I visited family over the weekend and also did something of a Midwest art museum tour. Back in college I had taken one summer sculpture class in Omaha and visited the Joslyn, but my memory of it was hazy at best. It was a total delight. A gorgeous variegated pink stone building housing a beautifully curated collection. We had just that morning seen a piece on Helen Frankenthaler on one of the Sunday morning shows. My art knowledge of mid 20th century and beyond, especially in abstract work, is pretty sketchy. I had seen her being mentioned various places and seen a piece or two, but beyond that knew nothing. This monumental piece gobsmacked me in person. It’s the only one I managed to do a sketch of, but I was so glad to have that time to sit with it. Later one of my honorary nieces, which is how I think of several different daughters of people dear to me, wanted to do a collage project. I had told her that I’m always drawn to collage, but I don’t feel I do it well. So we sat down together with my journal page from the museum and each constructed at least an homage to the Frankenthaler piece we had seen together. It was great fun to do, if nothing else.
Here are a couple of other pieces I loved at the Joslyn. I’ve always been a total sucker for Dutch still life paintings, and they had a lovely breakfast piece — well on the fancy end of that category. Pieter Claesz’s super simple ones are my very favorites, but I really enjoyed this one from 1630 by Jacob Fopsen van Es. I was also struck by a Madonna with Botticelli/Fra Lippo Lippi resonances by Lorenzo di Credi, c. 1490. The detail is exquisite. I’m going to flood this blog post with too many photos, so I’ll put up another couple of favorites in a post to follow. Too good not to share.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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