soluble graphite (which I paint on with a brush from a tin), and back to the dip pen with that lovely warm Diamine golden brown ink that kind of melts into the paint. That last one is from earlier, but I inadvertantly saved it in the wrong folder, so it didn't make it onto the blog before now. I'm not sure if all the materials are keeping me loose or keeping me from developing a groove, but I'm having fun, so here we are for now. I'm just reaching for whatever feels right for the scene.
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It had been a kind of crazy week, so I was looking forward to seeing friends and hanging out with the Memphis Urban Sketchers. The day did not disappoint. We had a good crew there at Dixon (two visits in a week!) painting the gardens. It was chilly but with sunshine, and I've broken out my favorite tweed jacket and knitted hand warmers, just in time for November. I was drawn to these enormous leaves and the bright red chairs in front of them. I started with Diamine leaf green ink and a dip pen, moved to watercolor, used a little bit of red watercolor marker along with paint on the chairs (and regretted using that bold marker for my label and date, but there you go), and finished with a little Derwent inktense pencil on the bottom pavement. That whole section got a little muddy on me and I needed to lighten it up a little. Overall I was pleased, even if the bottom bothers me a little. I always seem to see the choices I regret when I look at a piece, but I like a lot of this one.
And then, once in a great while, I do something I'm really happy with. That night I sketched Henry on the "banjo chair" (that he, of course, thinks of as "Henry's chair" instead). I started with a simple line outline in inktense charcoal pencil and added water soluble graphite with a brush after. It's a little bit sparkly in person even. I've been greatly enjoying rediscovering that small tin for evening sketches. I had meant to add watercolor to the chair around him, but I managed a little uncharacteristic restraint when I got this far and stopped. I ended up really loving the composition. There was one line under the window and above his ear that got too dark with water on top. I was sorry I'd gone there, and also uncharacteristically, I got out the super fine sandpaper I use to take out margin ink spots on my prints and took it out again. I don't usually bother in my sketchbook, but I was so pleased with this overall that I wanted it to be really right. I tend to cover the full page, full on in paint, and when I can stop myself before that point, I often really like the results. Life goals...
And then, once in a great while, I do something I'm really happy with. That night I sketched Henry on the "banjo chair" (that he, of course, thinks of as "Henry's chair" instead). I started with a simple line outline in inktense charcoal pencil and added water soluble graphite with a brush after. It's a little bit sparkly in person even. I've been greatly enjoying rediscovering that small tin for evening sketches. I had meant to add watercolor to the chair around him, but I managed a little uncharacteristic restraint when I got this far and stopped. I ended up really loving the composition. There was one line under the window and above his ear that got too dark with water on top. I was sorry I'd gone there, and also uncharacteristically, I got out the super fine sandpaper I use to take out margin ink spots on my prints and took it out again. I don't usually bother in my sketchbook, but I was so pleased with this overall that I wanted it to be really right. I tend to cover the full page, full on in paint, and when I can stop myself before that point, I often really like the results. Life goals...
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I've slowed down on both sketching and posting this last month. I've been working on some print things and spending some family time, but here's a pair of at home sketches.
I continued my water soluble graphite streak with this one of Henry and my favorite lamp, plus some watercolor. I need to get back to this little series. I was having fun.
And this week my dear friend Jill came to tea and brought me late flowers from her own garden. I put them in a Japanese vase of my mom's and sketched them one evening with a British mystery for company. They're currently sitting on my coffee table making me happy. I love sketching flowers friends bring my because then I get that joy again later when I open an old sketchbook and remember that kindness so vividly.
And this week my dear friend Jill came to tea and brought me late flowers from her own garden. I put them in a Japanese vase of my mom's and sketched them one evening with a British mystery for company. They're currently sitting on my coffee table making me happy. I love sketching flowers friends bring my because then I get that joy again later when I open an old sketchbook and remember that kindness so vividly.
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I stumbled on a tin of water soluble graphite in a Parisian art supply store years ago. You use it with a paint brush and water, and it's lush and fun. I hadn't used it lately but pulled it back out recently. It's a perfect quick-after-dinner-sketch kind of material. Fun and immediate, and you just can't fuss too much. These are in my small purse sketchbook, just keeping things super simple. I'm glad I've remembered how much I enjoy working in this. The last sketch adds line with a charcoal inktense pencil. The others are all brush.
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I've been lucky enough to meet up with my friend Christina for a series of sketching meals over the last month. I love getting out with a friend or two, enjoying some food, comparing sketching materials, and drawing together. You're not ignoring your dinner companion if she is also sketching. It's companionable and full of joy for me. We met up at Cafe Eclectic on 901 day (September 1st mirrors the Memphis area code, for those of you out of town, and we have a bit of a civic celebration that goes on.) I had fun with the red umbrellas and then sketched Christina in graphite with my newish graphite Kaweko mechanical pencil I got out west that has a huge, juicy, fat column of graphite in it.
I sketched at the Slider Inn with a dip pen and the Ancient Copper ink by Diamine I've been really enjoying lately. I didn't have the mental energy for watercolor that night, but it was fun to record the evening and play with line.
Finally was lunch at Boscos after the Memphis Urban Sketchers meetup. The same dip pen with a warm purple ink, but we lingered longer and I enjoyed adding the watercolor.
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I went to a fantastic Coastal Landscapes show yesterday at the Whatcom Museum in Bellingham. I’ve always loved the arts and crafts era of western landscapes, and this was a great mix of California painters with some up the coast to Washington from the turn of the last century into today. I was delighted to see so many women represented. The first piece is by Mary DeNeale Morgan. It was my absolute favorite for light, tree shapes, color, and brushwork, and I hope to see more of her work in the future. Many of the paintings had super glossy varnish, and it was tricky to get photos without glare, so forgive funny angles and bits of glare.
A block away, right next to my favorite second hand bookstore with an enormous art department (Henderson’s) is a neat little letterpress/stationery store. Jude found a super nifty Kaweko mechanical pencil with a thick tower of graphite, fully retractable, instead of a skinny little lead. I love sketching in pencil but also hate having to remember a sharpener. I was delighted and headed back to the museum for further sketching while he took a longer lunch break and waited for me to surface again. A kind guard offered me a stool, since the benches are never next to the paintings I truly want to sketch.
A block away, right next to my favorite second hand bookstore with an enormous art department (Henderson’s) is a neat little letterpress/stationery store. Jude found a super nifty Kaweko mechanical pencil with a thick tower of graphite, fully retractable, instead of a skinny little lead. I love sketching in pencil but also hate having to remember a sharpener. I was delighted and headed back to the museum for further sketching while he took a longer lunch break and waited for me to surface again. A kind guard offered me a stool, since the benches are never next to the paintings I truly want to sketch.
This little nocturne was by Charles Rollo Peters. Whistler, never one to lack self confidence, said that he was the only other artist who could paint nocturnes. Period. I couldn’t get a good photo of exactly how dark it was, with three orange lights shining out from the deep dusk, but it was truly lovely.
I also really loved Skagit Valley Moon by Clayton James from 1957, definitely later and a bit more expressionistic. It’s from right around here. I love how those funky landforms rise straight up out of the flat farm land surrounding them, so I sketched it too.
I also really loved Skagit Valley Moon by Clayton James from 1957, definitely later and a bit more expressionistic. It’s from right around here. I love how those funky landforms rise straight up out of the flat farm land surrounding them, so I sketched it too.
That was all the sketching I had the time and energy for, but two other favorites from the show were this exquisite woodblock print by Elizabeth Colbourne from 1933 and the large landscape by Euphemia Fortune (VERY bad glare, but the best name ever! She was in a recent Dixon show of American Impressionists). If I were home I would be going back with colored pencils and sketching weekly in this show. It’s delightful.
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I've been working the last couple of months on a memoir about a life changing trip to Greece that followed my divorce in 2003. I wrote the first draft while I was out west, knowing I would need to come home to my journals for more detail, but wanting to get an overall framework in place. I dug out various journals from that year and was delighted to discover more sketches and photos from my trip than I had remembered doing. Sometimes your past self leaves a surprise present for the future. Today after doing some prose work I scanned in the drawings and some of my photos as well. This book, if it ever gets that far, won't be a graphic book with every sentence corresponding to a drawing or two, but it will be illustrated. It's fun to play with a whole new kind of project for me, but I'm also enjoying revisiting these super quick pencil sketches I did on the fly around Athens. Mostly ruins (Parthenon and the Temple of Olympian Zeus) but also a quick one of my neighborhood market in the Athens suburb of Aghia Paraskevi.
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I’m in Washington State for a few weeks and away from my scanner. I’m mostly giving myself vacation time, but I’ll post snapshots of my sketches here instead of the cleaner scans I do at home.
First up were the welcome flowers, including some amazing stargazer lilies. (I love that name!) A couple of days later we went to the youth symphony to see Jude’s granddaughter play violin. I always love the juxtaposition of bodies with instruments, so I had fun sketching through the concert. I used my big, fat, water-soluble graphite crayon with a water brush over the top of it for quick, dense shadows. Loose and fun.
First up were the welcome flowers, including some amazing stargazer lilies. (I love that name!) A couple of days later we went to the youth symphony to see Jude’s granddaughter play violin. I always love the juxtaposition of bodies with instruments, so I had fun sketching through the concert. I used my big, fat, water-soluble graphite crayon with a water brush over the top of it for quick, dense shadows. Loose and fun.
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Henry has been looking ridiculously cute today on his back on the sofa. These are both done with a big, fat, watersoluble graphite crayon. It's fast and fun and loose to use.
