MARTHA KELLY ART
  • HOME
  • PRINTS
  • WATERCOLORS
    • Memphis
    • Paris
    • England
    • France
    • Greece and Turkey
    • St. Louis
    • House Portraits and Commissions
    • My Palette
  • OILS
  • BOOKS
  • SKETCHES
    • Quarantine Journal
    • Memphis
    • Overton Park
    • Mr. Darcy
    • Mr. Darcy's Odyssey
    • Musicians
    • Tea
    • Dutch travelogue
    • Shakertown travelogue
    • Sketching tools
  • LITURGICAL
    • Special Bulletin Sets
    • Year A
    • Year B
    • Year C
    • "The Garden"
  • BLOG
  • ABOUT
  • SHOP

Open Studio Sale

12/12/2019

0 Comments

 
Picture
It’s been show season, and this weekend is the final one for me for the holidays, and always my favorite. If you’re around Memphis, please come out on Saturday or Sunday (the 14th & 15th) from 12-5 both days at 1780 Autumn in Midtown. As always, I’ll be joined by Melissa Bridgman and her gorgeous pottery. I recently hung up all my finished oils from the last year or so to look at and invite folks in to see. It’s fun to see them all together, dressed up and ready so to speak. I’m hoping to find an out of the house showing for them at some point, but Open Studio visitors will get a sneak peek.
I also have several recent prints and one set of brand new ones for this show. After my Daily Pleasures still life show this fall, I took the cherries image on the “choose joy” plate (one of Melissa’s!) and made a print. The show had been all paintings, but I really liked the image and wanted to play with it graphically as well. It’s a single plate, but I’ve been hand rolling different color combinations on it. Each one is a little bit different, and it’s been fun to play with them. Come see us if you’re able, and if you’re not, I’ve also been shipping prints off in a good quantity, and there’s plenty of time to get them before Christmas if you’d like to give some original artwork. My online store is at https://squareup.com/market/martha-kelly-art. I’m selling what’s left of the still life gouaches and oils too. I haven’t added them all individually, but if you’re interested, I’ll be happy to put up any that are in demand as needed. See the bottom photo for a sample of them. Give an eternal eclair or macarons with no calories!
Picture
Picture
0 Comments

Dixon Talk

11/11/2019

0 Comments

 
My partner was digging around on YouTube and found this video of me talking about My Own Places, the landscape exhibition I had at Dixon Gallery and Gardens in 2015. They invited me as a current landscape artist to do a solo show as a complement to their Southern Impressionism exhibit. It was the highlight of my career so far, and it was fun to revisit talking about the way I paint and carve prints and how those two media differ from each other. And how keeping a sketchbook has radically broadened the work that I do.
0 Comments

Joslyn Museum part 2

10/23/2019

0 Comments

 
Picture
Picture
Picture
Only so many photos will load easily at once, so I saved some of my favorites from the Joslyn for a second post. I’ve looked at Gustave Dore’s engravings for years, but I had only seen one or two oil paintings by him. This landscape blew me away. I took a couple of closer up shots as well as the overall. I’m a sucker for a twilight/stars scene, and the teal stripe of water beguiled me, as did the texture in the sky. If I could have taken one piece home to live with daily, this would have been it, even though there were likely some objectively “finer” pieces there. I adore it.

I also fell for this urban landscape by John Sloan, one of the founders of the Ashcan school. I’m late learning about them, but every piece I see, I like it more. They painted urban landscapes in the early 20th century, and I’m definitely a city girl. I kept coming back to look at this one as well.
Picture
Finally this El Greco blew me away. He was a painter so ahead of his time. Like Van Gogh and Walter Anderson and Georgia O’Keefe, he saw the world around him in a distinctive, visionary style, and his paintings could be no one else’s. There are only a handful of painters who have completely created a new visual vocabulary. Most great painters, even the masters, build strongly on those coming before. A handful manage to not start from scratch but get somewhere so unique that it feels as if they did. El Greco is one of those. You would think his paintings are 20th century, and he was 400 years ahead of that. This one is about 1582. It’s more muted than some of his, since the subject is the understated and ascetic St. Francis, but it contains that blaze of sky in the background, and the brushwork is loose and assured and only what he needs with not a jot more added. One of the true greats.
Picture
Picture
0 Comments

Joslyn Art Museum

10/22/2019

0 Comments

 
Picture
I visited family over the weekend and also did something of a Midwest art museum tour. Back in college I had taken one summer sculpture class in Omaha and visited the Joslyn, but my memory of it was hazy at best. It was a total delight. A gorgeous variegated pink stone building housing a beautifully curated collection. We had just that morning seen a piece on Helen Frankenthaler on one of the Sunday morning shows. My art knowledge of mid 20th century and beyond, especially in abstract work, is pretty sketchy. I had seen her being mentioned various places and seen a piece or two, but beyond that knew nothing. This monumental piece gobsmacked me in person. It’s the only one I managed to do a sketch of, but I was so glad to have that time to sit with it. Later one of my honorary nieces, which is how I think of several different daughters of people dear to me, wanted to do a collage project. I had told her that I’m always drawn to collage, but I don’t feel I do it well. So we sat down together with my journal page from the museum and each constructed at least an homage to the Frankenthaler piece we had seen together. It was great fun to do, if nothing else.
Picture
Picture
Here are a couple of other pieces I loved at the Joslyn. I’ve always been a total sucker for Dutch still life paintings, and they had a lovely breakfast piece — well on the fancy end of that category. Pieter Claesz’s super simple ones are my very favorites, but I really enjoyed this one from 1630 by Jacob Fopsen van Es. I was also struck by a Madonna with Botticelli/Fra Lippo Lippi resonances by Lorenzo di Credi, c. 1490. The detail is exquisite. I’m going to flood this blog post with too many photos, so I’ll put up another couple of favorites in a post to follow. Too good not to share.
Picture
Picture
Picture
0 Comments

Flow

9/20/2019

0 Comments

 
Picture
Once a year, a painting just flows as I work on it and is better in front of me than the vision I had been hoping for. It’s magic, and it’s what hooked me on being an artist. That happened for me the first time when I was 14 painting in a Memphis College of Art summer kid session. Sadly, it doesn’t happen often. Even after decades of making art, usually what comes out never matches the vision in my head when I started. Which doesn’t mean I’m not proud of my work, but it does mean I always see the bits I wish were different.

I was struggling to paint all summer, and it was deeply good to come home from Paris with new ideas and inspiration. This is an image from there, even though I took the photo several years ago and have been thinking about it and waiting for it to make sense in my mind before I started to paint. I’m enjoying being back to oils now that I’m home with my easel (this is 3x4’, so not a travel kind of piece), and even though I’ll keep struggling with paintings in this water series, it was a lovely gift to get started again and have it be so much fun.
Picture
Picture
Picture
0 Comments

Daily Pleasures

9/14/2019

0 Comments

 
It's been a week, now. I did an artist market on Sunday, hung my main show of the year on Wednesday, and had the opening last night. It's lovely to see it all dressed up and on the wall. I've been showing bits of this edible still life exhibition along the way. It was my fun summer project, just grabbing something at a market or bakery and painting it without thinking too hard. I've always loved still life, and I've always loved the small things that together build daily happiness, so this show was a lot of fun to do. It's also the 20th anniversary of my first ever professional show, at Cecelia Lin Gallery, which is the last time I've done an exclusively still life show. It felt right to do one again and think about how lucky I am to do what I love every day. I'm so grateful for the whole tribe of folks who show up, spread the word, and sometimes even buy art. It was lovely to celebrate with friends last night.
Picture
Picture
Picture
0 Comments

Back to Oils

7/16/2019

0 Comments

 
Picture
I got home this week, having recently done those two small gouache still lifes, and I was ready to dive back into oils. Here was the first one, just 8x8”. But it suits the tiny cherries. I don’t tend to blow things up too much. I’ve found there’s a scale I feel comfortable painting in, both for landscapes and still lifes, and it’s not successful when I try to exceed it by too much. Process shots below. I started with a gray chalk for the drawing.
Picture
Picture
Picture
Picture
0 Comments

Recent Water Oils

6/17/2019

0 Comments

 
Picture
I recently got professional photographs made of some completed paintings in the water series. They are so much better than the snapshots I take in my studio, which invariably have a good bit of glare. So here are a few of them to enjoy today, since I'm in family time mode with my sister here and also getting ready to travel again. There will be travel sketches soon from Washington.
Picture
Picture
0 Comments

Tomatoes

6/12/2019

0 Comments

 
Picture
Today’s still life is tomatoes. I bought some lovely Cherokee purple ones at the market, and I had fun painting one in the sunflower painting over the weekend. Summer tomatoes are worth celebrating, so I decided they deserved their own painting. This is the lunchtime progress, so it’s not finished yet (I’m taking a long break and doing a blog post), but I had a tomato at lunch to match my painting, so I thought that might be fun to show.

The other thing was that I kept thinking about still lifes in general while I was painting. I put up a post about them yesterday, and this painting was feeling very generic to me as I started it, right up until I started painting details into the Bridgman pottery platter the tomatoes sit on.
Picture
So this still life, I very intentionally chose a platter by Melissa to use. I wanted that lightness shining out of the darkness, but I also wanted some of her distinctive work and pattern included. Craft has not always been appreciated on the level of art in this country, but it is equally beautiful and often more skillful. It began to feel like a painting that was more personally mine when I put in the handiwork of a friend. I’d like to include more pottery in my still lifes to come. My first was my new Shearwater teapot I brought back from Ocean Springs when I had work at the Walter Anderson Museum of Art. Including it, aside from celebrating its beauty, was a way for me to memorialize that moment in my career. I intend to keep my still lifes personal by using items I own, things that are important to me, and things made my people who are important to me. The vase in the sunflowers is one I inherited from my Mom, and it always makes me think of her.

Back to work now (and I’ll get a better shot of this painting when I finish it), but the final photo is lunch, the one Cherokee purple in the house that is not currently posing for me. This time it’s on a plate by Perry Munn potters, the friends I visited in Arkansas last week who are also the resident potters at the Ozark Folk Center in Mountain View.
Picture
Kudos to Melissa Bridgman for loaning the platter out to me for this. I have a lot of her work, but nothing the shape I was envisioning.

I love Dutch still lifes, as I wrote about yesterday, but they tended to show off the wealth of their patrons by painting fine china, ornate goblets, and other fancy and expensive objects. What I want to do in my still lifes is to show the beauty of daily life. I hope people will slow down and admire the sheen of a tomato before eating it or remember to get themselves flowers at the market once in a while. And one of my daily happinesses is using handmade things in my regular life. I’m friends with lots of potters, and I love to use the plates, bowls, and teapots they have made.
Picture
0 Comments

Sunflowers

6/11/2019

0 Comments

 
Picture
I’m back to market still lifes this week. It’s an pleasurable and easy way to get the paint flowing when I’m feeling stuck on another project, and I do enjoy the feeling of continuity with still life painters through the centuries. Pieter Claesz is one of my favorites, and several early women painters were flower and still life painters, Rachel Ruysch and Clara Peeters among others. It was a genre women that was “acceptable” or women to do at the time, and they did it beautifully. And made lasting names for themselves, which is amazing given the patriarchal society they were born into. I also think it’s a gift to the world to simply paint beauty occasionally and remind people of the joy in the everyday things that surround them. Still lifes often get marginalized in the same way as genre fiction, but I’ve always been drawn to them, both in viewing and execution.

This week it was sunflowers, which I discovered are harder than they look. I’d done some years ago, but in a very simplified way. I’m drawn to the size and robust presence they have. I started off a little fussy with them, but then the tomato and carrots went in largely one pass. While I painted the flowers likely ten times. So it goes.

Picture
Picture
You can see the chalk marks I use for my initial drawing in the early views. I used NuPastel either light yellow or light gray to lay the shapes down where I want them before diving in with paint. Nothing very detailed, but a road map.

The end of the first day below on the left. I was largely happy with it, though I ran out of steam before I finished the second set of hydrangeas. There had been a different flower there that I wasn’t happy with, so I did a little rearranging near the end of the day to bring another hydrangea blossom around to the visible side. The next day I finished that and also decided the sunflowers were a bit fussy, so I simplified them down a bit. I think it’s finished now. The background is pretty uniformly dark, but it’s hard to get a snapshot without glare. The dark background feels to me particularly in an almost apostolic line with the Dutch painters of the past, and it really makes the lighter objects in the foreground pop. Feeling happy with this one is making me reconsider the previous still lifes in this series. A follow up blog post will show you work I did on one of those.
Picture
Picture
0 Comments
<<Previous
Forward>>
    Picture

       online store


    Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.


    Get studio email updates from Gideon and me.
    Submit

    To subscribe to this blog, by email:

    Enter your email address:

    Delivered by FeedBurner



    Categories

    All
    Artist In Residence
    Art Workshops
    Calendar
    Chalk Line Books
    Commissions
    Country Workshops
    Daily News
    Dixon
    Exhibition
    Food Sketches
    Fountain Pen
    Fountain-pen
    Gouache
    Graphic Essay
    Graphite
    Illustration
    Letterpress
    Liturgical
    Markers
    Memphis Theological Seminary
    Memphis Urban Sketchers
    Museum Sketching
    Musicians
    Oils
    Open House
    Overton Park
    Paris
    Pastels
    Pen And Wash
    Pink Palace Crafts Fair
    PNW
    Prints
    Publications
    Radio
    Self Portrait
    Still Life
    Tea
    Television
    Travel
    Trees
    Urban Sketching
    Video
    WAMA
    Watercolor
    Wedding



    Archives

    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011
    November 2011
    October 2011
    September 2011
    August 2011
    July 2011
    February 2011
    January 2011
    November 2010
    October 2010
    June 2010
    April 2010
    January 2010

  • HOME
  • PRINTS
  • WATERCOLORS
    • Memphis
    • Paris
    • England
    • France
    • Greece and Turkey
    • St. Louis
    • House Portraits and Commissions
    • My Palette
  • OILS
  • BOOKS
  • SKETCHES
    • Quarantine Journal
    • Memphis
    • Overton Park
    • Mr. Darcy
    • Mr. Darcy's Odyssey
    • Musicians
    • Tea
    • Dutch travelogue
    • Shakertown travelogue
    • Sketching tools
  • LITURGICAL
    • Special Bulletin Sets
    • Year A
    • Year B
    • Year C
    • "The Garden"
  • BLOG
  • ABOUT
  • SHOP