MARTHA KELLY ART
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Published on
August 21, 2020

Beach Day

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It's been so crazy this trip I hadn't gotten to my favorite spot once. I fixed that this week and took a sunny day to go with a picnic, my sketching things, and my book to a small stone beach at the confluence of two rivers. I sat in the shade and did two two-page spreads, I read a while, and then I just sat on a rock out in the river and drank in a little sunlight. It felt wonderful. I think I may get a print out of the vertical sketch too. I hadn't meant to do a second page, but when I looked up as I was packing away the sketching things, the clouds were amazing, so I kept going. 

I'm taking a ton of photos of Mr. Darcy right now. He is both my muse and my heart, and I enjoyed taking some more that day. Below is my recent favorite (I'm also pondering a print), plus some other photos of the day. We took a short forest hike on the way home, and I found an encouraging message on a trail post. I'm grateful for the pull together spirit I find a lot of places these days. 
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Published on
August 18, 2020

Journal spreads

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I've done some sketching today, which felt really good. Mr. Darcy is doing well, and we went to the gorgeous forested state park nearby to walk before he starts his new round of chemo. I did the vertical spread as well as a tiny bit of truck (see bottom) to fill up the other day's bicycle page. 

Then when I got home, the clouds were absolutely gorgeous, so I settled in the lawn to paint. I hadn't meant to do Alice at first, looking mostly at the clouds, but then, there she was, and I've enjoyed drawing her along the way this trip. So here we are at the far point of our trip, the destination, before heading back toward home. 

I know I posted the barn yesterday, but I wanted to get the full page spread here as well. I had intended something more domestic, but this is what happened instead. Often it's just the next thing that catches my eye. 
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Published on
August 7, 2020

Slow work

I’ve been doing a lot of slow print work lately with not so much to show yet, and I’ve been putting energy into that instead of sketching. Today I took my smaller sketchbook out on my walk with me, though, and it felt good to get reacquainted. I used two colors of ink (a dark gray brown and a green) plus watercolor.

Today I also got my “Explore” print fully drawn out and traced. Tomorrow I’ll transfer from the tracing paper to the two blocks, green and black. I’m slowly carving on the reflecting trees as well, and I should be ready to proof that one soon, though it’s quite large to be working just on a table top with a wooden spoon. I’ll have to see how far I get with that one away from my press.
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Published on
July 8, 2020

Covid Test

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I got a precautionary covid test today before my upcoming camper adventure. I've got a fantastic house sitter booked, I'm trying to get the forest book done (at least the artwork) before leaving, and things are falling into place. It was an impressively organized experience. Fifteen minutes, start to finish, and you never leave your car. I did a couple of quick sketches in line, but then I was home again.
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I also did a sketch this morning in the forest. I loved that arching grape vine across the path. It felt like a portal to somewhere magical.
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Published on
July 7, 2020

Dog Walk Forest Mornings

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I'm still carrying my sketchbook every day on my early dog walk. Mr. Darcy is feeling the heat, so sometimes I sketch to give him a breather, sometimes I see a bird I want to try to capture, sometimes something just catches my eye, like the first one above. I used up all my ink on that one, so now I need to refill my pens before tomorrow.
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Published on
June 29, 2020

Forest Sketching continued

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About all that's going on over here right now is sketching in the forest on my morning walks and work on the forest ABC book from those sketches (and a bunch of old ones). I've also had a quieter weekend, visiting with my dad and a couple of friends from safe distances. I'm hoping to wind up the artwork for the book quite soon, and then I'll have to figure out all the digital stuff -- get the scans the right size, obtain an ISBN number, and all the less fun but still satisfying stuff.

Here's a shot of my back porch table (where I've been working except a handful of the hottest days, because the full summer heat makes me want to stop working and nap) with the line drawings for the book in the center surrounded by a host of older sketches I'm using for reference. I'm grateful for all the years of forest sketching I have in old books. It's proved more valuable than I dreamed.
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And here's one more pair of recent morning sketches with my newish Sailor fude fountain pen that I'm still really enjoying. It's what I'm using for the book as well.
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Published on
June 21, 2020

P is for Pawpaw

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My Quarantine Journal is taking a serious back seat the last couple of weeks to this book project, but I figure it's always good to go with the thing that's strongly calling your name (unless you're on a different kind of deadline). It's good to be able to ride a bit of momentum on a project too. I'm having a lot of fun with this book and simultaneously trying to figure out how to push it on out into the world once I'm done. It's so local that I'll likely self publish, but I'm exploring a few options at the moment. It feels like a lot of years' worth of sketching in the forest have really come together all at once in my head. I'm grateful for the gift of that, unexpected and lovely.
Published on
June 19, 2020

Funghi Morning

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I had a funghi kind of morning on my walk today. I caught a brief glimpse of the owl hunting as I walked (I heard the ruckus of the smaller birds trying to drive her off) but the fungi held still and posed for me today. I’m testing out the 55 degree angle Sailor fude pen. I’ve been using the 40 degree one, and this one feels very different. Thicker lines overall, but I can get the thinner ones if I concentrate. I also found out today that the Noodler’s permanent ink, which is supposed to be water fast to use with paint on top of, has a longer drying time that my fast sketching allows for. I got a bit of bleed when I moved straight onto watercolor. It’s doing great for the book project where I’m leaving it to cure overnight, but less great for sketching in the field where I don’t want to sit around and wait for the mosquitoes to find me.
Published on
June 13, 2020

Forest Alphabet ongoing

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I'm feeling a bit back to my workaholic, immersive self for the first time since March. I've been getting work done, but it hasn't been that really deep dive that I'm used to. Then I got this idea, which grew from a combination of my Quarantine Journal and walking almost every day with my sketchpad in the forest. I've really been enjoying working on a new book project, even if I'm not sure where to take it when I'm done.

Plus this is much more portable than my printing press work. The weather has been flat out gorgeous this week, so I've been carrying out a whole stack of sketchbooks with years' worth of forest sketches to the table on my back porch. I've been sitting out there enjoying the breeze and the birdsong and doing this project. It's been a joy.
Published on
May 11, 2020

More Mr. Darcy

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I've been having fun sketching Mr. Darcy, always my best muse, with my new Sailor fude fountain pen. It's also a quick, easy way to sketch in the forest on our daily walk, so I've been getting used to this pen as I walk and also sit on the couch in the evenings. I'm really enjoying the feel of it and the varied width of lines I can get.
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Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.


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