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I spent a rocking Saturday night at Kinko's last night, using their over-sized scanner to scan in some of my recent prints for my upcoming Dixon show. They want some images to use in their newsletter. It's getting real! The curator is coming out to see what I've got so far early next month. There's some pressure there, but I really love creating a show for a specific space and making work that will hang together thematically and visually. When I'm doing it for an actual museum show, that's just amazing.
So here are a few that are finished and ready. I have several more I'm still getting final prints of but that are mostly or fully carved. Above is Rainbow Lake at Overton Park.
Below are two images from Country Workshops, the wood working school I house sit for occasionally and visit friends at in between times. It's one of the wellsprings of my work over the last dozen years.
So here are a few that are finished and ready. I have several more I'm still getting final prints of but that are mostly or fully carved. Above is Rainbow Lake at Overton Park.
Below are two images from Country Workshops, the wood working school I house sit for occasionally and visit friends at in between times. It's one of the wellsprings of my work over the last dozen years.
This last one is a tree from one of my sketchbooks. I only had a line drawing of it, but it was enough to make a print from, and I couldn't resist the shape of this beauty. It's also my first print on black paper, and I like the effect that gives. I'm going to keep my eyes open for more subjects that might be suitable to try on black.
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