This month has been so non-stop that I have most of a sketchbook finished and almost no scans done until today. I put snapshots on site up on my social media and sometimes here, but the scans show the sketches so much more clearly. Here are a batch from the beginning of the month when I got to stay in this lovely artist cottage at WAMA. I take down my traveling teapot and electric tea kettle and have breakfast (and lunch and sometimes dinner) on the little balcony. It's a beautiful, peaceful place to stay.
Driving down that trip my art delivery day was February 28. The day before Mardi Gras. So I got to pick up an actual king cake on my way in to town. They are SO much better down on the coast. The Memphis versions I've tried have been very pale imitations, even though we're a good food town overall. So here's my king cake along with my travel teapot. All the essentials.
I admire the artists who do full on collage. I've always felt that mine look more like 4th grade projects. But with this sketchbook, I've been making small movements in a multi-media direction, pasting in bits of ephemera that evoke the moment. The king cake label was one, and this lovely card from a kind friend is another. I got called up to the front of the museum while I was there, and a longtime friend had seen me down there delivering art on fb and actually sent me flowers to celebrate that moment. It meant so much. They sat with me on my little balcony and nodded gently in the back of my hatchback as I drove back home to Memphis.
I always try to draw flowers when I'm lucky enough to get them. They are a gorgeous but ephemeral gift, and having them in my sketchbook helps me remember the moment and the beauty long after the original flowers have faded.
I could not be more happy this week. I just got home from five days in Ocean Springs. My family came and stayed Wednesday to Sunday/Monday, thirty-three freaking friends showed up from out of town for the reception (most of them 6 hours away and some more than that). Several other friends saw the show the same weekend or came to one of the artist talks. I’m stunned and touched that so very many people showed up.
Very beautifully, three of Walter Anderson’s children came to the opening as well, sought me out, talked to me about my work, and told me that the movement and pattern and nature focus in my work was a great fit in this space and with their father’s work. Their father is one of my premiere art heroes, and that kindness from them meant more than I can put in words. Sarah Dutton from WAMA captured me talking to Mary with John in the background, and I was delighted that she caught the warmth and radiance of Mary’s kindness to me. John has been gracious over several meetings and always takes time to come talk to the children in the museum. The first time I saw my show on the walls two weeks ago, he was there talking to the kids, and I got to spend some time with him after talking art and hearing stories about his dad.
Melissa Bridgman took this photo of me and Leif, the other daughter, a dancer and dog lover and gently glowing person. I was delighted to meet her and her daughter as well.
I’ve mostly forgotten how to dress up and go out in public, but Kaleigh Donnelly took this photo of me in my favorite dress that made me feel exactly how I wanted to for this occasion, and I’m grateful.
Here are a few more shots by Sarah Dutton that I loved from the opening. The Old Ways from Oxford, Mississippi, played wonderful music that was just right for both St. Patrick’s Day and this traditional music loving woman. The whole night exceeded all my dreams, and I could not feel more lucky. It’s rare you get to say that. I finally went home, sat under the stars for a while, and wrote in my journal to help me remember in times to come.
Darel Snodgrass of WKNO fm kindly hosted me again to talk about my show at WAMA, sketching (always), the new catalog for that show, and my graphic essay about Mr. Darcy. With all that, he also kindly let me go on longer than usual. I'm so grateful for this daily show about the arts in Memphis. It gives musicians, theaters, dancers, artists, and other creatives a way to get the word out about the things we're doing, and I always learn a ton when I listen.
I went to Shearwater Pottery yesterday because I always do when I’m in Ocean Springs. It’s in its third generation of family potters. I was mostly looking for a cream pitcher, since I’d broken one of my favorites recently. But I fell in love with this set. They don’t have a full set very often, and it’s lovely, and I figured I would really enjoy having an “I had a show at WAMA” tea set going forward. Happy memories every time I use it. And it’s lovely. It’s earning its keep this morning by posing while providing tea.
It’s been beautiful to have a couple of slow mornings here. I’m usually walking the crazy puppy at least a couple of blocks before I bring in the paper and make tea. And it’s been a long, intense lead up to delivering this show. So I’m grateful for space where all I have to do is exhale and sketch for pleasure. Or read my
book for pleasure. Or have Second Tea. I’ll be back at work soon, but it’s a beautiful short break. Even though I helped hang Daffodil Season yesterday, I had a slow morning and evening to bracket the day. Deeply good.
My deadline for the last two years happened yesterday when I dropped off art at WAMA. I was delighted to see this sign waiting by the gallery slated for my show. It was huge just to unload the car and see the work here.
I celebrated by going down to the water, wading and sketching on the beach, and having a little actual gulf coast king cake. I always try the Memphis versions and am always disappointed. Driving down here this time of year is a big treat. Here are a few images from yesterday.
I’m having a slow morning today and will go to the museum later to help lay out the graphic essay for the small secondary show.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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