I've been doing so much show stuff lately that it was lovely yesterday to take a whole day for sketching and friends and art. Memphis Urban Sketchers met at Dixon yesterday, one of my very favorite places. It's been crazy cold this past week, but it was warmer today and very sunny. I found if I sat in the sun, it felt great to sketch and drink in the outdoors a while. I did the top sketch, a little labored but fun, chatting with one friend. Then I went inside to warm up as the sun shifted and had a great conversation on illustration with another friend in the cafe. I drew two more friends, and the paradise blue ink ran unflatteringly into their faces (which I should have left white given the ink I was using), but I loved the half done bookshelves behind the scene.

I had about fifteen minutes left to draw in one of the galleries, so it's wonkier than I would like (and I can't get the lovely muted teal color in pencil), and I added the left bit outside after we were breaking up but still chatting.

After THAT a few of us went back to midtown and ate takeout Golden India outside on the patio in the sunshine (I'm still reveling in all that time outdoors after some indoor days), and finally I sketched Henry on his favorite chair just before bed. I was totally going yesterday, and it felt great to just flat out draw. None of them are fantastic, but it all felt so good just to do.

I've been chasing around after shows lately and not sketching as much as I like to. I'm trying to remember how happy I am when I take the time to sketch instead of watch tv or stare at my phone, so I've put my Inktense pencils by the sofa and have been doing some evening sketches of Henry (of course). The pencils take less set up and effort than paints, so they make it easy to sketch when he's snuggled in and being cute. The first two are the same evening, still in my boots from Thanksgiving dinner.

After years of using a square format sketchbook that opens up to a strong horizontal, I fell in love last year with a more upright version, slightly larger than my small square sketchbook but smaller than the larger watercolor version I had been using. It didn't feel as time consuming to open and just do something in, so it became my easy go-to for almost all situations. The smaller square book (5.5x5.5"), though, fits beautifully in my small purse, though, and I enjoy switching up formats sometimes. I'm trying to remember to reach for it and use it as well. Here are a few recent(ish) sketches in that book.

Memphis Urban Sketchers met at the neighborhood Art Walk on Saturday. There were crafts and art and dogs and food trucks, and a good time was had by all. I got to sketch this fantastic food truck first and then had kebabs and grilled veggies and rice from them after, hanging out  at the festivities. Henry made 25 new friends while I sketched. He's my super extrovert dog.

The food truck is my favorite sketch I've done in a while, and it was my second of the day. I did a starter sketch in walnut ink with a dip pen since I'm trying to pay attention to Inktober this year, and I've been remembering lately how much fun a dip pen is.

Henry is perfect for Inktober with my fountain pen with the fude nib that has a nice dark permanent black ink in it (also the base of the food truck sketch), and I've paired that with the warm grey Pentel brush pen for years. It's a satisfying combination, so I've been sketching Henry a lot at the start of the month. He is still periodically challenging on a leash (walking companion is his secondary job description), but he is absolutely holding up his end of the bargain on being my muse.

Dad, Pat, Henry, and I went to outdoor Shakespeare last night at a local brewery. I love theater where dogs are welcome (and there were lots of them!). I sketched the food truck before things got going. Both the pens I reached for had dried out, and at the last minute I'd thrown in my Neocolor watercolor crayons, which I was delighted to have. It's good for me to mix up media anyway, and I had fun with these. I used them for line with paint over the top.

The speakers were loud, so Henry and I moved back once things started. We ended up with a fun view of the "backstage" area. I worked tech in high school, so this felt natural to me, and Henry got to interact with various folks as they were off stage. We all had fun.

I am terrible at all daily challenges and have enough deadlines that I resist imposing more on myself. But I did really enjoy sketching most days during Inktober last year. I got a small sketchbook and did something each time I left the house. It reminded me how much I enjoy doing fast sketches out in the world. This week I've reached for my 5.5" square handbook, the smaller of my two regular ones, and a black pen plus a brush pen to carry around with me. They're neat and easy for errands. But I do want to get going with a dip pen too. I remembered this summer how much I enjoy using those, even though the clean up is slightly more than with a fountain pen you pop the cap back on.

I had a very bad start to the month just below -- I had a darker brush pen with me instead of my normal one, and I made a total mess of Henry's head. So I switched to line only until I found the lighter, warmer brush pen I like for tone. The first one wasn't playing well with my more absorbent sketch book, but honestly I was also just out of practice.

Today I did some back porch sketches, the first one above of my garage and Henry lying with his paws crossed. The tree is an oak my grandfather planted in the back yard when I was still in single digits. It's a marvelous tall tree these days.

I'm not a purist and also reach for watercolor to go with my ink, as I did last night at Cafe 1912 having dinner with Christina. Ink and watercolor is my longtime favorite combination, though I do try to mix things up and challenge myself with other media as well.

We had a family day at the farm last weekend, and as everyone scattered for a few chores, Henry and I headed to the daffodil hill for a little sketching. The last, small, white, double narcissi are blooming, even though the carpet of yellow is long gone. Henry poked around, and I caught him quickly in mid-stride heading through my sketch. Below he's posing with the finished product.

I've been getting back into printmaking, which is slow to have something to show, but I've also been doing smaller things over the past week or so. One is finding the best baklava I've had (by a lot) on this continent, and doing a little sketch of it in Diamine Ancient Copper ink plus watercolor. Sometimes the ink gets too hot, but sometimes it's really right and rich, and it felt right here. If you're in striking range, getting down to the Mediterranean Bakery and More market in Southaven, MS, is so, so worth it. Ridiculously worth it.

Speaking of worth it, I also took a mini, free online illustration portfolio class with Mike Lowery, an illustrator I follow on IG and admire. I generally dislike online classes, but this one was in easy bite-sized chunks, and we did one achievable project. He walked us through both Photoshop and Procreate for adjusting a basic on-paper sketch, and I learned how to color in layers. Usually I just clean up finished watercolors. I mostly like to work on paper, but this is a good, small set of starter skills I'm happy to have. The project was to make a sticker, and I haven't ordered them yet (I'm still tinkering with the lettering on the Woman's Best Friend one), but I plan to. (I mean, how did men get dogs and women got stuck with diamonds?? What a racket. I'm making a play for the dogs.)

I've been working my way back into my longtime printmaking project of trees at Rowan Oak this week, but I gave myself a holiday for Leap Day yesterday. Thursdays have long been special to me, and it was not only Leap Day but also the 4x4 anniversary of Muddy's Bake Shop, my favorite bakery for both the treats and the warmth and welcome when you walk in the door. They opened 16 years ago on Leap Day and made Memphis instantly a better place.

I also dropped by a couple of thrift stores with a carload of donations, and I ended up coming home with two new-to-me cashmere sweaters for a total of $13.50. A big win. And I feel lighter in my house at the same time.

After lunch I treated myself to a trip to Dixon. I saw their current show of married artists Paul Wonner and Theophilus Brown a few weeks ago, and I can't stop thinking about it. Especially Wonner's portraits. I went and sketched in the semi dark with only dry media, so these are both too saturated and not at all worthy of the paintings that inspired them. But I loved spending the time looking that deeply at paintings I admire from an artist I hadn't known before this show. He was in California with Thiebaud and Diebenkorn, and I can see that throughline. His painted lines have multiple colors making them up, just as Thiebaud's do. One of my longtime favorite artists. I plan to go back and sketch more while the show is still there.

I've mostly been doing book work lately, illustrations meant specifically for M is for Memphis. I'm excited about how it's going, but I also feel myself tighten up a bit when I'm painting for a purpose like that. It felt good yesterday to take advantage of a sunny 60 degree day and go get chai with my partner and then head over to the park for some sky studies. The clouds had been amazing as we sat on the cafe deck, but they were moving rapidly out by the time I got to the park and was settled on a picnic table with Henry tethered beside me to hang out.

I did one quick cloud study as the front piece to a new sketchbook. I'm kind of excited about this one. It's a Handbook watercolor book, like my normal bigger (8x8") size, but it's 8x4" or so. I had a vertical one this summer that was 8x10". It was fun to branch out of my normal landscape format double truck and have something more upright, but it was SO much real estate to cover that I was a little reluctant to start a piece if I didn't feel I had a good long time. I don't need a sketchbook that makes me reluctant to open it. The nice thing about that one was that it was slightly landscape format, but tallish, when open. This one is purely square, which isn't my favorite, but it's good to mix up my shapes, and I love the size. I stumbled on it in an art store out west and have been waiting to finish my last bigger Handbook to start the new one. I had fun and did a sycamore tree I love against the blue, blue sky once the clouds had gone. I'll be curious to see how this format feels as I use it more.