Martha Kelly Art

It's election day, and I walked around the corner to vote. I saw neighbors, I bought iced brownies at the bake sale that's always there (which means I never vote early unless I'm gong to be out of town), and now I'm going to get back to making art.

I had a historical kind of day on Saturday. I walked through both Yorktown and Williamsburg. It was fun to see the old houses and history, but once again, I notice that what I actually sketched are the trees. I have realized recently that one reason I like old places is that they also tend to preserve their old trees. I sketched the tree above on the fringe of the Yorktown battlefield.

Just for variety, I tried the bridge nearby as well, next the farmers market they have. I've been trying to work more in markers again, but this one wasn't particularly successful.

I finished with one more garden, somewhat hidden away, with a gorgeouly gnarled tree at its center. It was a lovely shady place to sit, and I couldn't resist sketching as well. Many thanks to my patient tour guide who hung out while I did all this. I was just on a panel at Crosstown Arts about art and travel, and one of my fellow artists said one key piece was to pick patient traveling companions and also make sketching just the thing that you do, so they know it's a part of who you are. Good advice all around. I tend to travel solo usually but am grateful to my periodic traveling companions who do end up being kind and patient while I sketch a bit.

I got to visit an art class this week at Memphis Hebrew Academy. It was delightful to watch the girls' enthusiasm as they leafed through my art journals. I took a bunch of my journals and travel sketchbooks and talked about what keeping these books means for my work and also my happiness. More and more I feel that my job is to spread the good news of keeping a sketch book and show the ease of using a brush pen in daily life. It's a rewarding thing to watch people think, "hey! I can do this!" That also happened recently at a women's retreat. Giving people the tools to express themselves and watching them play is a beautiful compliment to the time I spend at home alone making my own art.


The MHA art teacher Chany Fleischhacker wrote a blog post with more of her lovely photos at http://artbeatofmha.blogspot.com/2016/05/a-visit-from-martha-kelly.html?m=1


I so appreciated the joy in these images.

I got to go do an illustration of the Redbirds game for the Memphis News, which won't be published till next week, so I can't show it. My editor gave me the press pass, though, and said I could also go up to the press level and sketch from there. So after I did my main illustration, I decided to enjoy myself by doing a little sketchbook work from the press box. So exciting to be up there watching the announcer work. Plus they had cookies. And a great view.

I'm in Lincoln and Concord today, and the history is breathtaking. Everything is so much older than down south. The trees are equally stunning. There's a proliferation of beeches here, and I'm a total sucker for them. And then there's this gorgeous one outside the Lincoln library, which is in itself gorgeous.

The cemeteries look different too. Our ones are replete with Victorian monuments. Here they are lovely-shaped slate headstones with interesting and different relief carvings. I did this one as the front piece for my travel sketchbook.

Here's one of the beeches on the walk back

Also drove into Concord and saw Louisa May Alcott's home.

And a place where both Emerson and Nathaniel Hawthorne lived and wrote

Did one more very quick sketch of an inn where George Washington slept. Sadly they no longer have banjo music on Wednesday nights.

I've been giving myself a bit of an easier schedule at the start of the year, which has been a lovely break. I have also, due to several family and social circumstances, had a few more meals out lately than my usual. Two of them made it into my sketchbook. A Saturday night out on the town at Casablanca, one of my favorite restaurants, and a Tuesday lunch at my favorite Mexican place. It's on out from my house but around the corner from my dentist, so I always try to schedule a dental appointment just before lunch time to have a small treat after.

It's been a disheartening week in my beloved Overton Park. Several years ago, inspired by Henry Shaw who transformed a whole section of St. Louis by founding parks and the botanic garden and planting 40,000 trees, my dad and I asked about donating some trees to Overton to provide visual screening of the zoo lot and shade for future generations. Due to the closing of a longtime nursery and their generosity in pricing the leftovers, we were able to go big (although not Henry Shaw big) and donate 300 new trees plus another 100 shrubs.

Many of the trees are planted in a ring around the Greensward, the one big open meadow that was planned by George Kessler, a disciple of Frederick Law Olmstead, as the heart of the park and the main meeting/play place for people. It is ringed by trees, but the old ones are slowly coming down and need renewing. Sadly the zoo has been using this one big green space for their overflow parking since the 90's, and the city hasn't stopped them. This week they went off the rails and ripped out 27 of our new trees in the dark of a Sunday night. They clear cut four acres of old growth forest several years ago, so their lack of conservation is not a surprise, but they have never before ventured out from their fences to destroy trees in the park proper. I am appalled and heartsick, and I sincerely hope the city will finally stand up and keep them in their borders. They want this land outright, the very heart of the park. That cannot happen. 

This morning there was a jazz funeral march for the fallen trees and a ceremonial replanting of three new ones. The Mighty Souls Brass Band went above and beyond on their civic duty to play on a cold Saturday morning.

Below is a picture from three years ago of the Boy Scouts who helped plant the same batch of new trees that the zoo ripped out some of.

My earliest is the last Stillman and Birns that I used. I like their paper a lot, but the 6x8 size is only in spiral bound, and scanning in sketches across that gap is challenging. Their bound sketchbooks open up to a pretty square format, and I really prefer a rectangle to work in. So this was my last hurrah for their books. The first half is the second half of my 2014 Paris trip, but I kept working in it on my return, and a good third of it was 2015. A couple of my favorites were a marker sketch of Mud Island and sketches of Mr. Darcy.

My first handbook journal, January to April, hooked me on their books. They're a great size to fit in my purse, take water media nicely, and even have a small pocket in the back for museum tickets and other momentoes. This was my hands down favorite page from that one.

I also got back to Shakertown in Kentucky, one of my favorite places to sketch.

During that period I also went to Amsterdam and spent a week sketching both the city and inside the museums.

And then on to Paris for one utterly beautiful week. 

Finally, I'm two thirds of the way through the small handbook I started in October. Sketching ground mostly to a halt during my really busy pre-Christmas season, but I got over the Dixon at the end of the holiday to sketch my show, which was the single biggest moment of my career.

I also (always) continue to sketch my beloved Mr. Darcy.

I've been enjoying sketching my tea lately. I've been doing it sporadically for a good while, but recently I saw Liz Steele's blog about all of her teacup sketches, and it reminded me how much I enjoy doing this too. It's a nice break in the day.

Here's one from Boxing Day. I have several that I haven't posted yet, so here they are together.

And one from even earlier.

I plan to do more of these in the new year, now that my work schedule is finally slowing down a bit.