Martha Kelly Art

The book work has slowed down (and the journal work almost disappeared) as I've been trying to get the final layout/extra pages/last few letters done, and as I've started scanning in and cleaning up (mostly letters that got out of hand in thick fountain pen on bumpy watercolor paper). I'll have to do yet more digital work to put each on on exactly the right size file and make sure there's enough border and also make sure than ones like this with a little overlap will meet up in the right places. Definitely the less fun part to come. But I'm really excited and have drawn out all the pages now, with only three plus covers to color. It's coming. My printer is getting me proofs on the paper he intends to use, and then I'll just have to dive into the scanning more intensely.

About all that's going on over here right now is sketching in the forest on my morning walks and work on the forest ABC book from those sketches (and a bunch of old ones). I've also had a quieter weekend, visiting with my dad and a couple of friends from safe distances. I'm hoping to wind up the artwork for the book quite soon, and then I'll have to figure out all the digital stuff -- get the scans the right size, obtain an ISBN number, and all the less fun but still satisfying stuff.

Here's a shot of my back porch table (where I've been working except a handful of the hottest days, because the full summer heat makes me want to stop working and nap) with the line drawings for the book in the center surrounded by a host of older sketches I'm using for reference. I'm grateful for all the years of forest sketching I have in old books. It's proved more valuable than I dreamed.

And here's one more pair of recent morning sketches with my newish Sailor fude fountain pen that I'm still really enjoying. It's what I'm using for the book as well.

My Quarantine Journal is taking a serious back seat the last couple of weeks to this book project, but I figure it's always good to go with the thing that's strongly calling your name (unless you're on a different kind of deadline). It's good to be able to ride a bit of momentum on a project too. I'm having a lot of fun with this book and simultaneously trying to figure out how to push it on out into the world once I'm done. It's so local that I'll likely self publish, but I'm exploring a few options at the moment. It feels like a lot of years' worth of sketching in the forest have really come together all at once in my head. I'm grateful for the gift of that, unexpected and lovely.

I had a funghi kind of morning on my walk today. I caught a brief glimpse of the owl hunting as I walked (I heard the ruckus of the smaller birds trying to drive her off) but the fungi held still and posed for me today. I’m testing out the 55 degree angle Sailor fude pen. I’ve been using the 40 degree one, and this one feels very different. Thicker lines overall, but I can get the thinner ones if I concentrate. I also found out today that the Noodler’s permanent ink, which is supposed to be water fast to use with paint on top of, has a longer drying time that my fast sketching allows for. I got a bit of bleed when I moved straight onto watercolor. It’s doing great for the book project where I’m leaving it to cure overnight, but less great for sketching in the field where I don’t want to sit around and wait for the mosquitoes to find me.

I was supposed to go teach a workshop for the art guild in Mountain View, Arkansas, this month. I went last year and had a great time with the marvelous folks there, and they had been kind enough to invite me back. Obviously that's not happening anytime soon, and I've been thinking about that group on my morning walks lately. I decided to put up a new page on my website about the pen I've discovered this spring, how I'm using it, and a couple of different sketching projects that have been saving my sanity. All of that is on the page Sketching Tools if anyone else would like to play along. Sketching is a great way to notice new things in familiar surroundings as well as find new delight in those same places, something we all need at the moment.

I lived the first 15 years in this house without a screened in porch, and mosquitoes in Memphis are pretty fierce. A decade ago I finally tacked one on to the back of the house, just off the kitchen. The space was pretty small, so it contains a table and two chairs plus a one person hammock chair, and that's really all it can manage. But it has a blue ceiling, a ceiling fan, and lots of birdsong.

With the stay at home spring and my new-found fascination with birds, I've been eating more and more meals out there through the temperate part of the year. Sometimes it feels like a lot of trouble to carry things out, but I never regret it. Now I've got this new illustration project going, and, unlike my printing, it's beautifully portable. I've carried stacks of sketchbooks, my ipad, and my paints outside, and I've been spending all day making art on my porch. It's a delight. Yesterday, after my brain had shut off for serious work, I decided I wanted to put this period in my Quarantine Journal. The sketch isn't my best, but it does show you the chaotic, colorful process of illustration. The stack of sketchbooks are to look back at on-site sketches from the forest, done over years, to refresh my memory and keep the book vivid. I'm having a ball working on this project.

I've really been enjoying carrying a sketchbook and my Sailor fude fountain pen on my morning walks in the park. I'm mostly sketching the forest, but the above right is the newly closed, much lamented Memphis College of Art, where I took a couple of classes on printmaking that changed the trajectory of my career.

Today I saw a bunny skipping across the path in front of me. He didn't stay around for me to sketch, but I got my book out immediately, drew him from that image in my mind, and drew the path in front of me as well. Later in the walk I followed the owl around the forest, though again in fleeting ways. I wrote down the experience so I'd have it in the place where I'm recording these forest impressions this spring.

A couple of years ago I "plotted out" a tree alphabet book. I love trees and nature and draw all the time in the Old Forest in Memphis's historic Overton Park. I even started a print (I was thinking linocut), but it felt a little forced, and I abandoned it. This year's Quarantine Journal, dog walk sketches, and new interest in birding all have me thinking back to that project. So over the last couple of days I have laid out an ABC of the Old Forest. Broader in species, but more specific in place. That feels like a good combination to me. I'll have to get a bit deeper into it to see how I really feel about it, but I'm having a good time so far.

I'm continuing to carry my small book plus a black Sailor fude pen on my morning power/dog walk in the forest. Not my whole big kit, but I did pull out an ugly but functional (and not as hot as a day pack) butt pack I won years ago in a kayak race (LOTS of people won them -- I wasn't particularly high in the standings). It's handy for this, though I may have to use it for water for Mr. Darcy instead as the summer goes along. The water fountains are shut off because of Covid, and I wouldn't feel good about even him using one right now anyway. For now, though, I've got my book out with me daily. It was great today because Mr. Darcy spotted another turtle for me. They're pretty laid back, and this one let me draw him as well.

As I've been working towards my WAMA show as well, I've realized that Overton Park is my Horn Island. Much easier to reach than Anderson's main landscape muse, which works for me as a city girl, but it functions the same for inspiration. I'm there daily when I'm not traveling, and I have painted and sketched there for many years now, as well as basing a ton of prints and larger paintings off the work I do actually in the forest or around the park. I'm so grateful to have this consistent source of inspiration so close to me. It's always meant so much, and this year it means even more.

It was a glorious morning in the forest. I had been stopping by the tree where I saw the owl to check for her every time I passed (reminding myself of my beloved, deeply optimistic first dog who checked under a car every day for six months after seeing a cat under it once). It turns out optimism is sometimes warranted. She was there again today, and once again stayed to watch and chat with me. I've been taking my sketchbook religiously on the off chance, so I got to draw her from life. The black and white one was done on site, and then I found the rare gift of a very late wood poppy. Mostly they stopped blooming a month ago, so it was delightful to sit and sketch it as well, spending time with the unexpected beauty. Over lunch I pulled them together and sketched the rabbit I also saw from memory, since he didn't stay around long enough for me to sketch from life.

I also picked the first of my blueberries from my new bushes today. I was more delighted before something came along after and knocked off almost all the rest of the green berries. I put up some netting and wished I'd gotten to it the day before. We'll see if it helps. But I had five lovely little berries at the end of my lunch after drawing them. I wasn't expecting any the first year, so I shouldn't mind the loss really.