I made a flying trip to Ocean Springs again recently and stopped to see Faulkner's home at Rowan Oak in Oxford, MS, on the way back. I hadn't been since I was a teenager and was struck by both the beauty and the lasting imprint of Faulkner's personality on the place. It was given to the adjacent University of Mississippi by his daughter, so all the original furnishings are in place, along with some well told stories in the individual rooms. I loved his study with the typewriter he used, the fan that blew papers off his desk, and the outline of a story written around the wall once the fan had blown his outline around one too many times. I tape things up on my wall to look at all the time in my work, so I felt a kinship to that approach.
But the thing that really grabbed me, as always, was the TREES. They called so loud that I went back down the next week to walk the forest path next to the house (leading, beautifully, to the university art museum) and to draw the trees I'd been thinking about. It was good to spend more unhurried time, check out the exhibitions at the museum, poke around in Square Books, and visit Faulkner's grave at the local cemetery. With my show up at WAMA, it's nice to have a new thread of art to start dreaming on, and we'll see what comes from these trees. My last few prints for WAMA had moved from water back to trees, so this feels like a lovely continuity to where my muse had been leading me already.
This last sketch is the last page in my sketchbook, and it has my Ohr museum sticker from down on the coast. I love to put those entry stickers from various museums right at the front or back of my sketchbooks. this tree just happened to need the one half page, so I went ahead and worked around the sticker that was already there.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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