Martha Kelly Art

I’m back home and getting into the swing of painting again. I’ve given myself time to just dive in and start working, so at some point I’ll scan in the late sketches from my trip and post them here, but in the meantime, here’s the first oil I’ve been working on since I got home.

I’d had a great flow going on large paintings of water before I left, and I was worried about losing my momentum in five weeks away. Paris is always a restorative time for me, where I experiment with new things, walk and think, and look at lots of amazing art that inspires me for the year to come. This year, though, I was buried so deeply in this series that I was reluctant to leave. I did several things to try to keep the flow going while I was gone. I worked larger in watercolors, which I had wanted to learn for illustration purposes anyway, and it also helped me to stay slightly more in the scale of the work I wanted to come home ready to do. This series includes figures in a number of the paintings, which is still pretty new for me, so I did a ton of larger self portraits (9x12” instead of my usual 5” or 6x8” watercolors) and also sketched a lot of people out in public to keep improving on my figure skills.

Most importantly, I intentionally cast my mind back to the larger paintings and visualized the couple of next ones I wanted to start. I did this especially the last week, while I was walking or right on that edge of sleep, which is a very creative time for me. I was hoping to keep the ideas fresh and get myself back in that mindset for when I got home, and it worked beautifully. I had one day of unpacking and serious jet lag, and the next day (still a bit jet lagged), I was up early and drew off three new paintings before it was light enough to walk Mr. Darcy. This is the first of five paintings I’ve started in the last week and a half. I think this one is finished, though I may tweak it a bit more. Others need various levels of help still, but they’re coming along nicely. It feels good to be back with big canvases and flowing paint again.

The latest oil painting I've been working on is from a photo I took on a rainy evening dog walk last year. I've kept thinking about it, and now that I'm working with water images, I went back to find it. Below are a couple of photos from along the way. I'll work on this a bit more, but I wanted to let it sit and think about it some before going any further.

Here’s another behind the scenes peek at one of the water themed oils in progress. I took a series of photos downtown at the Greenbelt park back in the spring, and they’ve been continuing to call to me. I was happy to get going on this. I shared some later on photos of this recently, but sometimes it’s fun to see the start.

A behind the scenes look at canvas stretching this morning. I got full face licks from Mr. Darcy as I got down in the floor to work. More paintings to come....

I've got so many paintings in my head right now that I'm just pouring them roughly out onto canvas without taking a lot of time to fiddle with the details, though I've spent a couple of days on this one and still have a bit of work to do. It's from a sunset down on Mud Island a few months ago, just before I left town. I've kept thinking about this image and wanting to get back to it. I'm really enjoying the idea of painting water, though it's been harder in this one than previous paintings in this series. You can see at the bottom where I started. The first image is where the painting stands now.

I’ve had an intensive week of painting. It’s been a couple of years since I did oils on canvas. I’ve been painting on my printmaking paper, and I like the texture and immediacy of that, but this week I had a sudden urge to paint larger. I’ve been thinking about several images for a while now, and I just dove in. I bought three 30x40” canvases and took off. None are quite done, but it’s a nicely solid amount of progress.

The first one I started was one of Mr. Darcy in the lake out at the farm. I rode out with my dad after getting home and took several photos as he walked into the lake to get cool. This is a composite of those photos.

Darel Snodgrass at WKNO fm was nice enough to have me on the air again this morning for his daily interview show Checking on the Arts. I was mostly there to talk about next week's Night Vision show at Playhouse on the Square (opening Friday, May 4th from 5:30 to 7:00), but I went in with a whole list of current projects, and we covered all of them. It's fun to go in and get to talk about what I do, when I spend most of my work time by myself in my house (except for my studio helper Mr. Darcy, of course).

And for a little bit of eye candy, here's a recent sketch of my new favorite drink that I haven't posted yet.

I posted my small watercolor studies for these oils last week, and here are a few of the oils I’ve been working on from those studies and also from reference photos, which is a reasonably new thing for me. I spent years working almost purely outside, or working from studies done on site. I remember my painting prof saying that once you’ve put your time in, you learn how the light works (and how the camera changes it), and you can transition into working more from photos. It still feels a bit like cheating, but I do feel that coming to working from photos in my 40’s, with a couple of decades of on site work under my belt, made a big difference to how I would approach these pieces. I will say that the convenience is lovely, especially since I’m doing nocturnes. It can be fun to paint a bit in the dark and see what you get, but a whole show of inconvenient painting would be a lot. Now that the weather is beginning to get nice, though, I’m also itching to get back out with my watercolors when I have the time. A number of deadlines (seven commissions plus the show to hang in the next few weeks) are looming, but then I’ll get to go out west and paint a bit more whatever I feel like for a while. It’s nice to have that rhythm built into my life at the moment.

Here are a couple of the smallest oils for the show (about 10x13”). Now that I’ve got my “second tea” brewed, I’m going to get back upstairs to the easel and keep working on the new one I started this morning.

I’ve been working away on a series of oils on paper for my May nocturne show, but I realized that I’ve been sharing sketches (and got distracted by the #100people and other sketch projects), so I’m slow sharing them here. I’ll go back and take photos and catch up, but in the meantime, here is yesterday’s small oil of the late, lamented Cleveland Street Flea Market.