I’ve been working on the show this past week instead of making a lot of art from scratch (getting final copies of prints, putting together a catalog, gathering framing supplies), but I took a day off yesterday. It was chilly in the morning, so I cooked up a farmers market stew for the week, but the sun came out after lunch. I decided to head to the park and enjoy the nice weather. I took my Inktense pencils along with my paint set. I’ve been forgetting to use them lately, and it was fun to get them back out. I did one piece in the heart of the forest and another of the sky over the Greensward as I headed home. It felt so good to sit in the sun and sketch for a little while.
I also scanned in a couple of others from New Years Eve. It was another glorious day that day, so I took Gideon out to the farm and then had dinner on my screened in porch that evening. I had fun sketching both occasions to celebrate the end of one year and usher in a new one right.
I ran down to Ocean Springs, Mississippi, to meet with the curator at Walter Anderson Museum of Art to make the final selection for my solo show there next year. This is a career moment for me, and I'm ridiculously excited. It was wonderful to get to lay out all the prints I've been working on for the last two years in the space where my work will be hanging next year.
It was also really wonderful to get away from the deadlines that have been crowding me so hard lately, and to breathe, walk, and sketch again. I hadn't been drawing for myself in more than a week, and it felt so good to dive in. I walked down to the beach for sunset, after checking in at the museum and putting my stuff in my room. I was just in time for sunset, and it was glorious. I did two very quick sketches in the half dark, and after dinner I drew my teapot and the shells I had picked up and a lovely tangerine (?) that was a present from some landscaping workers I had passed on my way to the beach. Really kind.
I also drew (and ate) a lot of good food. I have a friend who says "Always get the pink drink", by which she means to celebrate an occasion with something special. After my meeting the next morning to lay out all the art and finalize the show, I treated myself to a grown up lunch. I sat out on the front porch of Maison de Lu, under the live oaks that line Washington Street, and had a flat out delicious lunch, including a celebratory mango margarita. And then celebratory (and ridiculously good) white chocolate bread pudding. I'm going to have to walk a LOT this coming week to get my equilibrium back.
There was also a French patisserie four blocks from the cottage, which was seriously dangerous. I tended to take an early walk, buy breakfast, take it back to my small balcony, make tea, and enjoy it all.
The weather could not have been more perfect for sitting outside and drinking in all the goodness of the coast. I sat out with my banjo a lot, which I also haven't had time to do much lately. I have several more commissions due soon and some final paperwork for WAMA, but the break was wonderful, and I'm planning to be able to give myself some time off around Christmas. I've done a decent job of that the last couple of years after several of scrambling so hard right up until the day that I couldn't enjoy the family time as much as I wanted to. It feels good to be able to see some time off coming.
My last Inktober sketch ended up on a double page mash up from a couple of different sessions. It started as a sketch of Gideon, but I didn't even get his head finished before he left the couch. I miss Mr. Darcy curled up for two hours letting me sketch him as much as I wanted, but all dogs are going to be different. Gideon is a little less cut out for muse work, at least at this young age. So I moved on to the room, and then I added my morning tea service. I decided my crazy-fancy, brass teapot from a street market in Paris would be just right in walnut ink, as well as having a nicely celebratory feel for the end of this run. I got out my great grandmother's violets and daisies china for the same reason. Also because it's nice to just use and enjoy the "good stuff" once in a while if we're going to house it at all. I love my pottery best, but it's fun to mix things up, and this china is truly lovely. k
It's a good weekend for catching up with friends. There was cake and sketching yesterday on the back porch, one of the best kinds of parties. Muddy's had grasshopper cake for the first time in ages, and it's my favorite. Today will be pizza and more friends. I'm so grateful for my village.
I am continuing to enjoy sketching my tea things and Gideon. These were done outside with much more moving around and stick chasing. He's excellent entertainment if a somewhat wiggly muse. I'm still doing as much on the back porch as I can while the weather is good. I spent one whole day out there mailing out calendars, and on the days when I have indoor work, meals on the porch give Gideon time to poke around and have a good time at intervals.
Today was gorgeous, and I noticed while walking Gideon that there were pumpkins decorating the Higbee memorial at the park. I took a longer walk for myself (he can only go so far at a time, or at least, is only allowed to with his heart condition), and I took my sketching things over with me. In keeping with Inktober, I used walnut ink and Inktense pencils with only a bit of watercolor on top. At dinner I sketched a tiny flower in one of my smallest cream pitchers, found at a street market in Paris years ago. That kept me outside a little longer for Gideon to play. Now, however, I've painted and mailed calendars and sketched and done some business and scanned these in, so I'm going to collapse into the sofa with my book for the rest of the evening.
I had a ton of printing and scanning to do to turn preliminary images into WAMA for the show next year. I took a few days off Inktober, but mostly I have really enjoyed the reminder to sketch regularly and play with my dip pen and walnut ink (and a red marker for the pot). I'm also getting into a rhythm of having my materials next to my place at the island where I can sketch Gideon. I always used to draw Mr. Darcy on the couch, where he would settle in with me, but Gideon isn't as snuggly and prefers to be on his own on the floor. So this is where I get a good view of him when he's calm and sketchable.
I also sketched my new enamel pot yesterday. After the deadline I've really enjoyed a few quiet days -- doing a little painting for my own pleasure, visits with friends, and cooking a pot of spaghetti gravy yesterday. My old soup pot was aluminum, and I've been looking at a replacement. This isn't one of the fancy brand name enamel ones, but it's a gorgeous cherry red and gets the job done. I was delighted to find it at Target last week.
Below is a sketch from a meeting about saving the Greensward. Again. I can't believe we're in round 43 of this. We met outside at the gorgeous old Memphis Heritage building, and I sketched it waiting for everyone to show up. I'd biked over and left extra time, not knowing exactly how long that would take. A sketchbook is always a good companion.
I'm still keeping the dip pen and walnut ink by my breakfast place and tending to sketch a bit as I linger over my tea. It's been a long week with a lot of printing, so this has been the only creative work I've been doing (as opposed to the more production end of things). I'm grateful to Inktober for giving me the nudge to both mix things up with ink a little and to keep sketching regularly. I'm enjoying both dog sketches and still lifes, two of my regular go-to subjects. But Gideon makes a cameo even in the last piece, digging and snuffling over at the far right edge of the page.
I'm feeling more confident drawing his body lately, but the face is still super hit or miss. I was happy with the top right one and much less so with the bottom in almost the same position. He's easier for me in profile for some reason, but I'll keep playing and get better as I go along.
My last day of the trip was Missouri and Arkansas. I stayed at a different park in Missouri than the one I love (full after the last minute delay due to smoke), so I slanted down the state through the Ozarks. The stand out highlight of the trip was a small antique store in Knob Noster, MO, (that name!) that had a commercial kitchen attached and homemade PIE. A brilliant combination. I didn't buy anything permanent, but I did get a strawberry rhubarb pie with some of the best crust I've ever had.
It was a great easing into home, since I've come back to a fantastic exhibition of Wayne Thiebaud's prints and paintings at Dixon. I've been looking forward to this show for months. I went the first week with an artist friend and had such fun comparing our ideas about the work. Yesterday I went back to spend more time with specific pieces I love and do a little sketching. I plan to go at least once a week while it's here. I'm fascinated with how he uses hatching to define spaces instead of outlining all the time (the meringue below, or the man with the paper's shorts. Exquisite.)
One thing I thought about over the summer is how to take the slow down of the last few months back into my home life. Sadly fall is going to be less busy than I'd hoped, given the resurgence of the virus, but I still want to be intentional about giving myself permission to take days off without feeling guilty. I love working in my house and having studio space available right here, but it can be hard to take time off when work is in the next room hovering over your consciousness. Potter Melissa Bridgman, who works harder than about anyone I know, gives herself a weekday sabbath, since weekends get so crazy. I love that, and I plan to implement that for myself. I'd like to use it to do more regular museum visiting, since that really feeds me. Yesterday I took my first weekday off. I went to Dixon to sketch, had a leisurely lunch on the back porch with my journal, banjo, and the Thiebaud catalog, and visited a friend in her yard in the afternoon. It was marvelous. I've got time before WAMA to get my prints in order for the show, and I'm going to enjoy the lead up instead of stressing about it.
This seems like the year to do a calendar again. Last year I did P is for Possum instead, and I love having a book. The book grew out of sketches I did to keep myself sane and happy as the world turned on a dime last spring. I needed bright colors and small daily joys to cheer me up. I had a ball with those sketches, and a calendar seems like the perfect way to share that ongoing joy in the small things with everyone else. I hope it brings joy and reminds folks of the daily good things that we can control for ourselves (unlike so much of the world outside).
You can preorder calendars in my online store. They'll print and mail out in September. Choose "local pickup" if you'd like to pick up in person in midtown Memphis, but otherwise please choose the shipping option.
I'm slow getting these scanned in (it's been a somewhat eventful summer), so here is a report on one lovely day taking the ferry out to Friday Harbor in the San Juan islands back in the middle of July. Jude's cousin Liz, an artist and photographer and all around delightful person, was visiting, so it was the three of us. I sketched on the ferry the way I did several years ago. I've been doing passenger seat sketches this summer, and the ferry is about the best version of that -- not as fast flashing past everything, but a kaleidoscope of a changing view. Such fun.
There were many more people in the way of the view in July than there had been in September, but it was still fun. I think my favorite ferry sketch was this simple one done only with green ink in a brush pen.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
Get studio email updates from Gideon and me.
To subscribe to this blog, by email: