I sat outside today and painted the Red Cottage, my favorite of the Victorian cottages owned by Cape Resorts. It's got a lovely tower you can't see in my close up. Over three years of painting here, I've become much faster at painting architectural gingerbread.

Here's my set up. At 39 degrees, I figured none of the guests would be fighting me for a porch chair...

All the architectural gingerbread made me crave the real thing, so I warmed up afterwards with tea and a cookie.

I'd been looking through the window at the neighborhood cheese shop as I walked past, wanting to draw it. The other day was cloudy, and it didn't need a lot of sunlight to sketch, so I stood outside on the sidewalk and drew standing up. I'm still learning how to do that efficiently and well, but a jacket pocket of just the markers I needed helped.

It's a busy scene, and I'm not sure it worked great, but I had to try.

Then I headed for one of the indoor covered Victoria passages, hoping it would be warmer than outside. It wasn't, but I still had fun sketching in there.

Then on the way home I ran into a group called Jingle Django, playing Django Reinhardt style jazz. They also danced around while they played, which made them tricky to sketch, but I had to try. I also got their cd. Really good music and a nice end to the day.

I got behind again posting photos because of the time change. I kept getting home after dark and not being able to take a decent snapshot of my sketches. I'm also looking forward to the scanner at home, but this is as good as it gets on the road, and it's fun to post while it's all fresh.

I had a great Saturday. Rene Miller played with Dede Macchabee at the Marche d'Aligre. It's a neat old street market. Half food and half brocante, or flea market. I scored a table just behind them at the cafe and painted while drinking mint tea, made with real mint. One of the lovely treats here in Paris.

My cousin Jonathon Gilmer, currently at university in London and over for the weekend, came to the market to join me and listen. Afterwards we walked through the center, had falafel at one of the walk up stands in the Marais, and ended with hot chocolate from Angelina's, one of my favorite treats here.

Sunday I went to St. Sulpice. It's the church where Faure and Widor both played and composed for the marvelous organ. They usually have a half hour organ concert open to all between masses, but there was an extra long service going that morning, so I had to content myself with sketching the lions in the fountain outside instead.

Here's how the page looks together. I kind of like the effect, even though they're facing different directions. It's been fun to play with the sketchbook and see what works and what doesn't.

I did a sketch walking home in my neighborhood. This is Stabilo pens with water wash, markers on top, and watercolor in the sky. Probably my most mixed media attempt. I'm going to have to try more of these.

Sunday was a glorious day here. Between the weather and just having too much fun with my sketchbook, I've only done a handful of finished watercolors this trip. I decided to do one of the Louvre to start the morning off, before the plaza got too crazy.

In other news, I discovered that a bakery halfway along my walk downtown (an hour or a little more, depending on where I'm heading) had the brilliant idea of joining pain au chocolat with an almond croissant, so now I don't have to choose. I ate that with a little tea as I sat on the edge of a fountain and considered my composition options.

Then I walked across the Seine to the Luxembourg gardens. I had really enjoyed painting some of the statues here last year, and I decided to revisit some of them with my sketchbook in a different style.

It was packed on a Sunday afternoon, and once again I enjoyed seeing everyone out, gathered together, and enjoying life.

I did an overview of the scene just for fun.

I finished by painting Sainte Genevieve, the patron of Paris. There's a lovely set of statues of strong women in history, most of them from the first millennia AD. I may need to go sketch more of them.

But the sun was out, I was tired, and so I decided to be utterly Parisian and just soak it up through my shoulders (and three layers) a bit before walking home. I had a beautiful time just sitting there and letting myself be happy.

I walked some different places yesterday. Truthfully I was looking for the bakery where I found fig bread last time I was here, but I seem to have misplotted it on my map. I'll have to do a little more research.

But I saw some new sights, including the funky sculpture above and the equally funky bad relief of a naked woman on the side of an apartment building below.

I really liked the architecture of the building, and the sun came out after I'd done the black and white, so I decided to stay and do a quick second one in color.

Then, of course, it started pouring, and the day became less productive. I took shelter in the Galleries Lafayette department store and sketched from their cafe window out into the grey city. Got the Eiffel Tower a little wonky, though.

The weather was better walking home, so I stopped and sketched a fountain at the end of a cul de sac that I always admire. It feels like a welcoming place tucked away out of traffic.

I ended with a quick sketch of evening clouds from the window. It was a good day in spite of squalls, and I enjoyed seeing some new spots.

The day was glorious, so I decided to keep going to one of my very favorite spots in Paris, the Rodin Museum. I'm saving the museum itself for a rainy day visit, but I decided, in a fit of optimism, to buy an annual pass for the gardens. Oddly they don't have one for the museum itself. I hope to be back to house sit more, and if not, it was a very modest amount (15 euros) to support a museum I love.

On the way, though, I stopped and painted on one of the bridges over the Seine.

While doing that second sketch, I met a lovely woman who was sharing my bench. She lives just by the museum and talked about how magnificent it is to wake up to the dome of Les Invalides. We chatted a good while. She was patient with my French and enjoyed looking at my sketches.

I loved meeting someone who wanted to talk for a bit and make me feel welcome. It's still hard here to just chat with people. In fact, she asked if I had had trouble making friends, and I had to say yes, very much so. I've been lucky to make a couple, neither one of them French. So it was nice to have a chance to practice my conversational skills, and I greatly enjoyed talking to her. Talking to people around me is one reason I enjoy traveling solo. I get to hear more about everyday life in the places I go.

I did a few more sketches in the garden and walked home happily, calling it a day. The loveliness of my day was capped off when my favorite bakery was still open on a Sunday evening, and I could get my favorite chocolate and pear fondant. A perfect ending.

I've been bouncing back and forth between doing computer work to put the calendars together and working on final prints for my England show at Playhouse on the Square in November and December. These are just snaps of them. When I get a chance I'll have them scanned in (they're too big for my home scanner), but it will give you an idea of what I've been working on.

It feels nice to sign and date a whole stack of work (I've also been scanning in all the England watercolors) and realize just how much work I've done over the last few months.

This one was a problem child. I originally planned a color block for underneath, but somehow the carving got too offset. A friend on FB suggested just printing the key block since it's so graphic. Getting the tree dark surrounded by light sky and not clogging up all the small bits made this one quite tricky to print, but I got a number of good ones in the end. They'll all dry while I'm out of town next week and be ready to be packaged up or mounted when I get home.