Elmwood has started something new! They had their first concert on Friday night, and it was total joy to sit out in the shade in a beautiful place, enjoy the breeze, and hear one of my favorite local musicians. I'm still not going to much stuff that's indoors, and an early, still-daylight show that's also outside was my total sweet spot. I took my sketchbook and had a ball. The top piece is a big, fat, water soluble, graphite crayon that I love with watercolor over the top. I'm still rusty drawing people (as I noticed during last Friday's impromptu porch concert), so I used a finer pencil to sketch out Amy LaVere and Will Sexton while they played.

Amy sang a bunch of good songs, mostly her own, and I love a woman with an upright bass. The crowd was really attentive, so she took the opportunity to do four songs that encapsulate her 11 song cycle about running away from home as a young teen. It was a cool piece (there's a full album to go with it that I'll need to get), and I love how she could take that episode from way back and make beautiful art from it. She also had a neat new song about a high school boyfriend that was beautiful and nostalgic. And she did a cool one about Memphis (always a way to my heart). It was fun seeing her play with her husband Will, who's an in demand guitarist and song writer in his own right.

I've done a motley collection of commissions lately. One from a sketch I did at Anderson's cottage, one of Rowan Oak for a friend who went to college there, and one of the river for a special 80th birthday. It's fun to get to help people celebrate their special moments in this way. I'm doing fewer than I used to, and I most enjoy making the art that is busting to get out of my head, but I do love it when people want to mark an occasion with art.

Very handily, the Memphis Urban Sketchers had their meeting at the Greenbelt park just when I needed to paint the river anyway, so I got to chat with friends while doing this one. So much fun to make art with friends.

I've been working hard on my first public commission and not sketching much, but here are a few bits of happiness from the past week that I wanted to make sure I recorded.

This morning I saw two owls before sunrise (we're walking super early to beat the heat just now). They were calling to me and flew, one after the other, directly over my head to a new perch. It was magical. I did my best to hold the shapes in my mind so that I could put them in my sketchbook when I got back home to breakfast.

And on Saturday I listened to live music for the first time in a good while. It reminded me that I need to get out and find some more outdoor music on a more regular basis. Some of my favorite guys had their wedding gig cancelled due to Covid, so they decided to do a last minute concert on a porch. They put the word out on fb about an hour early, and I grabbed a chair and my sketchbook and boogied on over. It was delightful. I realized how VERY out of practice I am drawing figures now that I don't go out to shows or theater for the moment. I made poor Doug look like a muppet in the bottom sketch (and honestly Willy too), but I had so much fun drawing musicians with their instruments again. And seeing friends out at a show. It was a small but lovely group of folks. I was so glad for the chance to hang out, listen to some fantastic musicians do what they do best, catch up with a few friends, and enjoy the evening.

This place --- these trees --- keep calling me. I'm not making any progress on the prints I have in my head yet, but I'm letting them roll around and seeing what develops while I work on several commissions and one "shiny object" (the term for a new project that draws your attention) that has spoken to me since the trees have. Just after a big show goes up is exactly the time to chase shiny objects and see which ones have long term projects. It's exactly the time to be a little ADD in your work, to play, to see what rises to the surface. So here are sketches of trees, and we'll see if the next shiny object even survives long enough to make the blog...

A lot of my sketches over Memorial Day weekend were at Anderson's cottage, with so many thanks to Tony DiFatta of WAMA getting permission for me to go there and spend deep time. I did a smattering of other, quicker sketches. I cycled over to the national seashore several times, which was delightful. It's just a few miles down the coast road (so fun in itself), and there's a great mix of swamp/trees/water. I did the top one in the marsh land as I cycled through. The nifty, bent-double tree caught my eye, and the breeze was stiff enough to keep the no-see-ums away from me, so I seized my opportunity. Next is one from a picnic table right down on the waterfront. Nicely the table is shaded by pine trees that grow right to the water, which is not the kind of shelter you end up getting at a more traditional beach.

One of the mornings I had slept really well and got myself up and out and down to the waterfront for the sunrise. I watched the pelicans and the morning light and did some super quick sketching with an ink brush pen.

Last I sketched my glass of wine from my crab cakes dinner at Maison de Lu, easily my favorite restaurant down there. I treated myself to one lovely dinner out for my weekend of workshop teaching. Several days after returning home, I dug out my coronation teacup (and George VI coronation spoon) to celebrate the Queen's Jubilee, and I've been using them all weekend. I think my mom would approve.  We were raised on BBC and British history.

I took a bunch of intentional time off in April, but I've been having trouble reconnecting with my work. So Saturday I happily went along to Memphis Urban Sketchers at Crosstown Concourse, our remodeled old Sears tower. Nicely it was one of the places we meet that I can walk to, which is always a pleasure. Seeing friends was primary, and I had a lovely time sitting on the upstairs terrace and sketching the reflections in the door and chatting with my friend Christina. It felt good to draw with no agenda, and I ended up happy with what I had done.

Afterwards we moved out to the front plaza to watch the fanfare of Puppy Palooza. It was delightful to watch all the dogs go past and sketch the ones that caught my eye. Sketching dogs is sheer joy, and I stayed for lunch and an extended visit at Global Cafe afterwards.

I was on such a roll, and it was such a beautiful day, that I kept my sketching bag with me as I walked Gideon over to the park after I got home. We went around the lake but then found an open picnic table under my favorite tree. Gideon spotted a stick he liked, so I settled in to sketch and enjoy the afternoon. The good feeling and good sketching has extended into my week, I'm happy to say, and I made good progress on my current commission today. I'm grateful for such a wonderful group of artist friends to meet up with regularly. It's always good for my work to get out and sketch with other people.

I made a flying trip to Ocean Springs again recently and stopped to see Faulkner's home at Rowan Oak in Oxford, MS, on the way back. I hadn't been since I was a teenager and was struck by both the beauty and the lasting imprint of Faulkner's personality on the place. It was given to the adjacent University of Mississippi by his daughter, so all the original furnishings are in place, along with some well told stories in the individual rooms. I loved his study with the typewriter he used, the fan that blew papers off his desk, and the outline of a story written around the wall once the fan had blown his outline around one too many times. I tape things up on my wall to look at all the time in my work, so I felt a kinship to that approach.

But the thing that really grabbed me, as always, was the TREES. They called so loud that I went back down the next week to walk the forest path next to the house (leading, beautifully, to the university art museum) and to draw the trees I'd been thinking about. It was good to spend more unhurried time, check out the exhibitions at the museum, poke around in Square Books, and visit Faulkner's grave at the local cemetery. With my show up at WAMA, it's nice to have a new thread of art to start dreaming on, and we'll see what comes from these trees. My last few prints for WAMA had moved from water back to trees, so this feels like a lovely continuity to where my muse had been leading me already.

This last sketch is the last page in my sketchbook, and it has my Ohr museum sticker from down on the coast. I love to put those entry stickers from various museums right at the front or back of my sketchbooks. this tree just happened to need the one half page, so I went ahead and worked around the sticker that was already there.

The story of Emily Sutton was fascinating (and sad) to me. She owned a bordello, and her madam name was Fanny Walker. When the yellow fever epidemic hit Memphis like a brick in the 1870's, she turned her bordello into a hospital and nursed sick patients until she died, while many prosperous people fled the city instead. She was buried at Elmwood with a lovely marker, but the judgemental patriarchal society added not one, not two, but THREE large boundary stones with her madam name in large letters so no one would forget that she was "only" a prostitute. Jerks. You can see Gideon resting his chin on one of those while I sketched her.

My last sketch with the sketchers (Gideon was with me a different day for Emily) was a rapid walnut ink sketch with a dip pen back at the meet-up site waiting for everyone to gather. I'm really enjoying my dip pen lately. And the walnut ink.

Here is the final batch of sketches from my opening weekend at Walter Anderson Museum of Art. Beautifully my family stayed Wednesday to Monday, so I had some lovely long days to both visit and sketch. (My sister did say that if I'd had a show in, say, Omaha, they might not have stayed as long, but she was delighted to have most of a week at the coast.) Above is a quick post-sunset sketch done in the half dark that I'm not making a print from.

Next is the dinner I had with two artist friends. It was Melissa's actual birthday, but we pooled our celebrations and had a wonderful time catching up and talking about the business of having an art life, navigating self employment, keeping some time for yourself, taxes, and all the fun stuff... But I love talking to other creatives, and it was a wonderful evening that set the tone for the whole week. I also love being out with other people who pull their sketchbooks out with joy and abandon.

Next I noticed the moon walking home from dinner with the family a different evening. I was transfixed, grabbed my sketching stuff, and did this quick piece with a fat, water-soluble graphite crayon and some watercolor on top in near darkness. Hence the simple colors.

Finally the last day, my sister, her husband, and I cycled out the coast road to the Davis Natural Area. We took a breather at a picnic table right on the shore. I love that trees are right along the water line in so many places. Two of my favorite things. We poked around, did a shortish hike, and I made one more visit to the museum before heading home.

I celebrated delivering my new show by sketching lots and also buying a new "I HAD A SHOW AT WAMA" tea set that will forever hold these happy memories for me. I had gone to Shearwater Pottery just looking for a cream pitcher, since I'd recently broken one of my favorites. But of course I ended up with a teapot too. Actually not "of course" -- teapots are hard to make, and they don't always have them in stock. This blue/green/grey glaze was so gorgeous I couldn't resist. In an added bonus, when I got it home, I found that my new favorite tea infuser fits EXACTLY into the hole with the lid going just inside it, so it's my easiest to use teapot of all the ones I now have. (Lots of them, sadly, are too narrow for my infuser, so I use them less than I used to, but I do still rotate through them for joy.).

Speaking of joy, they got my show up on the walls before I left, so I sat in the gallery and did a celebratory sketch of it. So much joy.

I also sketched this tall tree that I've been wanting to do a print of. It's good to have sketches as well as just photos to work from, though both are helpful in different ways, especially for more detailed subjects. And I'm adding in a second vertical that I did at my opening weekend to balance it out. My mom's three best friends have shown up for me at all the truly important passages of my life, acting as her proxies. They couldn't be at the museum in person, but they sent these gorgeous flowers to mark the occasion, and I couldn't be more grateful.