Gill Books in Ireland found me and wanted to use one of my prints on a book cover, which is delightful. I love how they've laid it out from front to back, and I love Ireland, and I love that my art is on bookshelves over there right now. What a lovely lift for my art year.

Here is the original print (one block with four colors hand mixed with rollers in one go) and the original watercolor I did sitting out on Levisham moor in Yorkshire.

My friend Mandy who works for Novel bookstore in town had a brain wave a few years ago and realized that the Scholastic book fair day was the absolute best day of school and that grown ups should get to have a little of that happiness too. So she invented the Skol-astic book fair at a local brewery. Various bookstores and comic book artists and other book nerds set up tables in the huge indoor space. Burke's Books invited me to join their table for an hour's worth of book signing, and since it was a dog friendly space they said please bring Henry too, since he's part of the family.

At the last minute, my dad asked if he could come too and be there for me, which was lovely of him. It was super low key, but it was sweet to have him there. I did a little sketching while I was sitting there so as not to follow potential buyers around with sad puppy dog eyes (which is why I usually knit through my own shows -- I'm available but not intrusive). I mostly sketched Henry, of course, who was hanging out happily. It was fun to watch people see him and then spot him on the cover of his own small book Portal. He made a couple of sales.

I also sketched Dad. People are hard, and it looks almost nothing like him (except for the bushy eyebrows), but I'll have the record in my sketchbook that he wanted to come down and support my art. That's priceless.

I've been working to update my website lately, and I've added several book covers to my illustration page. A Troubling of Goldfish is new this summer, my second for Corey Mesler who also owns (with his wife Cheryl) Burke's Book Store which turns 150 this year (!) and has supported my own books since I started. I'm delighted his publishers wanted to use my work. The tree on the grey textured cover is from the Book of Common Worship for the Presbyterian Church, USA. That's my biggest illustration job to date, finished several years ago.

The newest cover is one I designed for my Dad's book, Poems of a Green and Pleasant Land. Dad wrote his way through most of British and Irish history back in the 70's to 90's, before self publishing was easily available. It's felt great to circle back to this project and be able to put it together for him and have a physical book in his hands. The hard copy proof came today, and I'll put the order in as soon as the Ingram website finishes its maintenance this week. Burke's is going to stock a few for the history nerds out there, and I'm so grateful to them for keeping all our family books.

I've gotten a little bogged down in my current three block print, so it was fun to do this small fast one over the last couple of days. I'm still working on laying out that book of my Dad's poems, and there was one lone poem near the middle, bracketed by two really good pairs before and after, and instead of disrupting one of the pairs, I decided to just do a small illustration. We're keeping the book of history poems in chronological order, so I couldn't just shuffle things around too much. This is Glastonbury Abbey, which I've visited twice over the years, and it will accompany a poem about the dissolution of the monasteries. I'm really happy with how it turned out, which feels especially nice as I struggle with the other print.

I printed and scanned in a batch of my antique letterpress ornaments this week. I'm working on a book of my dad's British and Irish history poems. He started writing them in the 80's, and it's much easier to publish something like that now than it was then. I want to be able to put the book in his hands. I'm considering using a few of these to fill in some empty spaces.

I've always kept printing for real, tactile projects and done my illustration work in watercolor and sketching. It has more recently occurred to me that I could use scanned in type or ornaments in certain projects as well. That Celtic alphabet I have that has almost all the letters, but only one of each, is barely usable as is for anything printed, but it's much more flexible digitally. Mostly I like making my own art, but the style and antique qualities of these might suit the current project. We'll see. It's fun to play, anyway, and now I'll have them ready if anything comes up to use them. I printed them in a reddish purple (my black letterpress ink has dried up at the bottom of its antique can), so I converted them to black and white after also saving the reddish version. Options.

I got to participate in a truly amazing event over the weekend. I was one of four chosen authors to be featured by the National Civil Rights Museum at their annual Ruby Bridges Reading Festival. It was Ruby Bridges herself, two New York Times best selling authors, and my self-published self. The introductory press conference was a little intimidating — I still think of myself much more as an artist than an author, but the other authors were incredibly inclusive and gracious to me, and I had a ball all day. I did two sessions of signings (and ran out of the 100 books the museum had bought to give away), talked through the M is for Memphis alphabet from the stage with a group of rapt kids, and watched kids of a variety of ages wander around clutching armfuls of books with enormous grins on their faces. That was truly the best part.

The signings were fun — I did a small drawing in the front for each kid (and occasional adult, which also delighted me). There was a steady stream of folks wanting my book, and everyone was having a great day out. The great Ella Fitzgerald’s foundation had given the museum 2000 books to distribute to kids, and my middle school book nerd self was delighted to be there as an author but also to see so many kids just delighted about new books.

The day was beautifully organized and went like a well oiled machine. The museum was kind enough to give me the end space in the signing tent so I had a fan and some fresh air coming in to combat the crowds of folks. With my long covid still such a factor in my life, crowds continue to make me a little nervous. All the authors had a dedicated all-day volunteer, and I totally won the lottery with Ewa from International Paper. She was kind, involved, and offered to take a whole string of photos while I did my reading, which hadn’t occurred to me at all. I’m so glad to have those memories of this fantastic day. Here we are below at the start of the day, at the end of the press conference and ready to dive in. I can’t say enough how honored I was to be invited to participate. The NCRM is the spiritual center of Memphis. It was definitely a career moment for me.

Y'all, what a great week. Memphis Magazine published a truly glowing article about my book that meant so much. Jesse Davis saw what I was trying to do with my art and put it into words better than I ever could have. I'm so grateful. You can read it on their site here. My only regret is that I wasn't smart enough to think of the name Memphabetical for the book itself.

And I mean... "And what beautiful pages they are — Kelly’s paintbrush seems to capture Memphis on those rare and perfect spring days. The Southern sun shines off the glass storefront of A. Schwab on Beale Street and the stained-glass windows in the historic Clayborn Temple. Deep-green shadows pool beneath magnolias at Elmwood Cemetery, seeming to suggest quiet contemplation. Kelly’s artwork is dazzling, and she has trained her eye to look beyond the first thing she notices. In her hands, Memphis is seen lovingly and honestly."

Also this, so exactly what I hoped people to feel, but again, in better words: "The book does not set out to tell some imagined definitive “true story” of Memphis; rather it reads like a series of postcards sent to a close friend. It’s Kelly’s attempt to show the reader Memphis as she sees it, to show what she loves about this multifaceted city by the mighty Mississippi."

So many thanks to Willy Bearden for taking the photo at the top JUST before Memphis Magazine asked for one to use. I didn't have a current one I was happy with and was thrilled to get this one. It's from the Burke's Books signing party back in December. They even did the chalk board specially for me! Here are a couple of less high quality snaps, including one of me and my dad, but I'm in good memories mode this week with the article coming out.

Also this week Channel 5 news saw my book at Dabbles (shout out to Debbie for my best hair cuts, dog love, and her unstinting support of my work) and asked for a feature interview. I met Taylor Tucker at Crosstown and had a lovely chat, which she boiled down into this feature on last night's news:

I spent a ton of time this year drawing individual letters, coloring them by hand, and scanning them in and then having to clean up the scanner noise. I had done one experiment years ago to put lettering over a background, and it occurred to me yesterday that I could paint strips of color and scan in black and white text and fill in with my prepared strips instead of doing each letter separately. So these images....

became these:

In order to make the image/logo image background transparent in Photoshop try the following:

1.Right click the image layer in Photosho or use the dropdown layer menu to select ‘Layer From Background’.

2.Select the Magic Wand Tool from the left panel and select the image area you want to be transparent using the Magic Wand Tool. Once selected, click ‘Delete’ on your keyboard. With that done you should see the transparent background (a checkerboard pattern) around the image.If some background areas remained non-transparent, repeat the magic wand for each of those areas.

3. Drag in the background image you want to use and size it behind your main image (or just use the paint bucket to drop a solid color there).

4. Use the paint bucket outside your image (in this case around the letters) to drop white or whatever background color you choose. If your color is digital, it will be one smooth transition. The variations and grainiess in the watercolor meant I had to use the paint bucket on numerous areas and then clean up small bits with the eraser tool, but it's worth it for the paint-on-paper look I want.

Finally I drug that whole block of text into the bookmark I've designed to hand out at the book party Burke's is giving me on Thursday, December 5th from 5-8pm. It's part of Cooper Young Night Out, so stores will be open late and Santa will be in the pavilion. I've never had a book party before, and I'm super excited, which is why I'm diving in with this extra bit of fun. Here's the back of my bookmark to go with my new book:

I got fired up about the possibilities for this last night, and I decided to make a digital font of these bubble letters that I can just type into Photoshop (once I download my font) and then fill with my paint samples. I got iFontmaker from the Apple store a couple of years ago and have been playing with making my own handwriting font. It's a super easy to use, draw with your finger on a phone or (recommended) a tablet kind of program. The web addresses on the bookmark are in a font I made called Memoir (which is a free download if anyone wants it just for fun). I've drawn out half of this new alphabet. I did all these letters for P is for Possum, for the cover of Memoir of a House and for Portal, and then all the letters in M is for Memphis. I think I'll use it enough for it to be worth the trouble. This is the fun kind of rabbit hole you can go down with your main show (Rowan Oak, up into January at least) up on the walls already and your book in hand for the holidays. I always enjoy some extra play after a big push.

It's been a busy week of family in town for big birthdays plus doing the Metal Museum holiday artist market on Saturday. One huge moment for me was one of my nephews taking time out from a busy and fun party to go through M is for Memphis slowly page by page and then come and hug me afterwards. No better feeling.

This week I'm trying to organize my studio and house better and gear up for doing Winter Arts for the first time, a month long beautifully curated artist market in a different area of town than my normal shows, so definitely exciting. I'll be printing more cards and getting prints ready to take out there.

I'm so excited that my new book is here! At least the first 300 copies are. After Novel asked for 100 copies to start, I ordered more immediately, and hopefully they'll be here by the end of November (fingers crossed!). Both local bookstores, Burke's and Novel, have been completely supportive. Burke's has me scheduled for a book party for Cooper Young Night Out on Thursday, December 5th from 5-8pm. I'm going to take the individual watercolors I have from the book to sell as well and really make it a party. Not all the images will be there, since some are from my sketchbook and a handful are from previous commissions that I scanned in before delivering them to the buyers. 

This book was so much fun to do. I couldn't even scratch the surface on all the cool places in Memphis, but I put in as many as I could fit. I hope everyone will enjoy it and use it as their jumping off place for exploring all their own favorites.