I drove down to Ocean Springs last week to meet with the curator, decide on the final pieces, and lay out my exhibition that opens in March. The nice thing about prints instead of large canvases is that I can take proofs of everything. We dumped them all out on the floor, laid them out, and moved them around in the actual exhibition space. It was thrilling to see it come together in a space with four doorways through to Anderson’s own work, visible in all directions. And it was deeply satisfying to see the whole body of work as a set after two full years of work on it. I had just the right number of pieces, which is a great feeling. The space was bigger than I remember (which is always how it happens). Prints are so detailed and take so much time for each piece that I had been wondering halfway through if I would have enough work. It was great to have the long lead time to make this show the best work I can muster for such a special place.
Now I have a nice couple of months for framing, which is good, because I’ve got 21 pieces to frame, easily double the number I’ve done before for any show. I have three more commissions to finish, and then I’m going to give myself some actual time off during the holidays before I start framing. I’ve done that successfully the last couple of years after several years of scrambling right up to Christmas. I’m looking forward to some down time after all the deadlines, but I’m so grateful for the work I’m doing these days.
Martha Kelly is an artist and illustrator who lives and works in Memphis, Tennessee.
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