Martha Kelly Art

I feel like I’ve been neglecting my sketchbook this trip, since I’m working both on the still life show and also on a possible graphic essay about Paris that’s in a bigger watercolor book. So I’ve been trying to lock back in a little lately and do some sketches just for me. It always feels good to come home with a visual record of at least the lovely bits of a trip that I don’t want to forget. In that vein, I sketched at the Rodin Museum where I met my friend Mavis yesterday. It’s one of my favorite places in Paris, but I hadn’t made it there yet this year. We had a lovely catch up, sketched, had tea, and then I stayed a bit after and did more sketching. It’s hard for me to walk out of there having done only one. I’m saving the graphic essay images for later, but here are a couple I did in my journal.

I also went back for my favorite curry at Kapunka, got a sidewalk table a second time, and did another sketch.

Good memories in Paris seem to be a lot about eating. Here’s the galette stand at the Bastille Market.

I couldn’t get my camera to capture the blue that glimmers through the cathedral from the Chagalls all the way to the west entrance, so I tried in watercolor instead. Still not satisfying, but better. I also love the off centeredness of the crucifixion, with that white figure showing up on the right hand side, but the deposition and ascension above and below (though less discernible from far off ) to its left. Brilliant design. I did one more sketch of the whole bank of candles that people light and pray by. It was a worshipful space, and I tend to paint the things that move me.

I wish I’d taken time to sketch the 1930’s smaller rose window at the back. Mary is central, and she is surrounded in a circle by several biblical trees (a palm, a cedar of Lebanon, and an olive tree) along with the moon, the morning star, and the sun. I love creation being so central in surrounding and celebrating her. I would have chosen an apple tree to go along with the others, given both Song of Songs and that lovely carol “Jesus Christ the Apple Tree,” along with the connection from Eve through her son Jesus to correct the original wayward bite. But that’s a quibble. It’s a gorgeous window in its own right. I loved the mid century glass they added in the restoration all the way around. There’s some subtle and beautiful grisaille windows as well. I wish I could have done these windows justice, and I wish they would hire one good photographer and get good images to sell. I was deeply disappointed in what was on offer. But it was a gorgeous cathedral to be in, and I’m so glad I went somewhere new this year.

Alongside the gouache studies, I’ve been doing some more standard (for me) journal sketches along the way. Here are some from the last several days. Two of them were bicycle trips to the bakery to have a treat. I’m a late bloomer on a number of fronts, and I got my first bike out here. I never learned to cycle as a kid, and Concrete is a perfect place to catch up. There is almost no traffic in town along with quite wide streets, and best of all, there’s a green line that runs through the center of town (to within a couple of blocks of anywhere I want to go) and also goes out of town and as far as I could care to go. I can pack up art gear and take off on my new bike, a second hand cruiser. The next image has my bike in the background and bakery tea in the foreground. I wanted to record this moment in my journal.

Here is the view a few miles out the trail from town. It’s been my regular walk here, but I can go a bit further on the bike and paint new places.

Plus another blueberry pancake sketch from Perks diner here. A totally awesome place. Flower at the grill collects heart shaped rocks like I do and has begun to make me heart shaped pancakes when I come in. <3

I went to my very favorite spot out here last week, had a picnic, sat on the small, shaded river beach, and did four watercolors. It’s an amazing place, and I never get quite enough time there, but this time the sky stormed over and rain started falling, so it was time to go. Gorgeous while it lasted, though.

I did the three pieces above in my bigger water book, but I wanted a record of the day in my small regular journal as well. You can see raindrop in the bottom right of this one as I packed up hurriedly when the rain started.

I recently got professional photographs made of some completed paintings in the water series. They are so much better than the snapshots I take in my studio, which invariably have a good bit of glare. So here are a few of them to enjoy today, since I'm in family time mode with my sister here and also getting ready to travel again. There will be travel sketches soon from Washington.

The final reason to love visiting art friends is that (especially when they're generous to a fault), you end up taking a bit of beauty home with you. I totally fell for Judi's bunny (I've got a thing for bunnies anyway), which was in the room I stayed in. She caught his expression perfectly, and I loved the green background. He's now living just beside my bed where I see him every night and every morning, and he makes me smile. I also came home with a gorgeous, wood fired teacup of John's. The photo is too dark to show off its full beauty, but there are flashes of blue inside and out from the ash, and it fits my hand so well. I do love this photo of tea on their deck. They live up a forestry road, and it was the perfect getaway. I'm so grateful for this job where I get to do things I love surrounded by the best people.