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I spent one stellar day in the MFA last week. It started with a harp demonstration in the musical instruments collection. Neat to see the ancient instruments played and the history explained. Of course I sketched. Both the demo and the audience.
Most of the rest of the day I just looked at art. The John Singer Sargent room blew me away. I'd seen small reproductions of the huge portrait of the four sisters, but walking into the room with it in person just blew me away. I stood there with tears in my eyes for a good while. If I'd had more time, I would have sketched more, but I wanted to see my main highlights (Sargent, two Constables, Inness and the Hudson River school, a couple of just lovely Pieter Claesz still lifes) thoroughly and deeply.
I did take a lunch break in the early afternoon and sketched a bit as a palette cleanser. I also wrote down several quotes that really grabbed me from the tags. The presentation in the museum was stellar. Such a pleasant, light, open place to see the art. I loved it. I could spend days there.
I did take a lunch break in the early afternoon and sketched a bit as a palette cleanser. I also wrote down several quotes that really grabbed me from the tags. The presentation in the museum was stellar. Such a pleasant, light, open place to see the art. I loved it. I could spend days there.
I did one more quick sketch at the end because, after illustration Revelation several years ago, I was intrigued by this Medieval madonna who was conflated with the pregnant madonna on the crescent moon in Revelation.
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