I spent a couple more days doing intricate and steady work on my current prints, but tonight I was missing my sketchbook. The Memphis Urban Sketchers had a "virtual sketch crawl" today (Saturdays are our normal days), so I wanted to join in. I sit on the sofa a lot in the evenings, but this is my other favorite spot. I'm grateful, so grateful, that I had spent the last year working to make my house a warmer, more pleasant place to be. This corner is one of my new happy places.
I just framed the poster last month to remember a really pivotal show for me. It was a solo exhibition of Berthe Morisot, and she's my new art hero. She just flat out went for it. She was showing in the salon in her 20's and then showed at every Impressionist exhibition that they put together themselves. Frustratingly, fully half of the show was from private collections. Museums just weren't collecting her when they were sucking up every available male impressionist canvas. And her work is amazing. One critic called her "the angel of the incomplete" because of her confident, calligraphic style.
After I saw her show, plus another current woman artist show, also at the Musee d'Orsay, two different friends challenged me to go for it if what I wanted was another museum show. My first, at Dixon, was a career moment, but I'd been having this "what now?" feeling ever since. I don't see ever landing in the Orsay, but Morisot's gumption and drive made me redouble my efforts, and I was awarded a show at the Walter Anderson Museum of Art for 2022. Which, given the current world situation, is perfect. And I'm so glad for something really exciting to work towards just now. It's been a huge bright spot for me lately.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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