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I finally finished the second snow tree from my January photos. They're crazy slow to carve, and I took a long break, but it felt good to get back to it in time for the holiday markets. This one is a companion piece for the first one I carved, both of them on 14x11" paper. Modest sized but intricate. (I would still be carving an 18x24" block this time next year if I'd tried something this detailed.) It was nice to pull back to a basic black and white design instead of trying to line up multiple blocks. I'm thinking about some more trees to keep them company, but in the meantime, I'm working on my delta angel, which is a bit bigger but less complex.
Here's the first of the snow trees.
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It had been a kind of crazy week, so I was looking forward to seeing friends and hanging out with the Memphis Urban Sketchers. The day did not disappoint. We had a good crew there at Dixon (two visits in a week!) painting the gardens. It was chilly but with sunshine, and I've broken out my favorite tweed jacket and knitted hand warmers, just in time for November. I was drawn to these enormous leaves and the bright red chairs in front of them. I started with Diamine leaf green ink and a dip pen, moved to watercolor, used a little bit of red watercolor marker along with paint on the chairs (and regretted using that bold marker for my label and date, but there you go), and finished with a little Derwent inktense pencil on the bottom pavement. That whole section got a little muddy on me and I needed to lighten it up a little. Overall I was pleased, even if the bottom bothers me a little. I always seem to see the choices I regret when I look at a piece, but I like a lot of this one.
And then, once in a great while, I do something I'm really happy with. That night I sketched Henry on the "banjo chair" (that he, of course, thinks of as "Henry's chair" instead). I started with a simple line outline in inktense charcoal pencil and added water soluble graphite with a brush after. It's a little bit sparkly in person even. I've been greatly enjoying rediscovering that small tin for evening sketches. I had meant to add watercolor to the chair around him, but I managed a little uncharacteristic restraint when I got this far and stopped. I ended up really loving the composition. There was one line under the window and above his ear that got too dark with water on top. I was sorry I'd gone there, and also uncharacteristically, I got out the super fine sandpaper I use to take out margin ink spots on my prints and took it out again. I don't usually bother in my sketchbook, but I was so pleased with this overall that I wanted it to be really right. I tend to cover the full page, full on in paint, and when I can stop myself before that point, I often really like the results. Life goals... I've slowed down on both sketching and posting this last month. I've been working on some print things and spending some family time, but here's a pair of at home sketches. I continued my water soluble graphite streak with this one of Henry and my favorite lamp, plus some watercolor. I need to get back to this little series. I was having fun.
And this week my dear friend Jill came to tea and brought me late flowers from her own garden. I put them in a Japanese vase of my mom's and sketched them one evening with a British mystery for company. They're currently sitting on my coffee table making me happy. I love sketching flowers friends bring my because then I get that joy again later when I open an old sketchbook and remember that kindness so vividly. I stumbled on a tin of water soluble graphite in a Parisian art supply store years ago. You use it with a paint brush and water, and it's lush and fun. I hadn't used it lately but pulled it back out recently. It's a perfect quick-after-dinner-sketch kind of material. Fun and immediate, and you just can't fuss too much. These are in my small purse sketchbook, just keeping things super simple. I'm glad I've remembered how much I enjoy working in this. The last sketch adds line with a charcoal inktense pencil. The others are all brush.
I grabbed my small sketchbook on a slow weekend morning, and my Inktense pencils were on the coffee table, so I did a bit of sketching just for me. I'm doing a big illustration project that I can't show right now, and it was fun to do a bit of loose, no agenda sketching before diving back into that job. These are the water soluble pencils that get really deep and rich with some water, but I was happy with how it looked like this and didn't push for anything else.
My friend Mandy who works for Novel bookstore in town had a brain wave a few years ago and realized that the Scholastic book fair day was the absolute best day of school and that grown ups should get to have a little of that happiness too. So she invented the Skol-astic book fair at a local brewery. Various bookstores and comic book artists and other book nerds set up tables in the huge indoor space. Burke's Books invited me to join their table for an hour's worth of book signing, and since it was a dog friendly space they said please bring Henry too, since he's part of the family. At the last minute, my dad asked if he could come too and be there for me, which was lovely of him. It was super low key, but it was sweet to have him there. I did a little sketching while I was sitting there so as not to follow potential buyers around with sad puppy dog eyes (which is why I usually knit through my own shows -- I'm available but not intrusive). I mostly sketched Henry, of course, who was hanging out happily. It was fun to watch people see him and then spot him on the cover of his own small book Portal. He made a couple of sales.
I also sketched Dad. People are hard, and it looks almost nothing like him (except for the bushy eyebrows), but I'll have the record in my sketchbook that he wanted to come down and support my art. That's priceless. Christina and I went to Tonica for a second time. It's a tapas place right in the neighborhood with a small back patio that feels like a cafe alleyway from Europe and that also is dog friendly. I appreciate the places where I can walk Henry, get a lovely meal, and walk home again. I also appreciate the slightly fancy places that still welcome dogs, since Henry completely panics if he's left at home alone.
I was right at the end of a sketchbook, and I did the last two pages. I wasn't super inspired about anything except my truly lovely sangria. Always sketch the pink drink, to misquote another friend. I seem to get the base of every wine glass I draw way too big and only realize it after the fact, but I had a good time anyway. Christina was facing the other way, back towards a tiny, lush patio of the business next door, and she was still working after dinner. I decided to do an even faster one just for fun. Neither is really great, but I'm always happier when I sketch, and it's always good practice. I'm working on a companion piece to my first snow tree, but it's really slow carving with all those tiny branches. I can work on it for a couple of hours in the morning when the light is best on my print table and I'm fresh. Then I do some other work later in the day. I won't be able to proof it for several more days yet, but I'm looking forward to seeing how it turns out. I'm drawing out a spring tree print with leaves on all those branches, which won't be fast (I mean, what carving is?), but which should move at a much better pace than this current one.
You can also see my muse watching me hopefully and waiting for a trip to the dog park. I'm trying to figure out how to help my dad with taxes for the first time ever, and it's a LOT. So I'm also trying to sketch a little along the way for happiness. I did this one the other night, and it's my favorite sketch lately. I really piled on some layers to get the watercolor that dark, though I also used a black brush pen on Henry's darker parts. He's a good model and even better companion, and I'm grateful.
I've been trying to remember to stash my sketching bag in easy reach of the couch. Henry is expressive in sleep and fun to draw. I had a low energy day yesterday, but I've been missing drawing, so I did a quick one of Henry on the sofa with his paw across my leg. I had planned to try to get my favorite lamp in too, but I sketched Henry big and only managed the base of it. The top sketch is from a couple of weeks ago. His ears make me happy.
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online store Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee. Get occasional studio email updates. Categories
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