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Here are a random batch of sketches from about a week ago. I've had a super slow week, doing print and commission work in my lap on the sofa, so no really recent sketches. But I had a ball meeting a friend at this gorgeous Tudor revival for an estate sale and drawing a house we wouldn't otherwise have had access to.
Next was a misty morning at Shelby Farms with a pair of great blue herons flying overhead. After several passes, one sat in the top of a tiny tree and posed for me. Henry was patient while I got my sketching things out. He's learning to be an art dog as we go along. He would always rather walk, but he's getting more used to the stops.
Next was a misty morning at Shelby Farms with a pair of great blue herons flying overhead. After several passes, one sat in the top of a tiny tree and posed for me. Henry was patient while I got my sketching things out. He's learning to be an art dog as we go along. He would always rather walk, but he's getting more used to the stops.
Finally another graphite sketch of Henry from one of our sofa sitting sessions.
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Another batch of Henry skeches in water soluble graphite crayon with water brushed on top.
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Soon after getting Henry I was excited to have a dog hanging out on the sofa with me again, and I wanted to take full advantage of his modeling opportunities. So I bought a 7x10" multi media spiral bound sketchbook, nothing fancy but pages thick enough to take a little water. I have a big, fat, graphite crayon that I love to play with, and it's water soluble, so you get a lovely depth when you brush water over it. With a water brush (almost a pen, but with a brush and a reservoir of water inside), it's a quick, not at all messy, easy to grab way to sketch, so I've got those three things (and, of course, some other sketching stuff too) within easy reach on my coffee table. I've filled up half a sketchbook at this point, and I woke up early today and scanned a bunch in. You can see from the shadows that the paper has buckled a little with the added water, so it's not totally flat on the scanner, but I didn't fiddle with these to get that all smoothed out. I just wanted to be able to share the progression. Here is the first batch of my favorites (plus one watercolor), starting from early September.
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I had a wonderful New Year's Day. I'm slowly feeling more and more like myself again, and yesterday I started the day at the dog park watching Henry frolic. Then I had a walk and a visit with my sister in from out of town. And then I went to an all afternoon music jam. That's been my main new years celebration for years now, but like many gatherings, we took the last couple of years off. It was a delight to play tunes out in the sunshine of a 75 degree day and see old friends. I came home and sketched the graphite sketch above with a banjo, dog, books, and painting, to set my intention for the year and celebrate the day that had been.
NPR had a wonderful story on the difference between resolutions and intentions, saying resolutions tended to be both negative and specific (lose 10 pounds or stop eating certain foods), and they set people up to get discouraged and quit. Intentions are looser and more positive, like taking time to be creative or (and I loved this one) "being in your body", including taking a walk/run, reveling in a bath, breathing deeply, or remembering to check in with all your senses. Intentions feel like they have a measure of grace built in, like my favorite hashtag #dailyish, which I have always described as intention plus grace. It lets you focus on a goal without the self flagellation and pressure of absolute daily homework.
My intentions for the new year personally are to check in with my body regularly, breathing, stretching, using more senses than just my eyes (where I often get stuck), and hopefully working back towards more regular exercise. I had just been getting in shape when covid hit me, and I'm taking a long time to get my energy back. My word of the year, even before hearing this NPR story, is grace, though, so I'll take it gently. I'd also like to sketch more often at the dog park, since Henry and I spend 45 minutes to an hour there each day. It will be weather related and energy related and not daily, but I'd enjoy sketching more people again after the isolation of the last few years, and dogs are always happy to sketch.
I have a whole list of professional goals, but those are the more personal life ones (though, as always, personal life and art blend together pretty seamlessly). For my work, I want to keep working on the Rowan Oak tree print series I have going and find a place to exhibit it. I'd like to make an M is for Memphis book to go with P is for Possum. In a related goal, I want to figure out the handwritten font tool I bought last year and not have to hand letter the entire book. A font would keep all the words the same size, which I have trouble doing freehand. I want to keep working on "sequential art" (graphic essays or more narrative sketches that tell stories). And I want to get better at saying no to commissions that don't fit with what I want to be doing and that take me away from the art I most want to put my time towards. There are probably a couple of others since I'm not looking at my list, but those are the main ones. It's fun to look back at that goal page in my monthly art bullet journal and see how I'm doing as the year progresses. I met every goal this year except making a new graphic essay, so I felt really good about my year's work.
Yesterday and today I made a start at sketching at the dog park. It helps that this week is warm enough I don't want to just shove my hands in my pockets to keep them warm. But I've also been knitting hand warmers (fingerless mittens) to keep me warmer and leave my fingertips free to grip pens, so I'm preparing for the rest of winter. Here are the first three double page sketches. And happy new year!
NPR had a wonderful story on the difference between resolutions and intentions, saying resolutions tended to be both negative and specific (lose 10 pounds or stop eating certain foods), and they set people up to get discouraged and quit. Intentions are looser and more positive, like taking time to be creative or (and I loved this one) "being in your body", including taking a walk/run, reveling in a bath, breathing deeply, or remembering to check in with all your senses. Intentions feel like they have a measure of grace built in, like my favorite hashtag #dailyish, which I have always described as intention plus grace. It lets you focus on a goal without the self flagellation and pressure of absolute daily homework.
My intentions for the new year personally are to check in with my body regularly, breathing, stretching, using more senses than just my eyes (where I often get stuck), and hopefully working back towards more regular exercise. I had just been getting in shape when covid hit me, and I'm taking a long time to get my energy back. My word of the year, even before hearing this NPR story, is grace, though, so I'll take it gently. I'd also like to sketch more often at the dog park, since Henry and I spend 45 minutes to an hour there each day. It will be weather related and energy related and not daily, but I'd enjoy sketching more people again after the isolation of the last few years, and dogs are always happy to sketch.
I have a whole list of professional goals, but those are the more personal life ones (though, as always, personal life and art blend together pretty seamlessly). For my work, I want to keep working on the Rowan Oak tree print series I have going and find a place to exhibit it. I'd like to make an M is for Memphis book to go with P is for Possum. In a related goal, I want to figure out the handwritten font tool I bought last year and not have to hand letter the entire book. A font would keep all the words the same size, which I have trouble doing freehand. I want to keep working on "sequential art" (graphic essays or more narrative sketches that tell stories). And I want to get better at saying no to commissions that don't fit with what I want to be doing and that take me away from the art I most want to put my time towards. There are probably a couple of others since I'm not looking at my list, but those are the main ones. It's fun to look back at that goal page in my monthly art bullet journal and see how I'm doing as the year progresses. I met every goal this year except making a new graphic essay, so I felt really good about my year's work.
Yesterday and today I made a start at sketching at the dog park. It helps that this week is warm enough I don't want to just shove my hands in my pockets to keep them warm. But I've also been knitting hand warmers (fingerless mittens) to keep me warmer and leave my fingertips free to grip pens, so I'm preparing for the rest of winter. Here are the first three double page sketches. And happy new year!
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Once again I'm doing mostly commission work that I can't show here, but I have been doing some Henry sketches in the evenings just for me, and last night, after a week of rain, we had an actual sunset. I celebrated by sketching it quickly from both memory and a phone photo when I got back in from a short pre-dinner walk. It felt like a moment I wanted to mark.
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National Dog Day is the best holiday on social media -- tons of sketches of dogs. I celebrated by taking Henry to the park for a long dog park session and forest walk, and I've spent the rest of the day working on my book about Mr. Darcy. His Gotcha Day was a few days ago, and Gideon's is tomorrow, so it's a dog-themed kind of week. I'm enjoying, in a still bittersweet kind of way, revisiting Mr. Darcy's photos to add some extra sketches to the book, but I also drew Henry on the sofa last night and am greatly enjoying his company these days. Dogs with their necessarily short lives, will break your heart, but they are so, so worth it.
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I am having the best time drawing Henry with his fetching ears. These are both a big, fat, water soluble graphite crayon with some water wash. It's a super simple combination. All you need is the crayon (less that $2 at my local The Art Center store) and a water brush pen that has water in the reservoir. You just squeeze a bit and push out a little water through the brush. No open cups needed. It's genius. For watercolor, I take more time and get out a really fun brush when I have the space and time, but for something like this, the water brush is perfect. I'm keeping supplies in easy reach on the coffee table so I can grab them when Henry is settled with me on the couch. Drawings dogs 101 from David Hockney is having the art supplies stocked in their usual places so you can sketch without disturbing them. Perfect advice.
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I have a new studio dog. I've been wanting a black and white dog for a while, just for the graphic deliciousness, and I found a dog in foster care for Memphis Animal Services who is snuggly and loves people and walks well and hangs out next to me while I work. We're having a ball. I'm really grateful. He's nervous being left by his own, which I hope we can lessen over time, but he's a fantastic companion.
Henry has also been encouraging me to get back into more steady sketching, so here are a few scenes of daily life along with Henry.
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The skies were amazing at the beach, and I so enjoyed sitting out under the sky and seeing the whole dome of sky there. I love our huge, hardwood forest in my neighborhood, but it does mean that I only see bits of sky at a time.
I had my big, fat, water soluble, graphite crayon with me, and it was pretty perfect for working after dark with just it and a water brush. No colors to try to decipher in the dark. It was fun to just put down a few impressions of the sky and the full moon.
I had my big, fat, water soluble, graphite crayon with me, and it was pretty perfect for working after dark with just it and a water brush. No colors to try to decipher in the dark. It was fun to just put down a few impressions of the sky and the full moon.
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I got lucky enough to see another owl up close. I'd been out early one morning and gone to the forest to see if I could spot one without any luck. When I got almost back to my house, though, I heard a whole group of birds kicking up a ruckus. One of the best pieces of life advice I've gotten is to listen for the birds going ballistic somewhere and then try to spot the owl they're fussing at. This time, unlike often when they're super high, she was sitting on a decently low branch in the alley just across from my house. Sometimes what you're looking for is at home all along.
She sat and watched Gideon and me for 7 or 8 minutes. Just watched, occasionally twisting her head in odd but lovely ways to watch other things and then looking back at us. I took a chance, put Gideon in the house, grabbed my sketchbook, and she was still there when I got back. So I spent another 10 minutes sketching her. The first two are a water soluble graphite crayon, and the second two are a fat felt tip pen and some lighter ink wash. I'm getting really close on my finishing my big commission, and I may have to do a print of this owl afterwards. I enjoyed doing the series of birds for my show at WAMA, and as much as I love owls, I think an addition to that series is needed.
She sat and watched Gideon and me for 7 or 8 minutes. Just watched, occasionally twisting her head in odd but lovely ways to watch other things and then looking back at us. I took a chance, put Gideon in the house, grabbed my sketchbook, and she was still there when I got back. So I spent another 10 minutes sketching her. The first two are a water soluble graphite crayon, and the second two are a fat felt tip pen and some lighter ink wash. I'm getting really close on my finishing my big commission, and I may have to do a print of this owl afterwards. I enjoyed doing the series of birds for my show at WAMA, and as much as I love owls, I think an addition to that series is needed.
