We had a stormy Saturday so Memphis Urban Sketchers met inside Crosstown Concourse, a huge old Sears distribution center that's been converted into apartments, offices, a high school, a YMCA, two theaters, a brewery, and (crucially) my favorite bread bakery Lucy J's. (As opposed to my favorite cake and cookie bakery.) That morning I went in for a ham and cheese pocket or something like that, but the cinnamon rolls smelled SO good that I got one. I got a tea to go with it and settled in to wait for the rain and for friends to show up. It's fun to sketch a treat because I take more time and enjoy it more in the process. It was delicious.

Later while talking to friends I did a quick, smaller sketch of the classic red stairwell in the art gallery section of the building.

I finished the morning having a chat with a different friend while I sketched inside the Memphis Listening Lab with their stunning collection of vinyl that you can have played for you. They have a great soundtrack running, needless to say.

I haven't been sketching much lately, so it felt great to go out and do several, especially while seeing friends at the same time. Urban sketchers is a big part of my social calendar and my absolute favorite group.

The Mid-South Cartoonists Association kindly arranged for the Memphis Urban Sketchers to join them at the Fontaine House, one of our old painted ladies which is now a museum. I've loved this house since I was a kid, and it's always a treat to go there. I sat outside with my big sketchbook to begin with and sketched the house full on. I started at the tower and cut off the very bottom but got more of it than I thought I might when I began. I used a big brush and tried not to get bogged down in all the gingerbread, just to get the impression of the place.

By that time I was cold, and I joined friends inside. I love this view in the top hall just below the tower stairs. I sketched it several years ago (below) and had another, quicker run at it yesterday. The light was glowing pink that I couldn't quite catch, but it was fun to try.

I do love the tower. Sometime I need to go back and sketch this view that I took a photo of out the round window. And Christina got a shot of me when I was still outside sketching the facade. Fun to see myself from a bird's eye view.

I'm doing the less fun thing of scanning in a bunch of family tax documents this month, and I realized I hadn't scanned in this recent9ish) forest sketch. I've been more in my print shop lately than sketching, and this is a nice reminder to get back to my sketchbook as well. Inktense pencil and watercolor. In related news, I also need to clean my black fountain pen in my sketching kit which wasn't working when I reached for it, but I'm happy with the pencil on this one.

Five in One kindly hosted the Memphis Urban Sketchers on Saturday. They're a cool art gift shop (my favorite stickers), print shop, and crafts camp for grown ups. I love what they do and was excited to sketch their cool space. I love their facade, and even though it was chilly I perched outside a while catching their awesome row of windows and bling. Nicely it was sunny and not at all windy and certainly warmer than the icy weather we had been having. I'd been wanting to do a big sketch again, and this is in my largest book. I used a charcoal grey Inktense pencil with watercolor on top.

Afterwards I moved inside to chat with people and did another tiny sketch in my smallest book with just a fountain pen and a W&N watercolor marker. It's fun to do those quick, free sketches after spending a bunch of time on an intricate one.

Memphis is sleeted in, but ohmygosh so much better than being iced in the way Nashville and Oxford and a whole belt of Mississippi are. We missed the damaging ice by about 7 miles, and I'm absurdly grateful and then a little guilty for being that grateful, but I'm here and warm and mostly home. I've been doing more print work than sketching lately, and I've got a house guest who had the bad luck to choose this stretch of time to visit, so I'm just doing less art than I might be anyway. But Monday I sat in my print shop and sketched the snow shadows outside the French doors, and then I sketched a super small/quick one from my kitchen island. I'm also posting, on the general theme of "home," a recent sketch of my stepmom in her wing chair. I love having my parents right in the neighborhood.

I also sketched in line at the grocery store before the snow hit. Fresh Market usually has little to no line, but leading up to the storm Memphis was stocking up. I had had a conversation with a new artist friend about reaching for a sketchbook instead of a phone, and I'm trying to do more of that. The constant struggle.

I had a conversation this week with a new artist friend about how sketching always makes me happier than looking mindlessly at my phone, and it renewed my focus on pulling out the tiny purse sketchbook I (almost) always have with me in those small spaces during the day. I did the top sketch during a stop by the Metal Museum to see their new show and pick up enamel tiles from a workshop I did last year. I love the old bridge that we're slated to lose at some point to something more modern, so I took a minute to sketch it with a simple fountain pen. I treated myself to a new not-too-fancy-but-fancier-than-my-Lamy Pelikan late last year, and I'm really enjoying using it. I grabbed it again waiting in line at Target the other day and added a little red Windsor & Newton watercolor marker (I love their juicy colors). Clearly I closed it a little fast as I got to the front of the line, but it was fun to do in that couple of minutes of waiting instead of reaching for my phone. Here's hoping I can keep going on this streak.

Shapeshifter Art School opens this week offering continuing education art classes to Memphis, filling a void that badly needed some help. I'm so excited about the quality of the teachers, the interesting range of classes, and the gorgeous building it's all housed in. Elizabeth Alley, who founded our Memphis Urban Sketchers chapter, is one of the five artists who also founded the art school. She got the urban sketchers in early to have our monthly meeting and sketch the school. I was completely bewitched by this funhouse mirror door frame. the reflections and light were fascinating, even if the sketch got busy trying to capture all that. And I always enjoy a chance to sneak in a self portrait, this time in brand new thrift store jeans with a great bootleg flare.

I was finished ahead of time, so as well as chatting with friends I pulled out my small purse sketchbook and did one tiny corner with a Nicole Ritchie sculpture by a window.

Afterwards Christina and I caught up over Farmburger at Crosstown. Their holiday lights are still up through the dark part of the winter, and I did a super fast sketch with my gamboge W&N watercolor marker (one of my favorite tools) and a little bit of fountain pen after. It was a great day out, and I've been enjoying being out of the house more this week. It's nice to mark the good days in my sketchbook to remember later.

I gave myself an art day out today after turning in the cover art for Memphis Magazine's February issue a couple of days ago. I know artists who are disciplined in their work hours and days, but I am not one of them. I work through a lot of weekend time but give myself days off while everyone else is at work (which is the nicest time to take them except for seeing friends who are off work on weekends). Also my time off is muddy anyway, as non artist friends have pointed out to me, since sketching is often part of a day out for me.

Elizabeth Alley was talking at Dixon on her art residency in the arctic circle, which was fascinating. I love the noon Wednesday lecture series because it gets it on my calendar to take a museum day. And I love vicarious travel and artists talking about their craft. A perfect excuse to get out. And it was great. I chose paradise blue ink to do some of the sketching in because it felt as appropriate for the chill of the subject matter as it does for the blue of the Caribbean. That was the one I spent the most time on, but then she got to her slide of a polar bear track, and I grabbed my tiny purse sketchbook to record that.

It's 70 degrees today and gorgeous, so after walking through the printmaking exhibit again I ordered a peach tea latte and a blueberry muffin to take out into the gardens. Day out indeed. The drink making is delicious but a little slow, so I sat down to wait and sketched the croissant in the case while I waited. That's my gamboge Windsor and Newton watercolor marker as color. I love their juicy, saturated markers.

Sitting outside at Dixon feels a tiny bit like Paris. There are tables behind rows of  pruned trees and boxwood hedges with a view through to a Rodin statue. It always makes me think of the sculpture garden at the Rodin museum just a little, and it's a happy place for me. Sometime I'll sketch that view, but Elizabeth's talk about drawing patterns on her trip stuck with me, and when I looked down at the table base, I drew that instead. I did a whole series of sketches of my black boots when I was traveling in Paris, so again it felt like a small flashback to good times. It was a truly excellent day out.

I often try to do a very quick sketch on happy occasions just to have something to flip over later in my sketchbook/journal/carnet de voyage (travel book in French, but that phrase has the tang of adventure that I love). I fall back into that day and place when I come across such a sketch. So I did a super fast little pen/wash/marker sketch in the small sketchbook I keep in my purse while I was sitting in the sunshine sharing pastries from Lucy J's bakery with my dad. A good day.

It's been a sunny and unusually warm start to the year, and I'm taking advantage with some sketching walks in the old forest. It feels good to get out, let Henry explore a bit, and enjoy a place I love so much. This first is Diamine Golden Brown ink with watercolor. I've done a couple of different graphic essays with those materials, but I recently refilled a pen that had dried up, and I'm planning to use it more. The ink is dark enough to show a line but light enough to meld with the paint without making a muddy mess. Really perfect.

I did a super quick one New Year's Eve. It was late in the afternoon, and I mostly just painted the sunshine itself. The sun and owls and a feel good day for me felt like a good omen for the coming year. One of those moments I wanted to memorialize for later in my sketchbook.

Here are a couple of older ones, one complete with a few raindrops as I was finishing. That's the Diamine Ancient Copper ink again, and the last one is Inktense pencils with watercolor on top.