I’ve been balancing work, vet care, and vacation out here. With P is for Possum finally finished, scanned in, and at the printers for a proof, I’m leaning more towards vacation (and preparations to head home, which is a bit of an undertaking). So I celebrated a couple of lovely small things in my latest journal page — an enormous tomato gift from a friend plus a second breakfast. I did that a couple of times this past week, having berries and tea when I got up but then joining Jude in an egg a bit later. It’s nice to be cooked for sometimes.
My knitting group of four or five out here has been meeting outdoors, which has been a great joy. I love sitting with friends, even across a small distance. Last night we were at Sylvia's and Michelle's. They have an amazing garden (I'd been thinking about this bean trellis ever since we were there the first time) plus ducks, a horse, Angora goats, chickens, and dogs. I'd been wanting to sketch, and Michelle kindly invited any of us to show up early if we chose. I got an extra visit with her, did two full page spreads, and then settled down to the evening party. It was marvelous.
I've been trapped indoors for a solid week now, and we're hoping for relief tomorrow. I took a quick walk with a mask on and snapped a photo of the orange sun, but it was too awful to stay outside and sketch. The bottom smokey view is from my indoor work table window, though, and the blueberries are from life, done sitting at the kitchen table. I really love the berry stands out here. Such joy.
I've mostly been ignoring my smaller sketchbook lately and working in the "Quarantine Journal" sized one instead, but here are a couple of recent(ish) sketches from my daily walking path. I'm catching up on my scanning this week as I also finish the images for the book.
In big news yesterday, I bought a batch of ISBN numbers and registered the first one for P is for Possum. When I was working on the Mr. Darcy book(s), I really wanted the legitimacy and reach of a professional publisher, but my writing chops weren't strong enough, and that's a hard world to break into. For this book, which is so very local in scope, very specific to Memphis's Old Forest, it made sense to me to do this like my calendar and have it printed to sell locally. I also have no shows at all this year (though some lovely folks have sent commissions my way), thanks to the pandemic, and I really wanted something ready for the holiday season.
The other upside is being able to control the printings as I need or want, instead of that decision being in the hands of someone else. It's a lot like the legitimacy of a gallery giving you extra exposure, but you also lose control and autonomy by buying into that system. I may try for both publishing and commercial galleries again at some point when they make sense for my career, but I have to say that registering my own book yesterday felt both exciting and powerful. It's fun to give birth to something you've created purely on your own terms. I'll be registering with the Library of Congress as well, which will allow it to be bought by libraries, and I'm considering other platforms after the print version comes out in November. There's a big learning curve, but it's also exciting for a lifelong book nerd like me to be a small part of all this.
I've been doing a lot of book work lately, as I wrote in my last post. It's satisfying to get it to a finished place, but I haven't been MAKING art lately nearly as much. I'm also taking much more time taking care of my muse and studio helper Mr. Darcy. He's doing well, but it's been a little up and down. So there have been days off and naps and things like that. But we had a lovely outdoor visit with friends over the holiday weekend, and the friends brought flowers. I try to always draw flowers that are gifts since then they give me joy for much longer. I love flipping a sketchbook open and seeing a small birthday bouquet or vase of tulips from art visitors. So today I just made time to draw these gorgeous dahlias. What a thoughtful gift.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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