I posted snapshots of my museum sketches before I got home, but here are the scans that are a little cleaner and easier to see. I had so much fun doing these. The blue and black O'Keefe was a great starter sketch with simple colors and flat planes. Some painters are a lot easier to sketch than others, especially in the U.S. where most museums only allow you to use dry media. I love doing tiny watercolors with a self contained brush in Europe, but the museums here are super restrictive. Using only dry media means you have to have every color to match the painting you want to sketch since you can't mix colors. I used Inktense pencils (ink rather than watercolor ones so darker and richer, but which still activate with a little water over the top) and Neocolor watercolor crayons, which also take a nice wash later. There was a gorgeous eggplant piece I would have enjoyed sketching (with a bench right by it even! I had to sit in the floor for all three of these), but I didn't feel I could get the colors right. Same with an iris one. So I chose ones I felt would go reasonably well, and the process of drawing helps me look more closely at how artists make the choices they do. They copies are never exactly right. The sunset Shelton piece is more vivid than the original -- again, I had to use the colors I had, plus museum lighting is always pretty dim to protect the art, so I usually end up a little more vivid than the original, just hoping not to get into "garish" territory. I was overall really pleased with both of these.

After lunch I saw the permanent collection, which had a lot of great late 19th century/early 20th century works, including a couple by George Inness, one of my favorites. I loved the super dark sky of the storm behind the trees and the richness of the depth. It took a while to get the layers right. I used more crayons and less pencil with this one. I'm a little less satisfied with it as a copy, but I loved doing it.

I really enjoyed my quick trip to Atlanta. It helped that I drove in Monday evening, parked the car, and didn't move it again until I left Thursday morning. I could walk to the High Museum (my main reason for the trip), but I was also just across from Piedmont Park, an enormous urban park that had some lovely old trees and also some views out to the high rises that reminded me of the views from Central Park. I walked there all three days, and the last day I left the museum early and headed over with my sketchbook. I did a view my friend Sri had shown me, across the lake and off to the Midtown buildings, and I sketched one of a dozen fantastic trees I saw. I had forgotten my dip pen, and I was just finishing up (hallelujah!) a sketchbook that didn't accept my regular fountain pens. Even the brush pens had trouble getting purchase on that paper, which is why I've done so very many Inktense pencil sketches lately (like the skyline above). I've enjoyed stretching myself to use other materials, but I'm thrilled to be going back to my regular Handbook. I miss the smoother paper that also dries more quickly, I miss the pocket in the back, and the ease with which it fits on my regular scanner instead of my oversized one.

This one is a Hahnemühle, and I liked the slimmer book and the slightly wider format (also the reason it didn't quite fit on my scanner), but the paper bled through badly, and I've really been missing my pens. It's good to try new things, but I was happy to use one more museum trip, using dry materials anyway (Inktense plus neocolor crayons) to finish it off.

Here is one more non-museum sketch. I walked out on the tiny balcony my first morning there (I love a balcony) and spotted the moon setting through the trees. I grabbed a chair and my sketchbook and drew it quickly before breakfast. Traveling always gets me sketching at a higher frequency. At home I can think, well, I'll see that again, but on the road, you've got one shot at it. I was so glad I did before settling in for breakfast. It was a lovely way to start the day. And then I got to the O'Keefe show and saw probably 10 paintings of hers with the moon and felt very in synch with a painter I greatly admire.

The High Museum in Atlanta has an exhibition of Georgia O’Keefe’s New York era paintings, a broad selection of her work, but clearly (above) I was drawn to the skyscrapers. I highly recommend the show to anyone who can get there. I had a whirlwind trip. I’d pondered going before the snow, and clearly that was a bad idea. Then I thought about going next week, but the forecast when I checked looked ominous again, so Monday morning over breakfast I decided that that was the day. I had scouted out a garage apartment in walking distance of the High that was only available until Thursday, so I made the reservation at 7:30, threw some things in the car, and was out by 9:00.

I’ve been feeling for a while that I was stuck in a long covid rut, partly from fatigue, partly because of a fear of reinfection, and partly because it became very easy and comfortable to stay home. Having learned covid strongly disagrees with my particular biology, I’m still masking in public and miss the dancing I used to do. But I chose Explore as my word of the year and set myself a task to go somewhere new each month, even if it’s close to home. Museums are great because they’re not too crowded, and there isn’t that focus on food and drink, plus they feed my soul. I loved my Crystal Bridges/Nelson Atkinson trip last fall, and I’d like to do some more museum visits. I been once to the High around college age, but it’s been so long that I counted it as a new place. Piedmont Park certainly was. As with my fall trip, I brought along food, stayed within walking distance of the museum, and never moved the car (more key in Atlanta than some places). I went to the museum both mornings but walked in the park afterwards (and even the first night I got in). That rhythm of walking and looking at art and sketching really feeds my creativity. I also saw two old friends I hadn’t seen since before covid, which feeds my soul.

I did three museum sketches, two park sketches, and one early morning full moon sketch off my tiny balcony. There was a lovely large table and good light in the apartment too, and I did a bunch of Henry in the snow sketches while I was there too. Trips often get my sketching into overdrive. I’m working on a new graphic essay, maybe even a book, from my photos of him in the snow. It was an excellent three night getaway, and I’m so grateful I could just go.

I'm continuing to give myself a slower January after the show craziness of Winter Arts. I'm cleaning my house some to get it pleasant again and doing a bit of print shop reorganzation, but I'm also trying to keep my sketching game going. I did another cold weather sketch on my dog walk yesterday, again just using pencils and crayons without getting out all the paint things. I'm kind of hoping this cold weather training will get me used to being out so I can sketch in the snow tomorrow. I never really want snow -- I like to walk out in the world without worrying about slipping -- but it is quite lovely visually. We'll see if I have the intestinal fortitude to sketch outside tomorrow. Watch this space...

I delivered books to the Shelby Farms gift shop yesterday and took the opportunity to walk in a different park. There is a pair of small lakes I love from previous bike trips out there, so I headed that way. It was super cold but also a little sheltered back off the main area, and I took my sketching pack just in case. I'm trying to sketch more this month. I ended up doing two quick ones. I didn't take time to get paint out, just used the Inktense pencils with water brushed over the top (which is why that purple in the background is so vivid -- I would have mixed it down a bit in paint). But fun to try to catch the essence of a spare scene quickly. My second sketch was a tunnel of privet. I really love a tree tunnel, and though I generally dislike privet as an invader that causes a lot of trouble in natural places, I was charmed by the tunnel anyway. I remembered the crayons this time to get a little more blocky color in still without getting out paints.

Memphis Urban Sketchers met inside Crosstown today, a converted old Sears distribution tower that calls itself a "vertical village." It's a wonderful community space with lots of indoor vistas on a chilly January day. I had seen and loved the red tree in the Crosstown Arts area and was glad to see it still up -- I like it when people celebrate the whole season of Christmas and not just a single day. Henry and I settled there for a while to do a fairly intricate and layered space with the tree front and center. Afterwards we moved out to chat with friends, and the graphic orange restroom sign caught my eye, so I did it quickly before our meet up.

After more chatting and lunch with Christina, Henry and I walked towards home. It's going to get crazy cold, and I got warm walking, so I decided to keep going to the park and take advantage of the last chance to sketch outdoors for a while. I hadn't drawn "my" tree in a good while. She's decayed a lot but is still lovely, so I camped out on a picnic table and did one good sketch before heading home to warm up. First Saturdays are always one of my favorite days of the month. I love our great sketching crew, and it's a lovely excuse to get out and draw for the sheer pleasure of it.

I keep thinking about food trucks lately, ever since I sketched one in Little Rock on my way to my mini museum tour. They're colorful (often) and interesting visually and fun. I had done a couple for the M is for Memphis book too. I'm not sure where this is going, but I want to get out, sketch a few, and sample their wares in the new year. I had sketched Byway Coffee briefly in the Winter Arts parking lot early in December, then they they showed up again in Overton Park. I went back from my walk to get my full sketching kit and did a color version.

I still can't get enough of sketching Rowan Oak. I went down to meet my sister and brother in law for them to see my show and did a quick sketch while Marian was reading every placard in the museum. I love the pop of the green roof of the barn amid the winter greyness, and I also loved the curve of the trees framing it. More Inktense pencils, since I'm on a kick with them right now, and watercolor on top.

I've been having fun sketching Christmas this year. One scene I had spotted on the way to the farm and been dying to do is Bartlett Wines & Spirits, above, with Santa and his reindeer on the roof. I was hoping I hadn't missed it with my stomach bug, so I raced out on Boxing Day and sketched from my car (cold but partly sunny). I had a ball. It's mostly Inktense pencils with watercolor on top.

A couple of days later I met friends at Dixon to see the exhibitions and do a little sketching. More Inktense, which I'm kind of on a roll with, plus neocolor crayons since you can't use paint in the museum.

We moved into the cafe for a while, and I switched back to ink and paint. I love this Kaweko Paradise Blue I found this summer, but I was frustrated with the overall sketch. Overworking it wasn't going to help, though, so I switched to a few fast people studies. I had fun doing tiny family sketches for my dad's present, and I think I might like to do some more illustrated memoir projects this year, so practice live is always good.

Before the stomach bug took me out of action for a few days, I had a great Saturday. I went to the farmers market early and snagged a parking space with a great view of the Flipside Asia food truck, my favorite one in town. Their yellow curry is my favorite, and I buy several at a time for the freezer. I've been jonesing to sketch more food trucks, and theirs, with that gorgeous big green dot, is one I had definitely wanted to capture. Sadly I closed my book too soon on a cold morning, which retards the drying, and the side got a little muddy. I'll probably take another run at it sometime. Frustrating when I was so happy just as I finished it, but there you go. Art out in the world has a life of its own.

Then later that day I met my sketching buddy Christina at Crosstown. They hang lights in the main atrium at the holidays, and it is gorgeous. I'd been eyeing the disco ball and wanting to try my hand. We got lunch from Global Cafe and carried it up several levels to a quiet table where we could drink in some sunshine and have a good catch up. Such pleasure. I ended up doing two sketches of the lights from different vantage points. I managed to leave my taller book in the car so I contented myself with the more horizontal format. It's good to mix things up sometimes, and it especially worked on the bottom sketch.