Martha Kelly Art

I've been trapped indoors for a solid week now, and we're hoping for relief tomorrow. I took a quick walk with a mask on and snapped a photo of the orange sun, but it was too awful to stay outside and sketch. The bottom smokey view is from my indoor work table window, though, and the blueberries are from life, done sitting at the kitchen table. I really love the berry stands out here. Such joy. 

I've mostly been ignoring my smaller sketchbook lately and working in the "Quarantine Journal" sized one instead, but here are a couple of recent(ish) sketches from my daily walking path. I'm catching up on my scanning this week as I also finish the images for the book. 

In big news yesterday, I bought a batch of ISBN numbers and registered the first one for P is for Possum. When I was working on the Mr. Darcy book(s), I really wanted the legitimacy and reach of a professional publisher, but my writing chops weren't strong enough, and that's a hard world to break into. For this book, which is so very local in scope, very specific to Memphis's Old Forest, it made sense to me to do this like my calendar and have it printed to sell locally. I also have no shows at all this year (though some lovely folks have sent commissions my way), thanks to the pandemic, and I really wanted something ready for the holiday season.

The other upside is being able to control the printings as I need or want, instead of that decision being in the hands of someone else. It's a lot like the legitimacy of a gallery giving you extra exposure, but you also lose control and autonomy by buying into that system. I may try for both publishing and commercial galleries again at some point when they make sense for my career, but I have to say that registering my own book yesterday felt both exciting and powerful. It's fun to give birth to something you've created purely on your own terms. I'll be registering with the Library of Congress as well, which will allow it to be bought by libraries, and I'm considering other platforms after the print version comes out in November. There's a big learning curve, but it's also exciting for a lifelong book nerd like me to be a small part of all this. 

I've been doing a lot of book work lately, as I wrote in my last post. It's satisfying to get it to a finished place, but I haven't been MAKING art lately nearly as much. I'm also taking much more time taking care of my muse and studio helper Mr. Darcy. He's doing well, but it's been a little up and down. So there have been days off and naps and things like that. But we had a lovely outdoor visit with friends over the holiday weekend, and the friends brought flowers. I try to always draw flowers that are gifts since then they give me joy for much longer. I love flipping a sketchbook open and seeing a small birthday bouquet or vase of tulips from art visitors. So today I just made time to draw these gorgeous dahlias. What a thoughtful gift. 

It's been a tough week with various large griefs around here and among people I care about. I've been carving on my new block, the 18x24" one, while watching some escapist BBC mysteries, but it's big enough to be going very slowly, so there's nothing really to share yet. I'm grateful for that meditative work, and I'm grateful for sketching, where I can turn bits of daily life into color and pattern and be-here-nowness. I'm also grateful that this was the week when strawberry rhubarb pie showed up at the local grocery. Rhubarb doesn't grow in Memphis, and that's a treat I really look forward to coming out here. It hasn't been available, and then yesterday it was. Baked goods, stones with strong life lines, walks in great beauty, and tea have all been balms this week. So there they are for my journal this weekend.