Martha Kelly Art

It's been a busy week. My Celestial Paris show is now on the walls at Playhouse on the Square (up through Jan.1, and the reception is Friday, November 18 from 5-6:30). Then I went dancing with my sisters to celebrate and blow off steam. So I'm behind posting a bunch of sketches I've done in the last week or so. Here's a whole collection, starting with the Old Forest, of course.

The pedestrian section of the Hanrahan Bridge over the Mississippi River just opened. It's a great thing for Memphis, and everyone in town, I think, went down to check it out. I waited till Monday, to let the opening crowds thin out, and then I took a break from show prep. It's about a mile total, over the Arkansas side and out into their flood plain just a bit.

Here are the bridges (there are three together) from Arkansas. A quick line drawing.

And a stop at a downtown coffee shop after.

Tuesday I had an artist do at the new Halloran Center at the Orpheum. I tend to sketch as I listen, whether that's music or meetings.

Wednesday I took a lunch break adventure over to Arkansas again, right near Dacus Lake.

And met an amazing tree there. I'm going to have to go back and paint it more thoroughly. I can see it in a print.

I've got a busy couple of days coming up with seminary and newspaper projects plus a little bit of social life, and then I should be back to making more art.

Park Friends Music Nights have started back again for the fall. We had the Side Street Steppers open the season for us, and Mr. Darcy and I had a night out together. I did a good bit of sketching, as I tend to when I'm listening to live music, and I tested out a new golden brown ink in my favorite fountain pen.

I was kind of low energy, and it was also a little bit low light, so I didn't do any watercolors. Just stuck to line drawings.

Of course I had to draw my date...

The next morning I took my sketching things along for my morning walk to check out that ink in the forest. I really love how it melds with the watercolor.

I also drew my favorite tree (again) on the way home.

It's been a crazy week. For me and for the park both. After a long process of mediation that largely failed, the mayor announced a compromise on the park. It calls for moving another good chunk of the trees planted for my mother, and I'm sure we'll lose a number in the process (I'm guessing 70 or so off the top of my head but will have to go count). I'm also afraid for some mature trees that I paint regularly. But the main space of the park is supposed to stay park, assuming the city council supports the plan. That plus some long family conversations this week left me pretty played out and dazed last night, so of course, I painted my dog. Always a good choice.

Today I went out to the park (with Mr. Darcy, of course) and did a sketch of the Greensward that I am hoping will now remain green. Until the next time we have to fight the city off paving it... Hopefully a long time from now.

I finished the three day process to a second proof of the phlox forest today, and I'm largely pleased. There's a little glare on the photo. The black will be black in person. And I have to clean up color in the path a little, but it's about ready to pull some final prints.

The weather was almost picture perfect this weekend, after a slightly stormy start. Sunny with low humidity and a great breeze. Mr. Darcy and I took off for the forest with a sketchbook in hand one afternoon. I sketched the "Elvis urns" in the forest, playing with the varied colors they've weathered to. These huge concrete urns sat on the stage at the Shell when Elvis, Johnny Cash, and Jerry Lee performed at the open air band stand back in the day. They have since migrated to the forest to decay picturesquely.

The clouds were gorgeous, and I'm trying to figure out clouds in watercolor, so I took a little time to paint them as well. I loved sitting and enjoying the breeze in the shade at the edge of the Greensward.

Last night I went to the Shell to hear Rising Appalachia. It's a beautifully restored place, after being derelict for a while, and they put on about 50 free concerts a year. It's also four blocks from my house, which is lovely.

I also spent some non sketching time in the park. It was the Day of Merrymaking festival on Saturday, put on by the Overton Park Conservancy which manages the park. They had an empty slot in their entertainment, and since I'm on the board they asked if I would fill it. I was a bit nervous, since I don't usually perform on a stage with a sound system. (In fact, there's really not a "usually" at all. I usually play at home for my own pleasure.) But I had a total ball, didn't embarrass myself, and now would kind of love to sing songs in public once in a while. It helped that I had the moral support of Mr. Darcy, since I really never go to the park without him.

Even better, Allison sketched me while I was playing! I've been drawing musicians for years now, and I was completely thrilled to have her sketch me while I was, for once, the one playing in public. It's doubly lovely because Allison was at the class I did recently with a 5th and 6th grade art class and got fired up to sketch again when I showed off the ease of the brush pen. I'm so happy to spread this everyday joy, and I'm so grateful to her for coming out to both support and sketch me.

I'm finally getting this phlox print to the full proofing stage. I started it before my trip to Paris, and it's taking a while to get it together, especially since I came home with other prints in my brain. Above is the first full, three layer proof. I missed some tree trunks in the green block that I need to carve out for the brown paper to show through. It also falls off a bit over on the left side, but it's moving close to being finished. This is my favorite spot in the forest in springtime, just magical, and I had to try a print of it.

Here's what the two under layers look like. I tried some different colored papers just to see, but I had planned it for brown, and I definitely like the brown best.

Memphians are still fighting our own city council to save the central area of our huge central park from being paved for yet more parking lot for the adjacent zoo. It breaks my heart. So I went down for the second reading of a resolution to hand the zoo the land. I was pleased to see a large turnout of people who waited patiently for a couple of hours and stayed to both speak and listen to all the other supporters speak as well. I'm so nervous for our park and hoping for the best. Overton Park is my main muse. It's where I walk every day and paint regularly. It's historic. It is needed respite from asphalt and city life. I have been heartsick about this all year.

Thursday morning I painted in the neighborhood since I wanted to paint my "local," Le Renitas. I had a lovely meal here last year. I liked the neighborhood sketching since it let me go home for lunch and tea and then walk downtown after.

I painted in the Tuileries in the afternoon. I've been thinking a lot about park spaces since we in Memphis are currently fighting our own city government to protect my beloved Overton Park. It's both good and bittersweet to see how fierce the French are about protecting their public spaces.

After painting I went back to the Musee d'Orsay for the evening hours. I was blown away by the five versions of Rouen cathedral in a row. Monet rented a shop window and painted I don't know how many versions at all times and weathers. I had just seen two in the Boston museum and loved them.

I had a Monet evening, also doing a sketch of his large, spectacular painting of turkeys. Something about the light and color and scale always makes me think of Sargent's Carnation, Lily, Lily, Rose, which is amusing with the different subject matter. It's one of my favorite Monets, and I decided I was due to spend a little time looking at it closely, which for me usually equates to sketching it.

I had hoped to see the full moon rise over the Louvre afterwards, but there was a solid low bank of clouds, and the evening was fine, so I ended up just walking beautifully home through the warm streets. It was a delightful day

I had a bit of time a couple of weeks ago where my scanner wasn't talking to my computer, so I'm still catching up on those sketches. Here are a few wildflower sketching days. I'm under the weather this weekend, so I'm going back to post these now, since my walking is curtailed at the moment.

That was my warmup on the phlox. I went back to do a fuller landscape a few days later. I'm drawing out a print for this one now.